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4 oeuvres 44 utilisateurs 9 critiques

A propos de l'auteur

Crédit image: Photo Credit: Marte Lundby Rekaa

Œuvres de Orlando Ortega-Medina

The Fitful Sleep of Immigrants (2023) 13 exemplaires
The Death of Baseball (2019) 7 exemplaires
The Savior of 6th Street (2020) 6 exemplaires

Étiqueté

Partage des connaissances

Nom légal
Ortega, Orlando Nelson
Date de naissance
1970-05-29
Sexe
male
Nationalité
UK
Canada
USA
Lieu de naissance
Belvedere, California, USA
Lieux de résidence
Kensington, London, England, UK
Études
University of California, Los Angeles
Southwestern University (School of Law)
Professions
Lawyer
Author
Organisations
California State Bar
Prix et distinctions
National Society of Arts and Letters award for Short Stories
Shortlisted for the Polari First Book Prize (2017)
Agent
Jason Bartholomew (The BKS Agency)
Courte biographie
Orlando Ortega-Medina is the author of the acclaimed short-story collection Jerusalem Ablaze: Stories of Love and Other Obsessions and the novels The Death of Baseball and The Savior of 6th Street. Ortega-Medina lives in England.

Membres

Critiques

* I would like to thank Netgalley for the opportunity to review a pre-publication copy of this book *

"Stories of Love and Other Obsessions" is a very apt subtitle for Ortega-Medina's debut collection of short stories. Each of these stories portrays ordinary human beings who find themselves in the grip of compulsions or of malign external influences. Few, if any, of them are about "love" in the traditional sense.

The stories are set in Japan, Canada, the USA and Israel, and range from the expansive "An Israel State of Mind" to the mere vignette of "Eyesore in the Ginza". One character, Marc, appears in more than one story, but not much is made of that in any narrative sense.

The collection has quite a variety of styles. The opening "Torture by Roses" and the closing "Jerusalem Ablaze" are creepy and macabre. I found the sadness at the heart of "After the Storm", "And A Little Child Shall Lead Them" and "The Shovelist" the most affecting. The urban grit of "Eyesore in the Ginza" and "Invitation to the Dominant Culture" was OK, but I've seen it done better in the hands of writers like Junot Diaz.

I read this in a single sitting and am very much looking forward to Ortega-Medina's next effort.
… (plus d'informations)
 
Signalé
gjky | 5 autres critiques | Apr 9, 2023 |
Orlando Ortega-Medina's biographical blurb describes him as a "US-born British-Canadian author of Judeo-Spanish descent." He currently lives in London, where he works as an immigration lawyer.

It is tempting to see in this début collection of short stories and its varied settings and contexts a reflection of the author's rich background and experiences. It might also be no coincidence that most of the characters are "seekers" who are trying to come to terms with their cultural or religious heritage, with their sexuality or, more generally, with their personal identity.

There is variety also in the author's style and approach. The anthology is subtitled "Stories of Love and Other Obsessions" and my initial impressions were of a latter-day Edgar Allan Poe, using elements from the horror genre to highlight his characters' fixations. Thus, in the opening "Torture by Roses", the narrator disdainfully watches the body of his teacher and mentor going up in flames, ironically confirming that he has learnt his master's perverse lessons in hate. In "After the Storm", we're even more clearly in Poe territory, as a lonely Oregon housewife finds a man's body on the beach and carries it home for company.

In other stories, Ortega-Medina ratchets up the sexual tension, through some explicit and even violent imagery. A case in point is "Invitation to the Dominant Culture", about a man who eventually acts out his violent fantasies about women. Also in the same vein is the title story "Jerusalem Ablaze" about a young Catholic convert who enters a seminary in Israel but is seduced by a Jewish dominatrix. It is a story about religious identity and guilt capped by a bloody denouement. Unsurprisingly, some early readers found these stories "disturbing" -which, frankly, they are. It is a pity that this will put some readers off an original anthology which includes its tender moments (such as "Star Party", about an immigrant with an interest in astronomy, or "The Shovelist", about an old man who convinces his new neighbours - a young gay couple- that they need somebody to shovel snow from their drive).

