Photo de l'auteur

Arnold Wesker (1932–2016)

Auteur de The Wesker Trilogy

92+ oeuvres 622 utilisateurs 7 critiques

A propos de l'auteur

Arnold Wesker grew up in London's Stepney, and after time at the London School of Film Technique and in the Royal Air Force, worked at a number of jobs---carpenter's mate, farm laborer, pastry chef, among others---until Chicken Soup with Barley was performed on an Arts Council grant in 1958. afficher plus Transferred from a theater in Coventry to the Royal Court, it was joined in repertory there by Roots in 1959 and I'm Talking about Jerusalem in 1960. The realistic trilogy centered on the Kahn family and their connections, in London and Norfolk: old Communists, arts-and-crafts idealists, torpid farm workers, young radicals---nothing less than "the working class today."A different sort of play occupied Wesker just before and after the trilogy---the panoramic description of the ordinary activities of a large group of characters. The Kitchen (1962) followed the rhythms of calm and crisis in a large restaurant; Chips with Everything (1962) dealt with the life of conscripts in an air force training camp. Critic Kenneth Tynan and others welcomed Wesker's microcosms as revelations of the nature of authority and work, and the possibility of collective social action. But Chips, produced in London and New York, was Wesker's last major success. After it, he withdrew temporarily from writing to direct Centre 42, an ambitious worker arts project, the failure of which is memorialized in Their Very Own and Golden City (1966), the chronicle of an idealistic city planner's destructive compromises. Wesker's alienation from the radical politics of the 1970s severed his connection with the British left and threatened his relation with the British theater. (Many of his later plays have had their debut abroad, in Sweden and in the United States.) Since The Four Seasons (1965), about the growing apart of a couple, Wesker's focus has been personal. The Merchant (1976) retells the story of Shylock; Caritas (1981) ends with the martyrdom of a nun; The Old Ones (1972) are brothers confronting the coming of death. The change in Wesker's drama has encouraged readers to return to the early plays and recognize that they are less about collective action than its human difficulties. "I would like to think," the playwright explains, "that my plays . . . have a higher proportion of poetry than journalism." (Bowker Author Biography) afficher moins
Crédit image: Monire Childs

Séries

Œuvres de Arnold Wesker

The Wesker Trilogy (1960) 159 exemplaires
Roots (1959) 45 exemplaires
New English Dramatists 7 (1963) 33 exemplaires
I'm Talking About Jerusalem (1960) 25 exemplaires
The Kitchen (1961) 22 exemplaires
New English Dramatists 1 (1959) 22 exemplaires
Chips with Everything (1962) 16 exemplaires
Love Letters on Blue Paper (1975) 14 exemplaires
Honey (2005) 11 exemplaires
Say Goodbye, You May Never See Them Again (1974) — Text — 11 exemplaires
The Old Ones (Cape plays) (1973) 7 exemplaires
New English Dramatists 10 (1963) 6 exemplaires
Wesker's Social Plays (2009) 6 exemplaires
Fremde Flügel (1980) 4 exemplaires
Caritas: A Play in Two Acts (1981) 4 exemplaires
Sei domeniche di gennaio (1971) 3 exemplaires
Groupie (2011) 3 exemplaires
The Wesker trilogy, Vol. 2 (1976) 3 exemplaires
La cuina 3 exemplaires
Wesker's Love Plays (2017) 2 exemplaires
Political Plays (2010) 2 exemplaires
Joy and Tyranny (2012) 2 exemplaires
Wesker on Theatre (2012) 2 exemplaires
The Friends (1970) 2 exemplaires
The King's Daughters (1998) 2 exemplaires
Yardsale 2 exemplaires
Gli amici 2 exemplaires
Fatlips (1978) 2 exemplaires
Distinctions (1985) 2 exemplaires
Fears of Fragmentation (1970) 2 exemplaires
Die Trilogie 1 exemplaire
˜La œtrilogie (1994) 1 exemplaire
Primavera Selvagem 1 exemplaire
Konyha Három színmű (1984) 1 exemplaire
Shylock (1989) 1 exemplaire
Sukaldea (1989) 1 exemplaire
The journalists - A Play (1975) 1 exemplaire
The journalists : a triptych (1979) 1 exemplaire
When God Wanted a Son (1990) 1 exemplaire
Lady Othello (1990) 1 exemplaire
Fruktan för splittring (1971) 1 exemplaire
Bluey (1985) 1 exemplaire
Stücke 1 exemplaire
Cartas De Amor En Papel Azul (1976) 1 exemplaire
La cocina (1973) 1 exemplaire
All Things Tire of Themselves (2008) 1 exemplaire

Oeuvres associées

Modern Jewish stories (1963) — Contributeur — 36 exemplaires
New English Dramatists 2 — Contributeur — 14 exemplaires
Moderne joodse verhalen (1964) — Contributeur — 7 exemplaires

Étiqueté

Partage des connaissances

Date de naissance
1932-05-24
Date de décès
2016-04-12
Sexe
male
Nationalité
England
UK
Lieu de naissance
Stepney, London, England, UK
Lieu du décès
Brighton, Sussex, England, UK
Professions
playwright
Prix et distinctions
Knight Bachelor (2006)

Membres

Critiques

 
Signalé
David.llib.cat | Oct 15, 2020 |
This play revolves around a young couple who leave London to make it on their own in the country just after WWII. Without the amenities of life, they are attempting to build a home and a family along a new creed, one that appears to be wrapped around some odd combination of socialism and individualism. It follows the family for a decade, even though the play itself is not particularly long, and that does lead to some limitations in character and plot development, as well as throwing in characters that really don't move the story along, but in general, it flows well and is an interesting work with a somewhat ambiguous ending (that is not meant as a complaint).… (plus d'informations)
½
 
Signalé
Devil_llama | 1 autre critique | Aug 7, 2018 |
I like this play far more than I thought I would. I'm not big on social realism, but Beatie Bryant's struggle to articulate her desire for a more fulfilling life is actually very affecting.
½
 
Signalé
amanda4242 | 1 autre critique | Jun 30, 2018 |
Versione italiana di Betty Foà: "I vecchi"
 
Signalé
gianoulinetti | Dec 10, 2013 |

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Statistiques

Œuvres
92
Aussi par
3
Membres
622
Popularité
#40,476
Évaluation
3.8
Critiques
7
ISBN
112
Langues
9

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