John Gross (1)Critiques

There are many things to criticize about this book but I still like it. Ultra short entries from many writers, beautifully laid out on the page, with the emphasis on as many writers as possible being showcased. No attempt was made by the editor to show the dynamic qualities that build emotional power within the text. The only purpose was to display what can be achieved by a short passage or sentence. 993 pp, Index.

3/15/22

Filled with odd bits of information, but somewhat dense and difficult reading.

It’s sad to find misogyny still alive and well and popping up like weeds. Editor John Gross had only 6 pages to devote to Nathaniel Hawthorne in this anthology, and he chose to give a full page to an excerpt entitled “Englishwomen” from Our Old Home. The opening sentence of the excerpt contains the phrase “ it strikes me that an English lady of fifty is apt to become a creature less refined and delicate, so far as her physique goes, than anything that we western people class under the name of woman” (402). So Englishwomen over fifty can’t even be classed with women, they are instead “creatures”?

Hawthorne continues describing the archetypal 50+ English lady as “massive with solid beef and streaky tallow,” which causes him to think of “steaks and sirloins” (402). She is “elephantine,” “usually grim and stern,” with a “sturdy capacity for trampling down a foe.” Not content with expressing contempt for middle-aged Englishwomen’s bodies, Hawthorne then proceeds to state that these women are strong only physically, but morally are weak, “powerless and timid” in anything that calls for moral or ethical fortitude outside of her homegrown “conventionalities” (402-3). Hawthorne wraps up his dissection by stating that “somewhere in this enormous bulk there must be hidden the modest, slender, violet-nature of a girl,” and laments that, alas, the girl must grown up into the overpowering creature of a middle-aged Englishwoman (403).

I assume that John Gross found this piece irresistibly amusing, and did not consider that women readers of this anthology could find it offensive and misogynist, especially read as an excerpt without any context in which to mitigate or explain the virulent disgust displayed towards older women. I hope that Gross hesitated before including rants against racial and religious minorities, but I admit that I’m not going to continue reading this anthology, which a (male reviewer) on the back cover touts as sure to give everyone “hundreds of unexpected pleasures and rediscoveries.” It certainly did contain one unexpected discovery for me.

I have been having a good time lately browsing through "The New Oxford Book of Literary Anecdotes." I usually just open the book at random and read whatever I come across.

The book is simply a collections of stories — from biographies and other sources — about writers from Geoffrey Chaucer to J.K. Rowling. These are mostly, but not exclusively, British writers.

Some of the tales are quite sad, such as the one about the death of Jane Austen in 1817 — her last recorded words were, "I want nothing but death" — and Mary Wollstonecraft's suicide attempt. The latter jumped from a bridge into the Thames, but because of her bulky clothing, she floated long enough to be rescued. By surviving, she was later able to give birth to Mary Shelley, who gave us Frankenstein.

Other stories are lighter, more in keeping with what we usually mean when we use the word anecdote. When G.K. Chesterton got his first look at the lights of Broadway, he is said to have commented, "What a glorious garden of wonders this would be for anyone who was lucky enough to be unable to read."

People who knock on the door of your home to try to convert you to their particular religious views are nothing new. When Thomas Paine had such a visitor at his door, he reportedly told her, "Pshaw! God would not send such a foolish, ugly old woman as you about with his messages. Go away — be off — and shut the door."

In a secondhand bookshop, George Bernard Shaw found a book with the words "To ___ with esteem, George Bernard Shaw." He bought it and sent it again to the same person, after adding the words, "With renewed esteem, George Bernard Shaw."½

Anecdotes (brief stories) about writers, minor and major. This edition includes post-colonial writers such as Walcott and Achebe (Walcott amusing the Queen).

Fine collection of parodies from literature from "Winter is icumin in" by Ezra Pound to a version of "Old King Cole" as if written by Walt Whitman. Some are side-splitting, laugh out loud funny others provoke snickers and/or mild smiles. On the whole a good read.

I got this as a free giveaway at a conference (ESSE, 2000), and kept it around for years but finally admitted it was useless. Usually in anthologies the excerpts are chosen to make you hungry to read the whole books, but these excerpts were fragmentary and uninteresting.

Gross, who is a writer, reviewer, and an editor at Oxford University Press, here offers a unique collection of quotes, excerpts, and poems about Shakespeare and his oeuvre as evidence of Shakespeare's extensive cultural influence. Gross has included quotes from philosophers, historians, composers, filmmakers, politicians, novelists, poets, and playwrights and grouped them into chapters by general motif, such as comments on Shakespeare the man or the poet, each writer's earliest experience of Shakespeare, or thoughts on specific plays and characters. All quotes and excerpts are presented as primary data and identified by author, source, and date. Gross adds enough information to place each quote in context but does not interpret or draw conclusions. Instead, readers are invited to draw their own conclusions as to what and how much cultural impact Shakespeare's literature has had. Indexes of plays and characters and of authors are also provided. This anthology is useful as either a collection of quotes about Shakespeare and his work or as springboard for further research. Since no other book takes this approach to Shakespeare's cultural influence, it is recommended for all academic and specialized libraries supporting extensive Shakespeare collections. Shana C. Fair, Ohio Univ. Lib., Zanesville

The Wall Street Journal

"After Shakespeare is a wonderful idea thoughtfully executed, a book to spend hours browsing through or studying."

abandoned

See my review dated 1 Feb 2010 on the Amazon website

On loan to John Grenke