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5 oeuvres 663 utilisateurs 6 critiques

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Mark Hamilton Lytle is Professor of History and Director of the Historical Studies Program and Codirector of the American Studies Program at Bard College.

Œuvres de Mark Hamilton Lytle

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Not so much a life of Carson as a consideration of how her career as a writer and public intellectual was influenced by her upbringing, education and career; with further reflection by Lytle as to how Carson has influenced his teaching and philosophy.
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Shrike58 | 1 autre critique | Feb 26, 2015 |
I am reasonably sure this is a college textbook, but it's shameful something which ought to be the foundation of an education of history seems to be tucked away and forgotten by our education system until you become a history major. Or possibly minor.

The basic goal of the text is to illuminate how history is deciphered, it's limitations and ultimately that it is an epic mistake to treat history and the past interchangeably. Each chapter approaches a particular way of studying the past through a specific historical event highlighting how the type of data available inherently limits and focuses the history that can be constructed. The characteristics of the resources historians have availible may have been consciously curated to tell a certain story at the time of it's creation as in a photograph, public political speech, or literary activism, or their character may be shaped without intent by virtue of documentation being limited to certain classes, the fact than any human documentation is limited by the experience of those documenting it or simply that time passes swiftly and is unconcerned with leaving proper documentation.

The authors intentionally choose to look beyond the common-knowledge assessment of the history they discuss to show how history can be misleading or how it is impossible to strip the past down to a single point of view or rigid chain of cause and effect. This is not to say that there is no such thing as an authentic past, but that history is incabable of reproducing it. It is simply too big, complicated and messy. It explodes outward exponentially from a single event in the actions and beliefs of people colliding into still more events each hopelessly and unconsciously interconnected in their immediacy. The ultimate message seems to be, we should all study the past, but understand that no single person owns it. Which is probably why you're unlikely to face such an approach in the usual education. It fundamentally undermines the idea that there is such a thing orthodox history, and instead points out that the past is only seen from where it's witnesses are standing.
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fundevogel | 3 autres critiques | Nov 3, 2013 |
A short and somewhat unsatisfying biography of Rachel Carson that was released for the 100th anniversary of her birth. The author covers most of the ground, but leaves a lot more unanswered than he answers in many cases.
 
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Devil_llama | 1 autre critique | Apr 18, 2011 |
This is a must-have book for anyone who reads, studies, or writes about history. This book covers many different periods in American History, and explains what researchers need to look for in order to understand and decipher history. It ranges from periods of the first settlements in Virginia to the Vietnam War. It covers noteworthy people such as John Brown, Andrew Jackson, Frederick Jackson Turner, and Thomas Jefferson. It explains how historians must analyze primary documents in order to accurately understand incidents by looking at the use of perspective, point of view, how an interviewee's answers vary according to who the interviewer was,and what sorts of questions and biases were present, as well as looking at who and what can influence how decisions were made in the past.
For instance, one section was about the dropping of the atomic bombs in World War II. It explains how many different people, every day, were making important decisions, and how these decisions influenced Truman and the final decision-making process which led to the bombing of Hiroshima and Nagasaki. Another section was about interviewing former slaves, and discussed the importance of who was doing the actual interviewing. Would a former black slave be willing to say things to a black interviewer that he or she wouldn't say to a white interviewer?
One section covers point of view in the movies that were made about Vietnam, and another section shows how photographs can be used to tell the story that the photographer wishes to tell, through the use of camera angle and subjects. All of these things are important to know if you are serious about doing research to accurately understand and interpret historical events. We must remember that no one can tell every side of a story, most people don't want you to know every side of the story, and you are usually only seeing one side of a story when you read a primary document. You need to do extensive research to compare and contrast information, and in the end, you, in turn will report what you learn with your own biases attached, just as those before you did.
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gcamp | 3 autres critiques | Dec 10, 2010 |

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Œuvres
5
Membres
663
Popularité
#38,038
Évaluation
½ 3.7
Critiques
6
ISBN
30

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