Leonard Slatkin
Auteur de Conducting Business: Unveiling the Mystery Behind the Maestro
A propos de l'auteur
Crédit image: By KokotheDog - Own work
Œuvres de Leonard Slatkin
Billy The Kid Rodeo 5 exemplaires
Symphony no. 10 ; New England triptych ; American festival overture [sound recording] (1992) — Conductor — 4 exemplaires
Gershwin : Works for Piano & Orchestra 2 exemplaires
Haydn: Symphonies No. 93, 99 & 100 2 exemplaires
Leonard Slatkin Conducts American Portraits 2 exemplaires
Bernstein: Candide / Facsimile / Fancy Free / On The Town: St. Louis Symphony Orchestra (1989) — Conductor — 1 exemplaire
The Red Pony: Walk to the Bunkhouse 1 exemplaire
Prokofiev : Cinderella Suite 1 exemplaire
The Russian Album [CD] 1 exemplaire
Marche Slav 1 exemplaire
Orchestral Works 1 exemplaire
Symphony #1/ Piano Concerto (MHS) 1 exemplaire
Prokofiev: The Film Music 1 exemplaire
Viennese Sommerfest! Slatkin Conducts Suppe, Mozart, Strauss, & Beethoven — Conductor — 1 exemplaire
Classic Marches 1 exemplaire
American Album / America the Beautiful 1 exemplaire
Bach Transcriptions 1 exemplaire
Leonard Slatkin - The American Collection 1 exemplaire
Oeuvres associées
Symphony No. 2 in E minor, Op. 27 [sound recording] (1989) — Conductor, quelques éditions — 69 exemplaires
Discovery Sampler: Classical — Contributeur — 7 exemplaires
Anderson : Orchestral music : Vol. 3 [sound recording] (2008) — Conductor, quelques éditions — 6 exemplaires
Anderson : Orchestral music : Vol. 5 [sound recording] (2008) — Conductor, quelques éditions — 5 exemplaires
Anderson : Orchestral music : Vol. 4 [sound recording] (2008) — Conductor, quelques éditions — 5 exemplaires
Cockaigne overture, Op.40 + Froissart, Op.19 + Variations on an original theme 'Enigma', Op.36 [sound recording] — Conductor, quelques éditions — 4 exemplaires
Anderson : Orchestral music : Vol. 2 [sound recording] (2008) — Conductor, quelques éditions — 4 exemplaires
Anderson : Orchestral music : Vol. 1 [sound recording] (2008) — Conductor, quelques éditions — 3 exemplaires
Belshazzar's feast + Henry V : Two pieces for strings + Partita for orchestra [sound recording] — Conductor, quelques éditions — 2 exemplaires
Vaughan Williams : Sea songs : Quick march for military and brass bands + Sinfonia Antartica + Five variants of Dives… — Conductor, quelques éditions — 1 exemplaire
Vaughan Williams : Fantasia on Greensleeves + Pastoral symphony + Symphony no.4 in F minor [sound recording] — Conductor, quelques éditions — 1 exemplaire
The Plow That Broke the Plains / The River / Symphony No 2 Romantic [Audio Recording] (2008) — Conductor, quelques éditions — 1 exemplaire
Vaughan Williams : Flourish for Glorious John + Symphony no. 8 in D minor + Symphony no. 9 in E minor [sound recording] — Conductor, quelques éditions — 1 exemplaire
Vaughan Williams : Fantasia on a theme by Thomas Tallis + Norfolk rhapsody no.1 + London symphony [sound recording] — quelques éditions — 1 exemplaire
Copland : Clarinet concerto + Grohg : Cortége macabre + Dance Panels + John Henry : Letter from home + Music for the… — Conductor, quelques éditions — 1 exemplaire
Violin Concerto / Cello Concerto / Piano Concerto [sound recording] — Conductor, quelques éditions — 1 exemplaire
Vaughan Williams : Symphony no. 5 in D major + Symphony no.6 in E minor [sound recording] — Conductor, quelques éditions — 1 exemplaire
Étiqueté
Partage des connaissances
- Date de naissance
- 1944-09-01
- Sexe
- male
- Nationalité
- USA
- Lieu de naissance
- Los Angeles, California, USA
Membres
Critiques
Prix et récompenses
Vous aimerez peut-être aussi
Auteurs associés
Statistiques
- Œuvres
- 38
- Aussi par
- 24
- Membres
- 104
- Popularité
- #184,481
- Évaluation
- 3.8
- Critiques
- 1
- ISBN
- 9
But we were also extremely concerned about going to a concert hall. The Covid-19 pandemic had reached Michigan. When Governor Whitmer shut the state down, we mourned for the concerts we would never see, but were also grateful to stay home and stay safe. Which we did for a year.
Over that year, I read Slatkin’s blog posts addressing the crisis and the changes the music world was making. We watched the DSO online. I attended ‘Watch Parties’, enjoying the comradery among the musicians who participated by commenting on the music. I checked into Facebook to see DSO instrumentalists play from their homes.
In February 2020 we had ordered tickets for the 2020-21 season. We were so excited about the music and the new director Jader Bignamini. The concerts were cancelled, and we were given credit on our account for the costs. February 2021 we ordered season tickets again, and have huge hopes that this October will see the pandemic under control, and being vaccinated, we will be able return to the concert hall without fear.
But what will that venue look like now? What changes will a pandemic have made on how concerts are organized and run?
Slatkin’s third book is partly comprised of his pandemic era blog posts. But he addresses a lot more in the book. He is envisions possibilities for the future of orchestral music.
Some of the chapters are geared specifically to musicians and music directors. I am, of course, neither, but being eternally curious was interested to understand more about the inside story of what has to happen before I join the audience, and also the issues music directors must deal with.
Aspects of the book that will appeal to the general public include Slatkin’s ideas for expanding and incorporating music education into public school curriculum and how technology offers new ways for orchestras to reach new audiences.
Slatkin’s personality comes through these essays. As he notes, now he is retired, and out of the political aspect of being a music director, he is free to openly express his opinions about everything, including politics.
Slatkin’s background is fascinating. His parents were both musicians in Hollywood and celebrities such as Frank Sinatra were often in his home. We enjoyed how his love for jazz and American music impacted his selections at the DSO, especially his last season.
I received a free galley from the publisher through NetGalley. My review is fair and unbiased.… (plus d'informations)