George D. Economou (1934–2019)
Auteur de Proensa: An Anthology of Troubador Poetry
A propos de l'auteur
Œuvres de George D. Economou
The georgics 1 exemplaire
Janus Witness: Testament of a Greek-American Poet 1 exemplaire
Oeuvres associées
Étiqueté
Partage des connaissances
- Date de naissance
- 1934
- Date de décès
- 2019
- Sexe
- male
- Nationalité
- USA
- Lieu de naissance
- Great Falls, Montana, USA
- Lieux de résidence
- Philadelphia, Pennsylvania, USA
Wellfleet, Massachusetts, USA - Études
- Columbia University
Colgate University - Professions
- poet
translator
professor - Relations
- Owens, Rochelle (wife)
- Organisations
- Brooklyn Center of Long Island University
University of Oklahoma
Membres
Critiques
Listes
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Auteurs associés
Statistiques
- Œuvres
- 11
- Aussi par
- 1
- Membres
- 169
- Popularité
- #126,057
- Évaluation
- 4.4
- Critiques
- 3
- ISBN
- 12
What remains of Ananios's work has come down to us on papyrus and thus the poems are really only fragments, though even these scraps are suggestive of a distinctive voice: 'Dance through the forest [ ] deer season (cakes?) [ / Artem]is shouts and shoots [ / as the moon r [ ] on flying feet [ / ]the precipice / ]fisherman's net [ ] my heart, my love [ '. Economou gives us his own sometimes startling translation of them and provides as well endnotes, information on the various commentators, and general background and in fact it would be a good idea to have two or three bookmarks to hand before beginning his book.
A fair bit of Ananios of Kleitor comprises commentary from a range of characters through the centuries, from The Anonymous Alexandrian to 20th-century academics. Of particular interest is how their interpretations of the poems are skewed by their own inclinations and how much about them is revealed in their discussions of the poetry: amongst the references to other classical authors, comments on prosody, and attempted reconstruction of the fragments there are outpourings of fierce religiosity, an account of a third-century dinner party bore, and of course sniping, squabbling, and possibly plagiarism between modern academics. (In fact, my only--minor--objection to the book is Economou's decision to include letters between these last containing personal information he might have thought significantly revelatory but that for me were not.)
I don't think one need have any but a basic familiarity with the classics, mythology, and scholarly commentary to enjoy this book, though when I re-read it I'll do so with The Reader's Dictionary and Lempriere beside me as I've little doubt there were significant bits I overlooked on first reading. It's a book that does, though, require close attention--which will be generously rewarded.
I can't recommend this highly enough: I was held rapt by Ananios of Kleitor and noticed as soon as the second page that I was smiling, as I was to be through almost all the book. Admirers of rather similar scholarly work of Charles Kinbote might be especially likely to enjoy this, though I think Economou puts Nabokov in the shade.… (plus d'informations)