Ultimately, this brief collection's dizzying variety is both its main advantage and its disadvantage. The anthology's occasionally awkward mix of dark pieces and more "mainstream" material, flash fiction and longer tales, wildly different settings and characters, all within less than 200 pages, give it the feel of a "scrapbook" or tantalising "taster" rather than a fully-fledged debut. There is certainly a gifted author at work here but I, for one, would have wished for a more cohesive collection.
… (plus d'informations)
 
Signalé
JosephCamilleri | 5 autres critiques | Feb 21, 2023 |
Orlando Ortega-Medina's biographical blurb describes him as a "US-born British-Canadian author of Judeo-Spanish descent." He currently lives in London, where he works as an immigration lawyer.

It is tempting to see in this début collection of short stories and its varied settings and contexts a reflection of the author's rich background and experiences. It might also be no coincidence that most of the characters are "seekers" who are trying to come to terms with their cultural or religious heritage, with their sexuality or, more generally, with their personal identity.

There is variety also in the author's style and approach. The anthology is subtitled "Stories of Love and Other Obsessions" and my initial impressions were of a latter-day Edgar Allan Poe, using elements from the horror genre to highlight his characters' fixations. Thus, in the opening "Torture by Roses", the narrator disdainfully watches the body of his teacher and mentor going up in flames, ironically confirming that he has learnt his master's perverse lessons in hate. In "After the Storm", we're even more clearly in Poe territory, as a lonely Oregon housewife finds a man's body on the beach and carries it home for company.

In other stories, Ortega-Medina ratchets up the sexual tension, through some explicit and even violent imagery. A case in point is "Invitation to the Dominant Culture", about a man who eventually acts out his violent fantasies about women. Also in the same vein is the title story "Jerusalem Ablaze" about a young Catholic convert who enters a seminary in Israel but is seduced by a Jewish dominatrix. It is a story about religious identity and guilt capped by a bloody denouement. Unsurprisingly, some early readers found these stories "disturbing" -which, frankly, they are. It is a pity that this will put some readers off an original anthology which includes its tender moments (such as "Star Party", about an immigrant with an interest in astronomy, or "The Shovelist", about an old man who convinces his new neighbours - a young gay couple- that they need somebody to shovel snow from their drive).

Ultimately, this brief collection's dizzying variety is both its main advantage and its disadvantage. The anthology's occasionally awkward mix of dark pieces and more "mainstream" material, flash fiction and longer tales, wildly different settings and characters, all within less than 200 pages, give it the feel of a "scrapbook" or tantalising "taster" rather than a fully-fledged debut. There is certainly a gifted author at work here but I, for one, would have wished for a more cohesive collection.
… (plus d'informations)
 
Signalé
JosephCamilleri | 5 autres critiques | Jan 1, 2022 |
Cette critique a été écrite dans le cadre des Critiques en avant-première de LibraryThing.
I was pleasantly surprised by how much I loved this book! From reading the description I was excited about the inclusion of different types of characters that aren't always represented in fiction books. The story was quite unique and the author really brought the scenery and characters to life, which I enjoyed. Lots of descriptive imagery really made it quite easy to visualize the setting of downtown LA as well as the main characters. The middle is a bit dry at parts and it did take me a bit to finish the entire book due to the few mistakes I found (but this was a review copy) but I'm so glad I did as it's one I will likely never forget and recommend to others.… (plus d'informations)
½
 
Signalé
LetitiaElizabeth | 1 autre critique | Dec 28, 2020 |

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Statistiques

Œuvres
4
Membres
44
Popularité
#346,250
Évaluation
3.9
Critiques
9
ISBN
8