Photo de l'auteur

Yusuke Kishi

Auteur de The Crimson Labyrinth

33 oeuvres 395 utilisateurs 12 critiques 1 Favoris

A propos de l'auteur

Séries

Œuvres de Yusuke Kishi

The Crimson Labyrinth (1999) 175 exemplaires
From the New World, v.1 {manga} (2012) 32 exemplaires
From the New World {novel} (2008) — Auteur — 19 exemplaires
From the New World, v.2 {manga} (2012) 18 exemplaires
From the New World, v.3 {manga} (2013) 17 exemplaires
From the New World, v.4 {manga} (2013) 17 exemplaires
From the New World, v.5 {manga} (2013) 15 exemplaires
From the New World, v.6 {manga} (2014) 15 exemplaires
From the New World, v.7 {manga} (2014) 12 exemplaires
La Leçon du mal (2010) — Auteur — 10 exemplaires
Isola: Persona 13 (1996) 6 exemplaires
La Maison noire (1997) — Auteur — 5 exemplaires
Lesson of the Evil, v.1 {manga} (2012) — Auteur — 4 exemplaires
Lesson of the Evil, v.1 (2010) — Auteur — 4 exemplaires
The Blue Light (1999) 4 exemplaires
The Locked Room (2011) 3 exemplaires
Lesson of the Evil, v.2 (2010) — Auteur — 3 exemplaires
Lesson of the Evil, v.2 {manga} (2013) — Auteur — 3 exemplaires
Lesson of the Evil, v.3 {manga} (2013) — Auteur — 3 exemplaires
The House of Foxfire (2008) 3 exemplaires
The Glass Hammer (2004) 2 exemplaires
Lesson of the Evil, v.7 {manga} (2014) — Auteur — 2 exemplaires
Lesson of the Evil, v.9 {manga} (2015) — Auteur — 2 exemplaires
Lesson of the Evil, v.4 {manga} (2013) — Auteur — 2 exemplaires
Lesson of the Evil, v.6 {manga} (2014) — Auteur — 2 exemplaires
Lesson of the Evil, v.8 {manga} (2015) — Auteur — 1 exemplaire
Lesson of the Evil, v.5 {manga} (2014) — Auteur — 1 exemplaire
Dark Zone (2011) 1 exemplaire

Étiqueté

Partage des connaissances

Nom canonique
Kishi, Yusuke
Nom légal
貴志 祐介
Autres noms
Kishi, Yūsuke
Kishi, Yuusuke
Date de naissance
1959-01-03
Sexe
male
Nationalité
Japan
Lieu de naissance
Osaka City, Osaka, Japan
Études
Kyoto University (Economics)
Prix et distinctions
Japan Horror Association Award (twice)

Membres

Critiques

**WARNING** I feel like I should post this every time - a lot of nudity and sexual situations occur at the beginning of this graphic novel. THEN, once that's all done with, there's HELLA LOT of brutal graphic violence.

I'm going to say this now but when the 'Fiend' is chasing them around I felt a really real sense of urgency and fear. Those scenes are tense and palatable.
 
Signalé
lexilewords | Dec 28, 2023 |
Ok so very very different from the anime. Seriously, you'd never guess they were related.
 
Signalé
lexilewords | Dec 28, 2023 |
Let's get one thing out of the way quickly--anyone coming from the anime to this will probably be shocked by how much more explicit the love scenes are between Maria and Saki. And possibly how disturbing the "morph rats" (or "monster rats" in the localized subbed anime) violence is.

Worth noting is also several differences--Reiko's practice sessions in the manga, the romantic moment between Shun and Saki during the camping trip, how they meet Squealer. Also I found older Saki's narration to be more effective here as well as the disappearing kids angle.

Toru Oikawa's illustrations are wonderfully drawn, with an attention to detail that is surprising for a rookie (as the back cover claims). The level of female nudity is rather high all things considered however. The morph rats are downright disgusting looking.

Saki is a much more confident and outgoing girl here. Maria often leans on her when she is scared or upset. Shun is more outspoken and demonstrative of his feelings for Saki. Satoru seems more on the ball intelligence wise. Mamoru comes off as a stronger character, though still rather timid socially.
… (plus d'informations)
 
Signalé
lexilewords | 1 autre critique | Dec 28, 2023 |
ALL THE CRYING IN THE WORLD.

So let's get something straight - I haven't read the novel. I hope to one day, but I haven't as of yet. That said just comparing the Anime to the Manga is enough for me. There are a lot of differences that occur, but they bring the characters to the same place. Knowledge is found through different means (in here the kids didn't meet the "False Whitecape" at summer camp, but afterwards when they realize what has happened to their friends) and relationships are treated much differently (Maria and Saki's relationship in particular is more romantic and sexual then in the anime), but the end result is the same: Maria and Mamoru leave the town to live in the outside world, Saki and Satoru vow to make their town a place they can return to safely.

I really like Saki in the manga--she's not a pushover in the anime, not exactly, but she is very often dependent on others. In this, when they confront the "false whitecape" for information about their history and the world, Saki gives it her all. She's (mostly) oblivious to what its doing to everyone else--for her the knowledge they are gaining to create a better world is more important then the pain Maria is feeling. And this is important because in the anime its Shun who is the driving force to find out the truth and its Shun who is pushing the "false whitecape" more and more. And its Saki who is backing him up. In the manga its Saki pushing and Maria is backing her up.

The manga also makes it clear that Saki isn't just doing this because she lost Shun (though that's a large part of it), she's also upset over losing Reika and for all the other kids that have ever had to be "disposed of". The "false whitecape" also offers a clearer view of what happened to civilization and explicitly states that the world of the present is the closest humanity has come to eradicating murder/human violence.
… (plus d'informations)
 
Signalé
lexilewords | Dec 28, 2023 |

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Eiji Karasuyama Illustrator
Camellia Nieh Translator
Masami Isetani Translator

Statistiques

Œuvres
33
Membres
395
Popularité
#61,387
Évaluation
½ 3.6
Critiques
12
ISBN
50
Langues
3
Favoris
1

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