Kristin Thompson

I first read this book in a much earlier edition, but when I learned that Bordwell died this year, I thought it was time to have another look.
The enlightening discussion of the new tools in the cinematographer’s bag was new since I last read it. I was surprised to learn that film itself still has its uses. Evidently, images involving billions of light-sensitive molecules have not been totally displaced by images made of millions of pixels. The discussion of the CGI techniques used in Gravity was especially helpful.
I also enjoyed the many trips to Bordwell’s blog, which the book encouraged. I do wish, though, that the blog included more links to film clips.
Some things have stayed the same: an insightful, detailed critique of Citizen Kane and an organizational structure that makes it problematic for someone trying to organize a course around it.… (plus d'informations)

یکی از بهترین کتاب‌هایی که خوندم... یه جوری بود که هیچ احساس کمبودی نمی‌کنی از یه کتاب مرجع و انقدر روون نوشته شده و انقدر خوب با روابط علت و معلولی اجتماعی، سیاسی و تکنولوژی پیش می‌ره که هی جذب می‌شی این کتاب رو ادامه بدی. نمی‌دونم دیوید بوردول و کریستین تامپسن تو عمرشون چه‌قدر کتاب خوندند و فیلم دیدند تا تونستن این کتاب رو بنویسند. خیلی خوشحال شدم که تونستم این کتاب رو بخونم و یه توفیق اجباری شد.… (plus d'informations)

"Film is an art form with a language and an aesthetic all its own. Since 1979, David Bordwell's and Kristin Thompson's Film Art has been the best-selling and widely respected introduction to the analysis of cinema. While it continues to provide the best introduction to the fundamentals of serious film study, the eighth edition has been revised be more classroom friendly by introducing film techniques earlier in the text, followed by the chapters on Film Genres. Supported by a text-specific Tutorial CD-ROM with video clips, Film Art is automatically packaged with this outstanding student learning tool"… (plus d'informations)