Photo de l'auteur

Jonathan Hensleigh

Auteur de Armageddon [1998 film]

10+ oeuvres 697 utilisateurs 4 critiques

A propos de l'auteur

Comprend les noms: Jonathon Hensleigh

Œuvres de Jonathan Hensleigh

Armageddon [1998 film] (1998) — Screenwriter — 433 exemplaires
The Punisher [2004 film] (2004) — Director & Screenwriter — 232 exemplaires
Kill the Irishman [2011 film] (2011) — Director & Screenplay — 15 exemplaires
The Ice Road [2021 Film] (2021) — Director/Writer — 9 exemplaires
The Punisher / Punisher: War Zone (Two-Pack) [Blu-ray] (2012) — Directeur — 2 exemplaires

Oeuvres associées

Die Hard with a Vengeance [1995 film] (1988) — Screenwriter — 327 exemplaires

Étiqueté

Partage des connaissances

Nom canonique
Hensleigh, Jonathan
Nom légal
Hensleigh, Jonathan Blair
Date de naissance
1959-02-13
Sexe
male
Nationalité
USA
Professions
director
screenwriter
producer
Relations
Hurd, Gale Anne (wife)

Membres

Critiques

 
Signalé
jimbeal | 1 autre critique | Apr 23, 2023 |
Oil rig workers are recruited to destroy a giant asteroid; meanwhile, various things explode for no good reason.

The quintessential made-to-order blockbuster: the movie that even Michael Bay admits is bad.

Concept: F
Story: D
Characters: D
Dialog: D
Pacing: D
Cinematography: D
Special effects/design: C
Acting: C
Music: D

Enjoyment: F

GPA: 1.0/4
½
 
Signalé
comfypants | 1 autre critique | Nov 24, 2015 |
 
Signalé
Miquinba_F | 1 autre critique | Dec 21, 2013 |
Amazon.com essential video
The latest testosterone-saturated blow-'em-up from producer Jerry Bruckheimer and director Michael Bay (The Rock, Bad Boys) continues Hollywood's millennium-fueled fascination with the destruction of our planet. There's no arguing that the successful duo understands what mainstream American audiences want in their blockbuster movies--loads of loud, eye-popping special effects, rapid- fire pacing, and patriotic flag waving. Bay's protagonists--the eight crude, lewd, oversexed (but lovable, of course) oil drillers summoned to save the world from a Texas-sized meteor hurling toward the earth--are not flawless heroes, but common men with whom all can relate. In this huge Western-in-space soap opera, they're American cowboys turned astronauts. Sci-fi buffs will appreciate Bay's fetishizing of technology, even though it's apparent he doesn't understand it as anything more than flashing lights and shiny gadgets. Smartly, the duo also tries to lure the art-house crowd, raiding the local indie acting stable and populating the film with guys like Steve Buscemi, Billy Bob Thornton, Owen Wilson, and Michael Duncan, all adding needed touches of humor and charisma. When Bay applies his sledgehammer aesthetics to the action portions of the film, it's mindless fun; it's only when Armageddon tackles humanity that it becomes truly offensive. Not since Mississippi Burning have racial and cultural stereotypes been substituted for characters so blatantly--African Americans, Japanese, Chinese, Scottish, Samoans, Muslims, French ... if it's not white and American, Bay simplifies it. Or, make that white male America; the film features only three notable females--four if you count the meteor, who's constantly referred to as a "bitch that needs drillin'," but she's a hell of a lot more developed and unpredictable than the other women characters combined. Sure, Bay's film creates some tension and contains some visceral moments, but if he can't create any redeemable characters outside of those in space, what's the point of saving the planet? --Dave McCoy… (plus d'informations)
Cet avis a été signalé par plusieurs utilisateurs comme abusant des conditions d'utilisation et n'est plus affiché (show).
 
Signalé
schotpot | 1 autre critique | May 13, 2007 |

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Statistiques

Œuvres
10
Aussi par
1
Membres
697
Popularité
#36,317
Évaluation
½ 3.7
Critiques
4
ISBN
15

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