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Fine Homebuilding

Auteur de Foundations and Concrete Work

183 oeuvres 2,080 utilisateurs 8 critiques

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Œuvres de Fine Homebuilding

Foundations and Concrete Work (1997) 118 exemplaires
Small Houses (Great Houses) (1992) 108 exemplaires
Finish Carpentry (1993) 89 exemplaires
More Small Houses (Great Houses) (1998) 76 exemplaires
Framing Floors, Walls and Ceilings (1996) 66 exemplaires
Framing Roofs (For Pros By Pros) (1996) 50 exemplaires
Patios & Walkways (2004) 44 exemplaires
Built-Ins and Storage (2005) 34 exemplaires
Timber-Frame Houses (Great Houses) (1992) 34 exemplaires
Trim Transformations (2004) 30 exemplaires
Building Stairs (For Pros by Pros) (2004) 29 exemplaires
Storage Solutions (2004) 26 exemplaires
Lighting Solutions (2004) 25 exemplaires
Garage Solutions (2005) 23 exemplaires
Building Additions (2004) 23 exemplaires
Renovating a Kitchen (2003) 23 exemplaires
Building Tips and Techniques (2004) 22 exemplaires
Country Houses (Great Houses) (1996) 19 exemplaires
Doors (Best of Fine Homebuilding) (1996) 18 exemplaires
Stairs (Best of Fine Homebuilding) (1996) 17 exemplaires
Windows & Doors (For Pros By Pros) (2006) 16 exemplaires
Kitchens (For Pros by Pros) (2001) 15 exemplaires
Paint Transformations (2004) 15 exemplaires
Attics, Dormers, and Skylights (2005) 15 exemplaires
The Energy-Smart House (2011) 14 exemplaires
Carpentry (For Pros By Pros) (2007) 13 exemplaires
Bathroom Makeovers (2005) 10 exemplaires
Kitchens (1997) 9 exemplaires
Foundations & Concrete Work (2018) 8 exemplaires
Trim carpentry (2012) 8 exemplaires
Built-Ins, Cabinets & Shelves (2018) 7 exemplaires
Bathroom Upgrades (2016) 6 exemplaires
Threads March 1996 (1996) 6 exemplaires
Framing Roofs (Builder's Library) (1997) 5 exemplaires
Fine Homebuilding 4 exemplaires
Remodeling (1993) 4 exemplaires
Threads (issue 154) 4 exemplaires
Stanley Built-Ins and Storage (2015) 4 exemplaires
Fine Homebuilding on Remodeling (1993) 4 exemplaires
Threads (Issue 148) 3 exemplaires
Doors (1997) 3 exemplaires
Threads (Issue 149) 3 exemplaires
Making Mortise and Tenon Joints (1986) 2 exemplaires
Kitchen Upgrades (2017) 2 exemplaires
Threads_211 1 exemplaire
Fine Woodworking 1 exemplaire
Healthy Soil 1 exemplaire
Threads_210 1 exemplaire
Threads_209 1 exemplaire
Threads 1 exemplaire
Houses Annual Issue 1 exemplaire
Energy-Smart Homes 1 exemplaire
Building Decks (2010) 1 exemplaire
Plans: Outfeed Table 1 exemplaire
Kitchen makeovers 1 exemplaire
Fine Cooking 2006 1 exemplaire
Fine Cooking 2005 1 exemplaire
Stanley Home Repairs (2014) 1 exemplaire
Frame Carpentry (2019) 1 exemplaire
Threads_196 1 exemplaire

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I might begin with a story here: I'm currently in the process of buying a home. It was built in 1890, but currently has linoleum floors. I've been speaking with designers, millers, and contractors, about flooring. So far, every one of them has told me to go with engineered flooring. But I've been wondering—what would be different if we put in a traditional floor, as it would have had when it was first constructed (potentially using reclaimed wood from the era). There will be subtle differences—an engineered floor would be glass-smooth, when a traditional floor would have slight variations. But at the same time, I would have an awareness that, in the engineered floor, there is only a veneer on top, and underneath there's just wood laminants from who knows where, joined by epoxy, while the other floor would be solid planks.

