Photo de l'auteur

Margaret Rutherford (1892–1972)

Auteur de How Pleasant to Know Mr. Lear: Nonsense Poems

29+ oeuvres 59 utilisateurs 2 critiques

A propos de l'auteur

Comprend les noms: Dame Margaret Rutherford

Crédit image: wikimedia.org

Œuvres de Margaret Rutherford

How Pleasant to Know Mr. Lear: Nonsense Poems (1982) — Directeur de publication — 27 exemplaires
Autobiography (1972) 4 exemplaires

Oeuvres associées

Chimes at Midnight [1965 film] (1965) — Actor — 82 exemplaires
The Importance of Being Earnest [1952 film] (1952) — Actor — 75 exemplaires
Blithe Spirit [1945 film] (1945) — Actor — 57 exemplaires
Murder at the Gallop [1963 film] (1963) 41 exemplaires
Passport to Pimlico [1949 film] (1999) — Actor — 40 exemplaires
Murder, She Said [1961 film] (1961) 23 exemplaires
Murder Ahoy [1964 film] (1964) — Actor — 23 exemplaires
Murder Most Foul [1964 film] (1964) 17 exemplaires
The V.I.P.s [1963 film] (1963) — Actor — 16 exemplaires
The Mouse on the Moon [1963 film] (1963) 12 exemplaires
On the Double [1961 film] (1961) — Actor — 6 exemplaires
The Wacky World of Mother Goose [1967 film] — Actor — 2 exemplaires

Étiqueté

Partage des connaissances

Nom légal
Rutherford, Dame Margaret Taylor
Date de naissance
1892-05-11
Date de décès
1972-05-22
Sexe
female
Nationalité
UK
Lieu de naissance
London, England, UK
Lieu du décès
Buckinghamshire, England
Lieux de résidence
Madras, India
Wimbledon, England, UK
Études
Wimbledon High School
Professions
actor
autobiographer
piano teacher
Relations
Benn, Sir John (uncle)
Prix et distinctions
Dame of the Order of the British Empire (1965)
Academy Award for Best Supporting Actress (1963)
Courte biographie
Margaret Rutherford was born in Balham in South London to a deeply troubled family. Her father William Rutherford Benn, a journalist and poet, had murdered his own father, been declared insane, and confined to Broadmoor Criminal Lunatic Asylum. He was released from Broadmoor in 1890 and dropped his surname. He then took his wife and young Margaret to live in India. She was sent back to Britain at age three to live with her aunt Bessie Nicholson in Wimbledon and told that her father was dead. Her mother committed suicide. At age 12, Margaret learned that her father was still alive and had in fact been readmitted to Broadmoor, where he remained until his death in 1921. She was educated at Wimbledon High School and at boarding school. She developed an interest in the theater, took acting lessons, and performed in amateur dramatics. When her aunt Bessie died, she left money that helped Margaret pay for drama training at the Old Vic School. She supported herself as a piano teacher and as an elocution teacher. She made her stage debut at the Old Vic in 1925 and soon established herself as a talented and beloved comic actress. One of her most famous roles was as Miss Prism in John Gielgud's production of The Importance of Being Earnest in 1939. In 1941, she received rave reviews as Madame Arcati in Noël Coward's Blithe Spirit, a role she reprised in David Lean's 1945 film version of the play. Other famous film roles included Professor Hatton Jones in Passport to Pimlico (1949), Miss Prism in the 1952 film adaptation of The Importance of Being Earnest, and Aunt Dolly in I'm All Right Jack (1959).
In 1963, she won an Academy Award and Golden Globe as Best Supporting Actress for her performance as the Duchess of Brighton in The VIPs. Between 1961 and 1964, she portrayed Miss Jane Marple in a series of four films based on the novels of Agatha Christie. In 1945, at age 53, she married Stringer Davis, a character actor 7 years her junior with whom she appeared in many productions. He nursed her through periodic episodes of depression, which sometimes involved stays in psychiatric hospitals and electric shock treatment. She was made a Dame of the Order of the British Empire in 1967.

Membres

Critiques

Delitto Sotto Il Sole, Assassinio Allo Specchio, Assassinio Sul Nilo, Assassinio Sull'Orient Express
 
Signalé
javirulillo2 | Mar 28, 2020 |
Publishers Weekly - Butenko, a Polish artist, disappoints with these eccentric, haphazard renderings of four poems by Lear. Butenko draws in grainy white medium on a dark, matte ground, givng the effect of chalk on a blackboard. He makes heavy use of preschoolish-fans might say ``primitive''-stick figures with spherical, smiley-face heads. The autobiographical ``How Pleasant to Know Mr. Lear!'' (Lear himself called it ``Self-Portrait of the Laureate of Nonsense'') opens the volume, with Butenko hand-lettering every word; the other three selections pair doodles with mostly mechanical type. Unsurprisingly, the richness of this book lies in Lear's playful but melancholy verse: ``The Jumblies'' realizes the envy of people neither foolhardy nor brave enough to ``[sail] to sea in a sieve''; ``The Dong with a Luminous Nose'' evokes longing and heartbreak (for this selection, Butenko crudely copies Lear's own cartoon); ``The Scroobious Pip'' introduces a bizarre animal that suggests Lewis Carroll's Jabberwock. Neither Butenko nor Lemieux (see There Was an Old Man..., reviewed above) improves on Lear's own illustrations, which can be viewed in such volumes as the Everyman's Library Children's Classics edition of A Book of Nonsense. Ages 4-10.… (plus d'informations)
 
Signalé
Vanessamom25 | Jan 17, 2014 |

Prix et récompenses

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Statistiques

Œuvres
29
Aussi par
19
Membres
59
Popularité
#280,813
Évaluation
½ 3.6
Critiques
2
ISBN
4

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