Merril D. SmithCritiques

The first poem in this collection--"River Ghosts"--sets up the reader for a journey into the past and present, into if and when, with "echoes / over the river." The reader is invited to "Observe again." but also to "Now solve the problem." And that's just in the first two poems. Smith might not intend for the reader to "solve the problem" presented in all the poems, but she definitely intends (in my humble opinion) for the reader to observe again and again, whether she is observing "a train to hell," a first love or dark matter. Like a river, these poems meander--at turns edging toward grief ("our mother stopped eating before she died, / now I hear her ghost-laugh in my dreams"), then sisterly fun ("we rubbed the laughing Buddha's belly for good luck"), but always listing toward the mysteries of the universe, encompassing life and death:

Once some brilliant star breathed time
in the after-wake of explosion and danced across a universe
exploring eternity

The poems were compiled after Smith's mother died of COVID-19 in April 2020, and so a number of the poems feature her mother in her youth and old age. She (and others long-deceased) also features as a ghost; not a scary, haunted ghost, but:

Not living,
no longer here,
yet not completely gone.

In her poem "Family Ghosts," Smith makes clear her calling and intent:

Subsisting, existing
their ghost voices sing to me
I hear them
I feel them--ancestors calling me,
this is what we do, generate, create the songs of our hearts forever.

These are poems I will be turning to often as I seek comfort when my own family members become "not living, / no longer here." I will find comfort in knowing that they are "not completely gone." Smith demonstrates how a writer could (and, perhaps, should) allow ancestors to speak through her, echoing through the years, so we always remember not just when but if.