Photo de l'auteur

Marly Youmans

Auteur de Catherwood

26+ oeuvres 428 utilisateurs 10 critiques

A propos de l'auteur

Marly Youmans's poems have appeared in Carolina Quarterly, Canto, Black Warrior Review, and Ploughshares, among other publications. A native and longtime resident of the Carolinas, she now lives in Cooperstown, New York. She is also the author of three novels and a book for children
Crédit image: Cory Doctorow, January 18, 2006

Séries

Œuvres de Marly Youmans

Catherwood (1966) 137 exemplaires
Charis in the World of Wonders (2020) 70 exemplaires
The Curse of the Raven Mocker (2003) 43 exemplaires
Ingledove (2005) 39 exemplaires
The Wolf Pit (2001) 30 exemplaires
Glimmerglass: A Novel (2014) — Auteur — 20 exemplaires
Little Jordan: A Novel (1995) 16 exemplaires
Thaliad (2012) 11 exemplaires
Val/Orson (2009) 8 exemplaires
Maze of Blood (2015) 5 exemplaires
The Foliate Head (2012) 5 exemplaires
The Book of the Red King (2019) 3 exemplaires
Static (short story) 2 exemplaires
The Throne of Psyche (2011) 2 exemplaires
The Grave Reflection 1 exemplaire
Power And Magic 1 exemplaire
Claire: Poems (2004) 1 exemplaire
The Chinese Room 1 exemplaire
The Comb 1 exemplaire
Tall Yorinda 1 exemplaire
Seren of the Wildwood (2023) 1 exemplaire

Oeuvres associées

Extraordinary Engines: The Definitive Steampunk Anthology (2008) — Compositeur — 355 exemplaires
Firebirds Soaring: An Anthology of Original Speculative Fiction (2009) — Contributeur — 221 exemplaires
Ghosts by Gaslight: Stories of Steampunk and Supernatural Suspense (2011) — Contributeur — 207 exemplaires
The Beastly Bride: Tales of the Animal People (2010) — Contributeur — 194 exemplaires
Salon Fantastique: Fifteen Original Tales of Fantasy (2006) — Contributeur — 128 exemplaires
Logorrhea: Good Words Make Good Stories (2007) — Contributeur — 120 exemplaires
Dreams from the Witch House: Female Voices of Lovecraftian Horror (2015) — Contributeur — 87 exemplaires
Fantasy: The Best of the Year, 2008 Edition (2008) — Contributeur — 64 exemplaires
We Think, Therefore We Are (2009) — Contributeur — 57 exemplaires
Last Drink Bird Head : A Flash Fiction Anthology for Charity (2009) — Contributeur — 29 exemplaires
Stories from the Blue Moon Café IV (2005) — Contributeur — 15 exemplaires
Lightspeed Magazine, Issue 33 • February 2013 (2013) — Contributeur — 14 exemplaires
Postscripts Magazine, Issue 13 (2007) — Contributeur — 12 exemplaires
Lady Churchill's Rosebud Wristlet No. 20 (2012) — Contributeur — 8 exemplaires
Postscripts Magazine, Issue 19: Enemy of the Good (2009) — Contributeur — 7 exemplaires
Lady Churchill's Rosebud Wristlet No. 17 — Contributeur — 5 exemplaires
Postscripts Magazine, Issue 20/21: Edison's Frankenstein (2009) — Contributeur — 3 exemplaires

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Critiques

A point off for very dense reading, due to the author's excellent attempt at making the language authentically 17th century. (To be honest, it doesn't feel like the language is naturally 17th century, more like the author adds in words and phrases that her 17th century dictionary told her were 17th century. I doubt people actually spoke certain phrases in the stilted manner the author presents.)
 
Signalé
ChayaLovesToRead | 1 autre critique | Feb 18, 2024 |
It is uncommon that I find historical fiction set in early America very easy to read, probably because I tend to nitpick it more than is healthy. But I'm very pleased to say I had no such problems with this elegant, lyrical novel, which was thoroughly satisfying and very readable.
 
Signalé
JBD1 | 1 autre critique | Oct 29, 2022 |
I suspect this is going to be one of those books that will come back to haunt me at later dates. It is hard to describe the emotion it evokes when Catherwood is lost in the wilderness with her child. I have been lost, for only a few hours, in a wood, and I recall how frightening it seemed to me to know that I had lost the trail and might not find it again. In my case, a search party would have been launched within hours, I’m sure, had I not returned; in this case, lost is lost and Catherwood must find her own path out of the true wilderness she has wandered into.

There is, it seems to me, a great symbolic arc to this story, along with the very realistic one of loss and desperation. I did not want the story to end as abruptly as it did, but I realized that the object of the tale had been achieved, and knowing more about what happened beyond that point might diminish, rather than enhance, the impact.

In the end, this book is hard to describe. It has a fairytale quality or an ancient folklore vibe. It has a poetic element that has nothing to do with rhythm, but with flow. The second half of it reads like it could be sung in Homeric ballad style. I seldom read anything that I feel is completely unique, but I would dare say this is.

The other odd thing about this book is that I stumbled upon it while just scanning through a list of books, never heard of it or the author, and picked it out of a list of some 200 titles. It was as if it called to me to read it, and read it now. I had no intention of doing so…my list of planned reads is long and pressing, and the time for reading this year is closing in. Then I came across it again in a friend’s 2022 plans. I felt compelled, so I abandoned the plans and read it today. Right book, right time. Occasionally, the literature gods smile upon us.
… (plus d'informations)
 
Signalé
mattorsara | 2 autres critiques | Aug 11, 2022 |
I love this book with an unreasonable passion. I can't explain it; it's a simple narrative, not terribly likely, a single arc. It's just that every word seems true, despite the unlikeliness of the plot. Youmans has never written anything else like it. It seems to have arrived like a visitation from a parallel reality. News of those is valuable to me.
1 voter
Signalé
AnnKlefstad | 2 autres critiques | Feb 4, 2022 |

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Statistiques

Œuvres
26
Aussi par
17
Membres
428
Popularité
#57,056
Évaluation
½ 3.6
Critiques
10
ISBN
33
Langues
2

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