Photo de l'auteur

Geoffrey Thorne

Auteur de Titan: Sword of Damocles

30+ oeuvres 370 utilisateurs 6 critiques

Séries

Œuvres de Geoffrey Thorne

Titan: Sword of Damocles (2007) 243 exemplaires
King In Black: Avengers (2021) 10 exemplaires
Green Lantern Vol. 1: Invictus (2021) 9 exemplaires
Winter of the Wild Hunt (2010) 9 exemplaires
Mosaic Vol. 2: Down Below (2017) 7 exemplaires
Pangaea II: The Rise of Dominjaron (2016) — Auteur — 6 exemplaires
Truth & Justice (2021) 4 exemplaires
Red/Shift (2009) 4 exemplaires
Fixing Mr. Styx (The Grim Arcana) (2010) 3 exemplaires

Oeuvres associées

Prophecy and Change (2003) — Contributeur — 177 exemplaires
Strange New Worlds VI (2003) — Contributeur — 100 exemplaires
Strange New Worlds 8 (2005) — Contributeur — 99 exemplaires
Griots: A Sword and Soul Anthology (2011) — Contributeur — 48 exemplaires
The Librarians: The Complete Second Season (2015) — Producer — 45 exemplaires
The Librarians: The Complete Third Season (2017) — Producer — 35 exemplaires
Steamfunk! (2013) — Contributeur — 22 exemplaires
Pangaea (2015) — Contributeur — 11 exemplaires
Barren Worlds (2008) — Contributeur — 10 exemplaires
Space Grunts (2009) — Contributeur — 8 exemplaires
POW!erful Tales: Super-Powered Stories from Beta City (2009) — Contributeur — 4 exemplaires

Étiqueté

Partage des connaissances

Date de naissance
1970-01-20
Sexe
male
Nationalité
USA
Lieux de résidence
Los Angeles, California, USA

Membres

Critiques

As an introduction to a new character this comic didn't really tell us anything. We don't even see Mosaic in person until the last panel, since he spends the rest of the comic in other agents bodies while he breaks into SHIELD, just to steal Lola and take her for a joyride.

I liked the artwork and the appearance of kickass May.
 
Signalé
Lillian_Francis | 1 autre critique | Jul 26, 2021 |
As an introduction to a new character this comic didn't really tell us anything. We don't even see Mosaic in person until the last panel, since he spends the rest of the comic in other agents bodies while he breaks into SHIELD, just to steal Lola and take her for a joyride.

I liked the artwork and the appearance of kickass May.
 
Signalé
Lillian_Francis | 1 autre critique | Feb 24, 2021 |
What happens when you mix up theology, a downed ship, the Prime Directive, time phases and Paradox?
Read the darn book if you want to find out how it turns out, silly.
 
Signalé
Eternal.Optimist | 3 autres critiques | Aug 22, 2018 |
Star Trek novels used to be about whatever crew you were reading about showing up at a planet, finding something wacky and then spending the novel solving whatever crisis they stumbled across. You could jump in and out of the Trek novels without much knowledge of prior events beyond which characters you were reading about this week. Rarely did the novels build on one another and create some type of overall cohesive storyline or continuity.

Then came New Frontier and changed the equation. Now it seems as if every Trek novels wants to tie-in to either an on-going series or the entire novel line as a whole. And as with all things Trek, there are some that do it well (New Frontier, DS9) and some that just don't quite spark my interest (Voyager). Somewhere in the middle are the voyages of the Titan, a spin-off from Next Generation featuring the adventures of Captain William T. Riker and his crew. The Titan is an explortion vessel and after spending the first three books dealing with the fall-out of Nemesis, "Sword of Damocles" finally feels as if it's the first official stand-alone episode of this new series.

Not that you can't or shouldn't have read the first three to get everything that's going on here. There are some subplots that will be richer if you know the background, but on the whole this is the first truly independent Titan novel and the best of the series to date. The Titan explores a region of space that disrupts the ability to generate a warp bubble and power the ship. Finding a nearby planet is the culprit, Titan sends a shuttle (they work out some technobabble way to get there) to investigate and ask the planet's inhabitants to cease their experiments in order to allow the ship to go free. The storyline opens up some real-world implications in the application of the Prime Directive that are far more compelling than a lot of the standard Trek episodes that look at if a captain and ship have the right to interfere or not. The argument that it's a nice policy until it bites you out on the frontier is fascinating.

The story does involve time travel, paradoxes and the notion of fate and destiny. However, in a story that could easily have been muddles under the weight of its various eras, paradoxes and solutions, the story stays straight-forward and it's easy to figure out where the characters are and what is happening. The only bad part is that solution becomes fairly evident early on in the crisis and plays out pretty much as you'd expect for a Trek novel.

That's not say it's a bad thing. There's a comfort in the obvious solutions of Trek novels at times and this one is no exception.
… (plus d'informations)
1 voter
Signalé
bigorangemichael | 3 autres critiques | Jul 1, 2008 |

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Statistiques

Œuvres
30
Aussi par
13
Membres
370
Popularité
#65,128
Évaluation
½ 3.7
Critiques
6
ISBN
21
Langues
1

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