Gregory Hildebrandt
Auteur de Urshurak
A propos de l'auteur
Œuvres de Gregory Hildebrandt
Twas the Night Before Christmas and Other Holiday Favorites (Through the Magic Window) (1990) 40 exemplaires
The Phantom of the Opera [Hildebrandt picture book] 10 exemplaires
In Search of King Tuts Tomb 4 exemplaires
Treasures of Chanukah (Copy 1) 4 exemplaires
Treasures of Chanukah (Copy 2) 3 exemplaires
In Search of King Tut's Tomb — Auteur — 3 exemplaires
Frank Frazetta Fantasy Illustrated #2 — Contributeur — 1 exemplaire
30 Years of Magic: Greg Hildebrandt II 1 exemplaire
Heavy Metal Presents, The Tolkien Art of The Brothers Hildebrandt 2023 (2022) — Illustrateur — 1 exemplaire
68. Die Tolkien Jahre 1 exemplaire
Return of the Jedi 1 exemplaire
Gods & Goddesses 1 exemplaire
Book of three-dimensional Dragons 1 exemplaire
Unicorn 1 exemplaire
Alice au pays des merveilles 1 exemplaire
Poe (Stories and Poems) 1 exemplaire
Alice in Wonderland 1 exemplaire
Oeuvres associées
Les annales du Disque-Monde, Tome 1 : La Huitième Couleur (1983) — Artiste de la couverture, quelques éditions — 22,188 exemplaires
Shannara, Tome 1 : L'épée de Shannara (1977) — Artiste de la couverture, quelques éditions; Illustrateur, quelques éditions — 7,903 exemplaires
Shannara, Tome 2 : Les pierres elfiques de Shannara (1982) — Map, quelques éditions — 6,375 exemplaires
Le cycle des partenaires t.1: Le vaisseau qui chantait (1969) — Artiste de la couverture, quelques éditions — 3,276 exemplaires
Smith of Wootton Major / Farmer Giles of Ham (1949) — Artiste de la couverture, quelques éditions — 2,537 exemplaires
Arthur : Cycle de Pendragon III (1989) — Artiste de la couverture, quelques éditions — 2,148 exemplaires
J. R. R. Tolkien: Architect of Middle Earth (1976) — Illustrateur, quelques éditions — 817 exemplaires
Black Panther Vol. 2: A Nation Under Our Feet, Book Two (2017) — Artist, alternate cover — 348 exemplaires
9-11: The World's Finest Comic Book Writers & Artists Tell Stories to Remember (2002) — Illustrateur — 250 exemplaires
Davy And The Goblin or What Followed Reading "Alice's Adventures In Wonderland" (1884) — Illustrateur, quelques éditions — 82 exemplaires
Halflings, Hobbits, Warrows & Weefolk (1991) — Artiste de la couverture, quelques éditions — 23 exemplaires
Goldmann Fantasy Foliant I. Fantasy- Stories. (1983) — Illustrateur, quelques éditions — 11 exemplaires
Heavy Metal, Winter 1987, Vol. 10, No. 4 (1987) — Artiste de la couverture, quelques éditions — 4 exemplaires
Heavy Metal, March 2000, Vol. 24, No. 1 — Artiste de la couverture, quelques éditions — 3 exemplaires
Spectre #11 — Artiste de la couverture — 2 exemplaires
Heavy Metal n.4 — Artiste de la couverture — 1 exemplaire
Étiqueté
Partage des connaissances
- Autres noms
- Brothers Hildebrandt (shared with Tim Hildebrandt)
- Date de naissance
- 1939-01-23
- Sexe
- male
- Nationalité
- USA
- Lieu de naissance
- Detroit, Michigan, USA
- Professions
- illustrator
- Relations
- Hildebrandt, Tim (twin brother)
Membres
Critiques
Listes
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Statistiques
- Œuvres
- 50
- Aussi par
- 58
- Membres
- 1,059
- Popularité
- #24,318
- Évaluation
- 4.2
- Critiques
- 12
- ISBN
- 53
- Langues
- 6
- Favoris
- 1
The paintings for the Wizard of Ox were particularly well done, I thought, since Hildebrant's bright palette captures the vibrancy of the colour inspired cities. And yet, what makes this story even more of a triumph (remember, I'm not a fan of Ox) are Hildebrant's shifts to other styles of illustration. Before Dorothy is taken to Oz the illustrations are black and white, and retain a sketchlife quality, mirroring the description of her dull and grey existence. Colours pop off the page once she reaches Oz, but when she journies to the western regions to face the witch Hildebrandt switches styles again to flect the danger that Dorothy is in and the negative influence of the Witch of the West. The Witch herself is quite a scary character (even though her demise by dishwater is poor storytelling) and the dramatic pose she strikes when conjuring the winged monkies sets a distinct tone for a powerful (if evil) ruler.
The Pinoccho illustrations didn't strike me as all that exciting in comparison, largely because the settings were far more domestic. The only standouts for me were when Pinocchio visits the puppet theatre and encounters the Blue Fairy, but that's about all I cared for. The story just doesn't have the same intrinsic magical qualities as the others Hildebrandt has illustrated, so his artwork doesn't have nearly as much magical inspiration to work with.… (plus d'informations)