Photo de l'auteur

Harry Kurnitz (1908–1968)

Auteur de Witness For the Prosecution

10+ oeuvres 257 utilisateurs 7 critiques

A propos de l'auteur

Notice de désambiguation :

(eng) Psuedonymn for Harry Kurnitz

Œuvres de Harry Kurnitz

Witness For the Prosecution (1957) — Screenplay — 102 exemplaires
Fast Company (1938) 43 exemplaires
A Shot in the Dark: A Comedy in Three Acts (1954) — adaptor — 31 exemplaires
Reclining Figure (1952) 30 exemplaires
The Shadowy Third (1946) 15 exemplaires
My Dream Is Yours [1949 film] (1949) — Screenwriter — 15 exemplaires
Once More, With Feeling (1959) 12 exemplaires
Invasion of Privacy (1956) 7 exemplaires

Oeuvres associées

The Inspector General [1949 film] (1949) — Writer — 89 exemplaires
Shadow of the Thin Man [1941 film] (1941) — Writer — 56 exemplaires
Fast Company / Fast and Loose / Fast and Furious (2013) — Screenwriter — 4 exemplaires

Étiqueté

Partage des connaissances

Nom canonique
Kurnitz, Harry
Nom légal
Kurnitz, Harry
Autres noms
Page, Marco
Date de naissance
1908-01-05
Date de décès
1968-03-18
Sexe
male
Nationalité
USA
Lieu de naissance
New York City, New York, USA
Lieu du décès
Los Angeles, California, USA
Professions
reporter
screenwriter
Courte biographie
A former reporter, Harry Kurnitz arrived in Hollywood in 1938 after being hired to write the screenplay for his own story, "Fast Company." He stayed to become a prolific screenwriter, working on everything from Errol Flynn swashbucklers to Danny Kaye comedies. He also found time to become a successful novelist and playwright ("A Shot in the Dark", "Once More with Feeling").

IMDb Mini Biography By: frankfob2@yahoo.com

Trivia
American Playwright

Was nominated for Broadway's 1964 Tony Award as Best Author (Musical), along with his collaborator Noel Coward, for "The Girl Who Came to Supper."
Notice de désambigüisation
Psuedonymn for Harry Kurnitz

Membres

Critiques

Laughton steals the show as a barrister just out of the hospital after a heart attack who takes on the case of Power, who is accused of killing an older woman who has left him 80,000 pounds in her will. The case turns on the testimony of Power's German wife played by Marlene Dietrich. While Power, who is clearly not British, seems very out of place, the rest of the cast excels in a very well-written script that perhaps has one twist too many, but is still quite effective, engrossing, and amusing.… (plus d'informations)
½
 
Signalé
datrappert | 2 autres critiques | Oct 24, 2021 |
Novela entretenida, pero la edición española es de vergüenza: erratas para dar y regalar que no solo te sacan de la lectura sino que en ocasiones dificultan el entender lo que se está leyendo. Vamos, que la edición es de 1 estrella, y porque no hay menos.
 
Signalé
cuentosalgernon | 1 autre critique | Jun 26, 2020 |
A man's wife testifies against him at his murder trial.

Very entertaining, especially Laughton's performance. I think snarky wit is the foundation of the English legal process. I never would have seen the ending coming even if I'd had reason to expect a twist - but I didn't have reason, because it still would have been a good movie without the twist.
½
1 voter
Signalé
comfypants | 2 autres critiques | Feb 18, 2016 |
They don't make 'em like this anymore: plays in which a beautiful, gracious, intelligent and sophisticated woman subordinates herself in every way to a megalomaniacal "man of genius," in this case an orchestra conductor. I call it the "My Fair Lady" syndrome. Emphasis on the "my". This play contains a perfect Walter Matthau role: an impresario named Max, played on Broadway by, guess who. You can see that this is the type of part that allowed Matthau to hone the fine art of playing Walter Matthau, that wonderful mixture of the dopey and the shrewd..… (plus d'informations)
 
Signalé
jburlinson | Nov 21, 2010 |

Listes

Prix et récompenses

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Statistiques

Œuvres
10
Aussi par
4
Membres
257
Popularité
#89,245
Évaluation
½ 3.4
Critiques
7
ISBN
20
Langues
2

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