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Paul Robeson (1898–1976)

Auteur de Here I Stand

61+ oeuvres 443 utilisateurs 7 critiques

A propos de l'auteur

Paul Robeson, Jr., is a freelance journalist, translator, and owner and archivist of the Paul Robeson and Eslanda Robeson Collection

Comprend les noms: Paul Robeson

Crédit image: Paul Robeson (29 August 1949) / Photo © ÖNB/Wien

Œuvres de Paul Robeson

Here I Stand (1958) 217 exemplaires
Paul Robeson 7 exemplaires
Ol' Man River (2007) 4 exemplaires
Ballad for Americans (1991) 3 exemplaires
The Essential Paul Robeson (1974) 2 exemplaires
500 Years Later 1 exemplaire
Emperor of song 1 exemplaire
Complete EMI Sessions 1928-1939 (2008) 1 exemplaire
Ol Man River [12trx] 1 exemplaire
Song Of Freedom 1 exemplaire
Best of Paul Robeson 1 exemplaire
Songs of my People 1 exemplaire
Lift every voice! 1 exemplaire
Chants de la liberté 1 exemplaire
Best Loved Songs 1 exemplaire
Negro Spirituals 1 exemplaire
IF I KNEW THEN (2011) 1 exemplaire
The Paul Robeson collection (1991) 1 exemplaire
American Balladeer 1 exemplaire
Robeson vol 1 1 exemplaire
A lonesome road 1 exemplaire

Oeuvres associées

The Portable Harlem Renaissance Reader (1994) — Contributeur — 408 exemplaires
Freedom Road (1944) — Avant-propos, quelques éditions191 exemplaires
Let Nobody Turn Us Around: An African American Anthology (1999) — Contributeur — 150 exemplaires
Brotherman: The Odyssey of Black Men in America (1995) — Contributeur — 91 exemplaires
Porgy and Bess: Selections [sound recording] (1963) — Performer, quelques éditions21 exemplaires
Show Boat [1936 film] (1936) — Actor — 19 exemplaires
The Emperor Jones [1933 film] (1993) — Actor — 10 exemplaires
King Solomon's Mines [1937 film] (2001) 8 exemplaires
Body and Soul [1925 film] — Actor — 6 exemplaires
Tales of Manhattan [1942 film] (1942) 5 exemplaires
The Proud Valley [1940 film] (2000) — Actor — 4 exemplaires

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Paul Robeson was one of the most dynamic characters in the twentieth century, but is often forgotten today. A pastor’s son, he grew to be a unanimous All-American defensive end at Rutgers, an award-winning scholar, a law student, a stage actor, a musical artist, a polyglot, and a film actor – all in the first forty years of his life and all despite a strong culture of racism in his home country. The second half of his life was shackled in a brutal political fight against a racist American system. Civil rights leaders in the 1960s credited him with inspiring them in “the movement.” In this biography, his son provides us with an intimate look at the first half of his life.

Robeson’s early life and life at Rutgers are well-chronicled here, in a way only a family member can. The abject racism – even in New Jersey – is told through personal stories, presumably passed in family lore. Here, we can observe the elder Robeson’s courage and determination. With his father William’s encouragement, the elder Paul attempted to be the “model Negro.” His magnificent voice and acting skills took him to England for a decade. He was able to travel Europe and North Africa. Notably, he encountered a much less racist but more classist society in Britain along with fascism while traveling in 1930s Germany for the first time. To him, fascism was a cousin (if not closer) to racism and became a lifelong enemy.

The backstories of two life challenges are described here, too. First, the elder Robeson often sided with communism over fascism in his political stances, much to the chagrin of American conservatives. This tendency provided official trouble in America during the Red Scare after World War II. The younger Robeson explains this as fundamentally an anti-fascist attitude. Like MLK, he saw that communism contained a successful critique of the American racist structure. Alongside his father, his son maintains his family’s essential patriotism for America, including the criticisms. Second, the son describes early difficulties of his father’s marriage with Essie in detail. These accounts make an eminent figure like Paul Robeson to appear much more human, much more like us.

