Holly S. Hurlburt
Auteur de Daughter of Venice: Caterina Corner, Queen of Cyprus and Woman of the Renaissance
A propos de l'auteur
Holly S. Hurlburt is an assistant professor in the departments of History and Women's Studies at Southern Illinois University, Carbondale.
Œuvres de Holly S. Hurlburt
Daughter of Venice: Caterina Corner, Queen of Cyprus and Woman of the Renaissance (2015) 14 exemplaires
Étiqueté
Partage des connaissances
- Nom canonique
- Hurlburt, Holly S.
- Nom légal
- Hurlburt, Holly Siobhan
- Date de naissance
- 1971
- Sexe
- female
- Nationalité
- USA
- Lieux de résidence
- Carbondale, Illinois, USA
Raleigh, North Carolina, USA - Études
- Syracuse University (MA|1995|Ph.D|2000)
University of Virginia (BA|1993) - Professions
- professor
historian
academic administrator - Organisations
- Southern Illinois Univeristy
North Carolina State University
Membres
Critiques
Statistiques
- Œuvres
- 2
- Membres
- 26
- Popularité
- #495,361
- Évaluation
- 3.5
- Critiques
- 1
- ISBN
- 5
- Langues
- 1
Caterina's unusual life and unfortunate fate have long attracted the attention of artists and poets as well as scholars. One of the strengths of Holly Hurlburt's book is her ability to draw upon this output to deconstruct how Caterina was seen both in her time and afterward. As her title indicates, Hurlburt sees Caterina's Venetian identity as an indelible part of who she was as both a person and a ruler. Yet while reliant upon Venetian support throughout her reign, Hurlburt demonstrates that Caterina was not their puppet, a fact demonstrated by their deposition of her when the Venetians feared a possible marriage alliance between her and the heir to the throne of their Neapolitan rivals. Though no longer in power, Hurlburt shows how Caterina maintained her dignity afterward, living as the "Lady of Asolo" in northern Venice, where she not only ruled over the community but served as a Renaissance patron and influential personage.
By combining the analysis of art history with historical research, Hurlburt provides readers with an excellent study of a fascinating Renaissance figure. Though she eschews a narrative of Caterina's reign, she provides an overview that encapsulates the problems she faced as a woman performing in a role defined by men. In this her utilization of the artistic portrayals of her subject is a particular strength, one enhanced by the generous supplementing of the text with the illustrations to which she refers. It all makes for a book that should be read by anyone interested in learning about the lives of Renaissance women in power and how they responded to the challenges they encountered.… (plus d'informations)