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7+ oeuvres 568 utilisateurs 10 critiques

A propos de l'auteur

André Schiffrin was born in Paris, France on June 14, 1935. He received a degree in history from Yale University in 1957 and a master's degree from Clare College, Cambridge University in 1959, where he became the first American to edit Granta, the school's literary journal. He started working for afficher plus Pantheon Books in 1962. He became editor in chief in 1963 and managing director in 1969. He was fired in 1990 for a dispute over chronic losses and his refusal to accept cutbacks and other changes. In 1992, he founded the New Press with Diane Wachtell. He was the editor in chief for more than a decade and remained as founding director and editor at large until his death. He also wrote several books during his lifetime including The Business of Books: How International Conglomerates Took over Publishing and Changed the Way We Read, A Political Education: Growing Up in Paris and New York, and Words and Money. He died of pancreatic cancer on December 1, 2013 at the age of 78. (Bowker Author Biography) afficher moins

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Œuvres de André Schiffrin

Oeuvres associées

André Gide, Jacques Schiffrin, Correspondance, 1922-1950 (2005) — Avant-propos, quelques éditions2 exemplaires

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André Schiffrin oltre ad essere stato uno dei protagonisti della casa editrice Pantheon Books nel 1991 ha fondato la casa editrice The new press. Un intellettuale che ha sempre visto l’editoria come un’industria culturale e che ha dovuto lottare contro lo strapotere dei colossi del settore. In questo libro, bello, sintetico, asciutto, Schiffrin esamina con puntualità le dinamiche che hanno portato l’intera editoria ad una posizione di assoluta sudditanza rispetto alla logica dei numeri, sottomettendo la qualità alla quantità. Il passaggio della proprietà delle case editrici dalla figura classica dell’editore, orgoglioso di quanto pubblica più di quanto i libri stessi gli possano rendere, a grandi società, interessate solamente al rendimento del capitale investito, ha stravolto il mercato sia nella fase a monte, i libri prodotti, che in quella a valle, eliminando dal mercato le librerie indipendenti. Ricondurre alla logica del rendimento unitario ogni singolo libro ha significato scegliere non sulla base della qualità del volume, ma unicamente su quella di vendere, di attrarre il grande pubblico, elidendo il concetto stesso di pluralismo, nicchie e diversità. Gli effetti sulla cultura e sul futuro dell’editoria, ampiamente anticipati da Schiffrin, sono evidenti ancor più oggi in Italia dove sta prendendo corpo quanto accaduto negli Stati Uniti trenta anni fa. Un libro molto bello ed indispensabile per chi si occupa a qualsiasi titolo di questa materia.… (plus d'informations)
 
Signalé
grandeghi | 1 autre critique | Dec 22, 2023 |
A rather grossly misleading title, in that we only see a small handful of artists represented here, and practically all of the cartoonists are of the left-wing persuasion; a great chunk of the cartoons were originally published in New York City's briefly-lived tabloid newspaper PM. Granted, some of these cartoons (especially the ones done by Carl Rose, more known for his New Yorker work) are not really available anywhere else, but over time, you're getting only one side of the argument. Also noteworthy is that it's a semi-rehash of a similar, previous book that focused just on Ted Geisel's work for PM.… (plus d'informations)
½
 
Signalé
EricCostello | 3 autres critiques | Oct 24, 2023 |
When I searched for this book on goodreads *by its title*, the first two suggestions were a freakonomics sequel and a Malcolm Gladwell book, which more or less proves that Schiffrin is right and large publishing conglomerates who expect each individual book to make a profit, and each publisher to make a super-profit, are simply incapable of printing good, worthwhile books.

When I finally found it, the two first reviews were both from people who read this book before setting up their own press. I have no idea if their presses publish things I would consider good, but Schiffrin (R.I.P.) has written that kind of inspiring book. He discusses his father's role in setting up Pantheon, his own travails in publishing, and his own founding of The New Press. He makes me want to start a press of my own, a substantially easier proposition now than when he wrote this one (c. 2000).

As an historical document, this is fascinating, too: only one mention of amazon, nothing (of course) on publishers like NYRB and Europa, only a glimmer of how important Dalkey would become... Not even the occasional "great books I have published" paragraph kept me from finishing this in a day. He published some great books! Good for him.
… (plus d'informations)
 
Signalé
stillatim | 1 autre critique | Oct 23, 2020 |
Not as good as the original Dr. Seuss Goes to War...
 
Signalé
tloeffler | 3 autres critiques | Jun 30, 2019 |

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Œuvres
7
Aussi par
1
Membres
568
Popularité
#44,051
Évaluation
½ 3.6
Critiques
10
ISBN
34
Langues
11

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