Paul Robeson is sadly a name often forgotten today. We acknowledge the Martin Luther Kings, the Rosa Parks, the Septima Clarks, and the John Lewises much, all with mettle made in the late 1950s and 1960s. The excellence of Paul Robeson taught these leaders, in prior years while younger, of the feasibility of American equality. If Paul could be a world-renowned figure, then American culture could learn to change. If Paul could maintain his faith and integrity while protesting against American racism, so could they. Future generations deserve to hear Paul Robeson’s story, told here with intimate access.
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Signalé
scottjpearson | 2 autres critiques | Sep 9, 2023 |
In the middle of the twentieth century, Paul Robeson was considered the most well-known American in the world. He was a famous singer, football player, and polymath/scholar who advocated for universal equal rights, especially at home in America. However, during the 1950s, he made a statement supportive of the USSR, and he was blacklisted by the US State Department in the Red Scare. Subsequently, he was denied a passport, essential for an international showman. Eventually, this practice was ruled unconstitutional, but Robeson lost key years in his professional life.

With his income slashed from around $100,000 per year to a few thousand dollars per year, Robeson wrote this autobiography to explain himself to the public. He talks about his upbringing as a Presbyterian pastor’s son of a freed enslaved father in Princeton, New Jersey. He shows the nature of his deep faith, its roots in education, and his desire for racial equality. He talks about how he bonded with the white working class in England and criticizes 1950s black civil rights leaders as being too self-interested. He portrays himself as a man of character and integrity.

Most interestingly, he explains his political leanings towards communism and socialism. Although many today object to these views, he reminds us that democratic American at the time tolerated Jim Crow laws. Indeed, the Soviet Union offered more racial equality than much of the United States at the time. He still laudably maintains his allegiance to America because his family helped build this country. Of course, in assessing the Soviet Union, he omits mentioning Stalin’s pogroms and other human rights abuses. This notable shortcoming might explain why he is not much remembered today.

Paul Robeson helped inspire the generation of civil rights leaders in the 1960s movement, people like John Lewis. We now have the perspective of the fall of communism, but it’s worth reading this autobiography to understand the diversity of opinions during this age interacting with race. Much like racial progress today, the struggle isn’t always linear and obvious. Characters like Robeson demonstrate that genius can occur in every skin tone, and so can noble suffering.
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Signalé
scottjpearson | 1 autre critique | Aug 30, 2023 |
1-1 Swing Low, Sweet Chariot 2:45
1-2 Little Man, You've Had A Busy Day 3:11
1-3 Lazy Bones 3:16
1-4 Deep River 2:20
1-5 St. Louis Blues 3:25
1-6 Song Of The Volga Boatman 2:40
1-7 Carry Me Back To Green Pastures 2:50
1-8 The Lonesome Road 2:38
1-9 Got The South In My Soul 2:55
1-10 Mary Had A Little Baby, Yes Lord 2:30
1-11 River, Stay 'Way From My Door 3:21
1-12 Shortnin' Bread 1:06
1-13 Solitude 3:26
1-14 Shenandoah 3:09
1-15 High Water 2:29
1-16 Wagon Wheels 3:18
1-17 Hush-A-Bye Lullaby 3:11
1-18 Snowball 3:12
1-19 I Ain't Lazy, I'm Just Dreamin' 2:42
1-20 So Shy 3:15
… (plus d'informations)
 
Signalé
carptrash | Mar 27, 2022 |
Paul Robeson Speaks is a stirring, illustrated collection of speeches, writings, interviews, and press reports by a man whose thoughts and writings contributed greatly to African culture and Black pride.
 
Signalé
JRCornell | Oct 28, 2018 |

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Œuvres
61
Aussi par
12
Membres
443
Popularité
#55,291
Évaluation
3.9
Critiques
7
ISBN
21

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