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Eric Gill (1882–1940)

Auteur de Un essai sur la typographie

67+ oeuvres 851 utilisateurs 8 critiques 2 Favoris

A propos de l'auteur

Crédit image: Courtesy of Joe Cribb, the Eric Gill Society. http://www.ericgill.org.uk/

Œuvres de Eric Gill

Un essai sur la typographie (1931) 372 exemplaires
Autobiography (1940) 68 exemplaires
All the Love Poems of Shakespeare (1947) — Illustrateur — 37 exemplaires
Beauty Looks After Herself (1933) 19 exemplaires
Letters of Eric Gill (1947) 15 exemplaires
Twenty-five Nudes (1938) 12 exemplaires
Eric Gill: His Life and Art (1991) 9 exemplaires
Last essays (1942) 9 exemplaires
Art (1934) 7 exemplaires
Art-nonsense and other essays, (1929) 7 exemplaires
Eric Gill: A Bibliography (1991) 6 exemplaires
First nudes (1954) 5 exemplaires
Art and a changing civilisation (1934) 5 exemplaires
Christianity and the Machine Age (1940) 3 exemplaires
Art & Prudence An Essay (1928) 3 exemplaires
Un ensayo sobre tipografía (2013) 3 exemplaires
Sacred & secular &c (1940) 2 exemplaires
Drawings from Life 2 exemplaires
The Phaedo of Plato. (1930) 1 exemplaire
Unemployment 1 exemplaire
Sulla tipografia (2005) 1 exemplaire
Hague and Gill on printing (1993) 1 exemplaire
Essays by Eric Gill 1 exemplaire
Work and Leisure 1 exemplaire
Unholy Trinity 1 exemplaire
Art & love 1 exemplaire
Clay and Lacquer 1 exemplaire

Oeuvres associées

La Nuit des rois (1601)quelques éditions10,781 exemplaires
Les joyeuses commères de Windsor (1602) — Decoration, quelques éditions2,049 exemplaires
Troilus and Cressida (1374) — Illustrateur, quelques éditions1,885 exemplaires
Voyage sentimental à travers la France et l'Italie (1768) — Concepteur, quelques éditions1,735 exemplaires
Le Cantique des cantiques (1935) — Illustrateur, quelques éditions391 exemplaires
Books and Printing: A Treasury for Typophiles (1951) — Contributeur — 96 exemplaires
Wood engraving (1921) — Illustrateur; Appendix; Introduction — 15 exemplaires
The Variorum Edition of the Poetry of John Donne. Volume 7, Part 1: The Holy Sonnets (1938) — Illustrateur, quelques éditions14 exemplaires
Every man an artist : readings in the traditional philosophy of art (2005) — Contributeur, quelques éditions10 exemplaires
American Aphrodite (Volume Three, Number Ten) (1953) — Illustrateur — 2 exemplaires
The book-collectors' quarterly, no. X, April-June 1933 (1933) — Contributeur — 1 exemplaire
Catalogue 97, Rare & interesting books from G. F. Sims (1977) — Artiste de la couverture — 1 exemplaire
A catalogue of the Llewelyn Powys manuscripts (1956) — Artiste de la couverture — 1 exemplaire
Typography : a quarterly, no. 5, Spring 1938 (1938) — Contributeur — 1 exemplaire

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Uma boa forma de acompanhar a visão de um grande Tipógrafo do início do século XX. 100 anos desde então e observar que muito do que ele criticava à época, contra o excessivo industrialismo, observa-se sob postura similar em relação à excessiva digitalização. Mais do que abolir o status quo, refletir porque chegamos a esta percepção de arte, e se vale a pena continuar por esse caminho. Isso e muitas dicas valiosas na composição de livros.
 
Signalé
danielzonn | 3 autres critiques | Mar 25, 2022 |
Benché Gill sia oggi ricordato soprattutto come un artista della tipografia, non meno interessante fu il suo contributo teorico rispetto alla composizione tipografica. Questo saggio - il primo scritto da Gill - venne pubblicato in cinquecento esemplari nel giugno 1931 e nelle sue pagine, lucide e austere, si rispecchiano gli elementi di crisi propri di quel momento storico: in particolare, il conflitto tra industrializzazione e antiche procedure di stampa manuale, che oggi conosce inediti e allora impensabili sviluppi grazie all'elettronica. Fondatore della September Press, disegnatore di caratteri tra i quali, celebri, il Gill Sans (1929), il Perpetua (1929) e il Joanna (1930), l'inglese Eric Gill (1882-1940) è tra i massimi artisti dell'arte tipografica.… (plus d'informations)
 
Signalé
perseveranza | Feb 24, 2021 |
A lovely little book about Gill's views on typography, written in the 1930's, so with asides regarding capitalism and handicrafts and also a strange final chapter about replacing letters with shorthand.
 
Signalé
CarltonC | 3 autres critiques | May 4, 2014 |
Last December I had the pleasure of hearing Michael Russem give a talk to the Ticknor Society on "Postage Stamps by Type Designers." Now Russem and Kat Ran Press have released Eric Gill's Notes on Postage Stamps, which includes Gill's short commentary on the subject (from the Eric Gill Archive, housed at UCLA's Clark Memorial Library), along with an essay by Russem on Gill's philatelic designs and fifty-six full-color illustrations of Gill's stamp designs and sketches (which are reproduced beautifully here).

Gill's no-holds-barred comments on stamp design and Russem's excellent synopsis of his work in the field are well worth a read; Gill felt that governments gave far too much weight to the "entirely sentimental views of philatelists and the general public," arguing that "Good lettering and figures and the simplest possible heraldic sign are sufficient for both beauty and nationality." As Russem notes, many of Gill's efforts at stamp design were not approved, and even those that were he often disliked in some way (of the George VI coronation stamp he wrote "Really the responsibility for the design is more the Post Office's than mine. I only drew the stuff as instructed").

A nicely-produced book on a fascinating aspect of typographical and philatelic history.

http://philobiblos.blogspot.com/2011/03/book-review-eric-gills-notes-on-postage....
… (plus d'informations)
 
Signalé
JBD1 | Mar 16, 2011 |

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Œuvres
67
Aussi par
14
Membres
851
Popularité
#30,067
Évaluation
3.9
Critiques
8
ISBN
59
Langues
7
Favoris
2

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