Photo de l'auteur

Ernesto Grassi (1902–1991)

Auteur de Rhetoric as Philosophy: The Humanist Tradition

27+ oeuvres 132 utilisateurs 2 critiques 1 Favoris

A propos de l'auteur

Ernesto Grassi was a professor of philosophy at the University of Munich and director of the Institute of Humanistic and Philosophic Studies.

Comprend les noms: Ernesto Grassi

Séries

Œuvres de Ernesto Grassi

Kunst und Mythos (1957) 15 exemplaires
Theorie des Schönen in der Antike (1980) 11 exemplaires
Schiller : Wallensteins Lager + Die Piccolomini + Wallensteins Tod + Dokumente (1961) — Directeur de publication — 6 exemplaires

Oeuvres associées

Les politiques (0004) — Directeur de publication, quelques éditions5,785 exemplaires
Les lois (0348) — Directeur de publication, quelques éditions1,051 exemplaires
Platon. Sämtliche Werke Bd. 1: Apologie des Sokrates, Kriton, Ion, Hippias II, Theages, Alkibiades I, Laches,… (1984) — Directeur de publication, quelques éditions59 exemplaires
Phaidon, Politeia (1958) — Directeur de publication, quelques éditions38 exemplaires
Menon, Hippias I, Euthydemos, Menexenos, Kratylos, Lysis, Symposion (1993) — Directeur de publication, quelques éditions19 exemplaires
Critias ; Philebus ; Statesman ; Timaeus (1998) — Directeur de publication, quelques éditions17 exemplaires
Parmenides ; Phaedrus ; Sophist ; Theaetetus [Translation] (1977) — Directeur de publication, quelques éditions16 exemplaires

Étiqueté

Partage des connaissances

Date de naissance
1902-05-02
Date de décès
1991-12-22
Sexe
male
Nationalité
Italy
Lieu de naissance
Milan, Italy
Lieu du décès
Munich, Bavaria, Germany
Professions
philosopher

Membres

Critiques

Grassi had studied, among others, with Jaspers and Heidegger. He was for many years the editor of the deutsche enzyklopädie for which series this text was specifically written in 1957. In exploring the questions: What is art? What is understood under ‘art’ and its relation to reality? and: What are the origins of art and its relation to myth, religion and philosophy?, Grassi, starting with the concept of mimesis by Plato and Aristotle, is investing the changing and often quite different ideas understood by it. According to Grassi - and I agree - the questions above illuminate various aspects of art thus cannot be separated, neither can the problem of art be separated from the question what it means to be human . To encounter art requires to open oneself to the work, it requires an active engagement to enter into a discussion. The work places demands on me, which I may or may not be able to fulfil at that moment. He discusses the etymology of the term ars (lat.) - arte (ital.) - art (engl.) and its original double meaning as shown in the Italian ‘artigiano’ : craftsman and ‘artista’ : artist. In discussing art, its mythical origins and what is understood by the term ‘art’ he examines the ideas of Giambattista Vico, Cézanne, Proust, Malraux and many others. A most thorough discussion it is and very readable as he illustrates his thoughts with examples. I consider the text essential reading for anybody interested in these questions. It has been translated into Italian and Spanish but an English translation is missing. (V-17)… (plus d'informations)
 
Signalé
MeisterPfriem | May 21, 2017 |
A must read for anyone interested in the relationship between rhetoric and philosophy--truly an overwhelming book. Love it.
 
Signalé
marccsantos | Mar 12, 2007 |

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Statistiques

Œuvres
27
Aussi par
7
Membres
132
Popularité
#153,555
Évaluation
½ 3.7
Critiques
2
ISBN
29
Langues
4
Favoris
1

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