Photo de l'auteur

Harold Young (1) (1897–1972)

Auteur de The Scarlet Pimpernel [1934 film]

Pour les autres auteurs qui s'appellent Harold Young, voyez la page de désambigüisation.

10 oeuvres 244 utilisateurs 5 critiques

A propos de l'auteur

Crédit image: Harold Young (1)

Œuvres de Harold Young

The Scarlet Pimpernel [1934 film] (1935) — Director — 84 exemplaires
The Three Caballeros [1944 film] (1944) — Directeur — 65 exemplaires
Saludos Amigos [1942 film] / The Three Caballeros [1944 film] (2008) — Directeur — 45 exemplaires
The Mummy: The Legacy Collection (1932) — Directeur — 25 exemplaires
The Mummy's Tomb [1942 film] (1942) — Directeur — 9 exemplaires
The Frozen Ghost [1945 film] (1945) — Directeur — 3 exemplaires
"The Mummy's Tomb," Super 8, Castle # 6208 — Directeur — 2 exemplaires

Étiqueté

Partage des connaissances

Date de naissance
1897-11-13
Date de décès
1972-03-03
Sexe
male
Nationalité
USA
Lieu de naissance
Portland, Oregon, USA
Professions
film director

Membres

Critiques

A forger is forced to work for a Nazi spy ring. His conscience gets the better of him, though, and he secretly conspires with the FBI to turn over the gang. (fonte:imdb)
 
Signalé
MemorialeSardoShoah | 1 autre critique | Sep 6, 2020 |
It would seem to me that the main quality of "The Three Caballeros" is making "Saludos Amigos" look a lot better. It starts out pretty great, with an actually animated framing that actually has some measure of plot (it's Donald's birthday and he's been sent gifts from his Latin-American friends), and a quite solid cartoon of Pablo the Penguin being shown. Then it starts slowly but surely deteriorating, and by the film's halfway point, it's just endless music numbers with either no story at all, or one single gag (usually Donald drooling over various girls) dragged out for way, way too long. There are still some minor decent occurrences to be found in there, like the titular song number, but they get fewer and fewer as the film goes on. Finally, the last third of the film is (on purpose) an ever-increasingly nightmarish contentless soup of surrealist animation. Maybe some of it has some artistic merit, but as it has no plot or story relevance, it gets frightfully dull for me very quickly. And I suspect unless you absolutely love stuff like the final few frames of "Alice in Wonderland" or the Pink Elephant Parade in "Dumbo" and wish there was a lot more of this, but done centred around Donald Duck pining for a singing live action woman, you would think the same.
All in all, the film is an amorphous mess despite the (compared to its immediate predecessor) stronger premise and frame story it started out with, and for a compilation movie, it actually only ever shows a single straight-up self-sufficient cartoon (Pablo, in the film's first ten minutes). The rest of just slow-paced Latin-American sightseeing to music, or Donald dancing with or running after live action girls.
… (plus d'informations)
 
Signalé
Lucky-Loki | 1 autre critique | Apr 5, 2020 |
Donald Duck learns about Mexico and South America, and suffers a libido-induced psychotic breakdown.

What were the folks at Disney smoking? Did they even bother storyboarding this? And didn't someone sober have to approve it?

Concept: D
Story: D
Characters: D
Dialog: C
Pacing: D
Cinematography: C
Special effects/design: C
Acting: C
Music: B

Enjoyment: C minus

GPA: 1.7/4
1 voter
Signalé
comfypants | 1 autre critique | Feb 12, 2016 |
Oberon, Howard and Massey are great in this movie. The women's clothes are pure thirties fashion in disguise- except in the ball scene where it's only thirties and nothing else! The men's clothes are very nice, though.
 
Signalé
isiswardrobe | Apr 7, 2006 |

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Statistiques

Œuvres
10
Membres
244
Popularité
#93,239
Évaluation
3.1
Critiques
5
ISBN
20

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