Carol Muske-DukesCritiques

Skylight: Poems by Carol Muske-Dukes is a re-release of previously published poems giving an overview to the various styles, themes, and subjects of the poet. Muske-Dukes is the former Poet Laureate of California and the recipient of a Guggenheim Fellowship, a National Endowment of the Arts Fellowship, and a wide array of awards including the Witter Bynner Award, the Castagnola Award and several Pushcart Awards. She is currently the professor of English and Creative Writing and the founding Director of the new PhD program in Literature and Creative Writing at the University of Southern California.

This is another collection of poetry I read before finding out about the poet. I do this sometimes so that I won’t look at a biography and think that I have to like this collection. How can I not like the poetry of a former Poet Laureate of California? Needless to say, this a solid collection of poetry. Perhaps it is because of the poets skill that I finished this collection content but not feeling what I usually do when finish a collection. Usually I will read a collection and one of two poems will stand out above all the rest and there will be a line or two that I have to share with everyone I talk books with. It was not the case here. The collection was not the rollercoaster of a few peaks and a few valleys mixed into a steady medium level. Here all the poems were on a higher than medium level with very little deviation.

“Tuesday Again” caught my attention in the transformation of the narrator and the freedom found in an earlier annoyance. “Ahimsa” is a tribute to nonviolence and Gandhi's political change after the massacre at Amritsar. “Short Histories of the Sea” capture the spirit of the day when the sea was contained unknown wonders and dangers:

and beside them historians
wrote poems
in which
the sea was eccentric
tempestuous character

“Census” reminds us:

Once everybody had a place
among the nameless. Now we
can’t afford to be anonymous

and from “Choreography,” perhaps my favorite:

Somewhere, in a garden of jade, sits Buddha.
He is neither holy nor just
but has been carved from stone in a world
which has invented holiness and justice.

Perhaps the most moving and personal poems are in the final section titled “Siren Songs”. Here free verse and paragraph form tells profoundly sad stories in a beautiful manner.

This an outstanding collection of modern poetry from an accomplished poet. The physical style is straightforward and easily recognized. This is a rare collection without a bad poem or filler.

Open Road Integrated Media reprinted this collection using a special typesetting that keeps the lines in their original form and uses intents if the line runs over the page size. This is a great improvement of e-book readers. Changing the font size or page dimensions often changes the original lineation of the poem. This is quite frustrating for the reader trying to see the pattern in the words and lines. Open Road has seemed to fix this problem and allows the reader to see the poem in its original form. A definite added plus for e-book poetry readers.

Exceptional novel about poetry and women in the 70's. Holly is a bright young poet and teacher, and sees herself as a rebel. She takes on New York City's (and national) social inequities toward women fearlessly joining the quasi-Communist Women's Bail Fund, as well as starting a poetry workshop for women inmates at Riker's Island.Some of the women inmates are incarcerated for petty crimes because they are black, or prostitutes, or on drugs, or set up. To keep the peace in prison the women are regularly drugged, brutalized, or disciplined with solitary confinement.

Holly connects with the dramatic lives of the motley group of women in her workshop; their lives and poetry awe and fulfill her. She is particularly impressed and touched by Poly Lyle Clement who claims a family connection to Mark Twain. While the women benefit from Holly's class; it is she who learns the truth about the inmates, her self-centered naivety, and her personal life.

This novel is richly filled with describing and trying to understand beauty living with horror, truth with artifice and strength with weakness. It amazes, sickens and captivates.

the best parts of this novel are set in the Women's Prison on Rikers Island in New York. Muske-Dukes is writing based on direct experience, and it shows in her vivid portrayal of prison life and the women who live it, as guards and inmates.

When I bought this I thought it would be a renga covering all 50 states. It's not; it's something more subtle. The collection records the reflections of the various poets on their season, place. or current events. Each poem, linked the the one previous to it, adds it's own little piece of America. The work as a whole ends up to be quite a bit more than the sum of its parts. I'd very much like to see more renga of this type.

Renga is a genre of Japanese collaborative poetry which gave rise to the modern haiku style of poetry. The writers of this book have decided to use this collaborative form of poetry to compose a single book of 54 poems each written by a separate poet.

Because these poems are meant to make up one single collaborative poem, all 54 poems should be read in one shot. Each poem reads as a response to the preceding poem. The introduction even states that each poet was given about two days at the most to write his or her response (except, of course, the poet who started the conversation) to the previous poem. Although each poet's style differs from the last, the poem as a whole flows well right to the end.

If you are discouraged to read this book because you don't really care for poetry, you should still give it a chance. After all, the poems read like an artistic ongoing discussion causing you to forget the fact that you're reading poetry. I am not a big poetry reader myself, but I applaud the contributors of this book for creating a unique artistic conversation about the ideas and issues of America.½

“Saving St. Germ” by Carol Muske Dukes is the portrait of a brilliant woman researcher. Women in science historically have had a rough road, and this book, published in 1993, implies that life is still difficult for them. There’s a great deal of chemistry detailed in its pages (and I was surprised to learn that Julia Ormond adapted it to film).
Esme Charbonneau has more problems than many soap opera heroines. Her career, her marriage, her relationships with nearly everyone she encounters would be enough, but she is either blessed or burdened with an unusual daughter. A child who “spins,” and speaks strangely, and in no way relates to anyone but her mother. (Esme’s husband? A stutterer/would-be stand-up comedian.)

Holly Mattox is the secondary hero in this tale. Top honors go to "Polly Lyle Clement, Beloved Descendant of Samuel L. Clemens," and to Aligarth the C.O. with more heart than she thought she had. How much of Holly is really Carol Muske-Dukes? Her naivete was not endearing to me...yet her brave entry into the other world of life in prison is something I would be afraid to do. Naive and passionate. Hmmmm. I should be the one to criticize? I don't think so!

1.95½