To me, the variation in qualities between these two flooring materials are significant. The authors of the "Farmhouse" would disagree, which gives you a taste of the direction the book takes.

I got this book as part of my exploration of vernacular architecture. After reading it, I can't say that is an accurate classification. It is a hodgepodge collection of articles written by "Fine Homebuilding" magazine over the years, primarily about energy-efficient homes. It is roughly arranged around the archetype of the American farmhouse, although defined rather loosely. Most of the homes are new construction, although a few are renovations of historic homes (often in ways that disturb their historic character).

I can't help contemplate the maxim coined by "the father of the skyscraper" and "the father of modernism," Louis Sullivan: form follows function. Just having finished "Great Camps of the Adirondacks" by Harvey H. Kaiser—which begins with homes crafted of indigenous whole-log spruce, you might think there's a lot wisdom in this expression. But not that far into the development of the Great Camp style, whole-log construction has been superseded by half-log veneers—a betrayal of the essence of this architectural style, separated from the McMansions constructed of foam "rocks" only by degree, not kind.

Simultaneously, I'm reading Christopher Alexander's, "The Nature of Order." Alexander posits a much deeper concept than "form follows function." Rather, he describes a world seething with aliveness and interconnection. Why do we feel dead when walking through the halls of a modern hospital, school, mall—or basically any form of built environment? Because architects and builders have forsaken fifteen essential principles of wholeness, outlined by Alexander. At odds with the concept of "form follows function," Alexander establishes that there is no separation between function and ornament. A space devoid of earnest ornamentation is as hopeless as a space unable to serve its function. Not only this—seemingly subtle details can make all the difference between meaning and meaninglessness. This is obvious in the world of sports, where a difference of a few inches in a field goal can mean the difference between winning a championship and losing—but for some reason we've arrived at a mindset where "good enough" suffices in architecture, and where novelty has surpassed the value of beauty.

So it is at the intersection of "form follows function" and "ornament is as important to wholeness as function" that we arrive at the paradox at the center of the book at hand: can "farmhouses" constructed of cement-board, foam, and resins, with a bit of modern flare thrown in, nourish their inhabitants like a traditional farmhouse? I'm left with the conclusion: no, they cannot.

If you're interested in learning more about modern high-efficiency construction methods, you'll find this book intriguing. If you're interested in learning more about farmhouses, or vernacular architecture, you should look elsewhere. In the introduction, they do offer one hint: the quintessential book on the form is "Big House, Little House, Back House, Barn," by Thomas C. Hubka (1984). I guess that's where I'll need to go next.
… (plus d'informations)
 
Signalé
willszal | Jul 3, 2022 |
Call me odd, but I adore small houses. Easier to clean and decorate. They are cozy and quaint. This book allowed my house interest to flourish and they even had FLOOR PLANS, with square footage listed! Sometimes books will say "small" but then you find out to them small=2500 sq ft. I found my dream home, cute one level bungalow that had the perfect floor plan. I really adore floor plans. It was so practical and only one floor. P. 67, there it is, that is the house for me. It is kind of big though at 1488 sq ft, but I could make it work.… (plus d'informations)
 
Signalé
BarbF410 | May 22, 2022 |
I loved the pictures of step-by-step instructions. So helpful! I loved the trick for getting strawberry plants into a strawberry planter easily. Lots of fun ideas that look doable! I think I am ready for spring!
 
Signalé
BarbF410 | May 22, 2022 |
stepping stones instructions on page 100.
 
Signalé
untitled841 | Jun 26, 2016 |

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Statistiques

Œuvres
183
Membres
2,080
Popularité
#12,351
Évaluation
½ 3.5
Critiques
8
ISBN
148

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