Chester Eagle (1933–2021)
Auteur de Mapping The Paddocks
Œuvres de Chester Eagle
Étiqueté
Partage des connaissances
- Nom légal
- Eagle, Chester Arthur
- Date de naissance
- 1933
- Date de décès
- 2021-05-05
- Sexe
- male
- Nationalité
- Australia
- Lieu de naissance
- Bendigo, Victoria, Australia
- Lieu du décès
- Heidelberg, Victoria, Australia
- Professions
- Teacher
Administrator
Membres
Critiques
Prix et récompenses
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Auteurs associés
Statistiques
- Œuvres
- 10
- Membres
- 37
- Popularité
- #390,572
- Évaluation
- 4.0
- Critiques
- 1
- ISBN
- 12
It was 2020, and we were all just learning about masks. Unprepared for any pandemic, Australia had so few of them that they were reserved for hospital staff — there weren't even enough for staff in aged care settings. Locked down throughout the city, while manufacturing cranked into gear, Melburnians went into action with cottage mask-making industries, and — in an effort to lure buyers to online book sales — the ever-enterprising Barry Scott at Transit Lounge Publishing offered a sexy black mask as a free gift for purchases over a certain amount...
So, scouring the Transit Lounge website for titles I didn't have, I came across The Well in the Shadow. The blurb sounded interesting:
The essays discuss not just those authors who are listed in the blurb... they also include Judith Wright, Hal Porter, Frederick Manning, Henry Handel Richardson, Katharine Susannah Prichard, Sally Morgan, Barnard Eldershaw, Murray Bail and Barry Hill. Eagle's style is chatty but also informative, thoughtful, wise and occasionally provocative.
[caption id="attachment_110886" align="alignright" width="225"] Coonardoo, 1st edition (Image credit: Nathan Hobby)[/caption]
Of particular interest to me at this time — because I've just constructed a new page about Katharine Susannah Prichard (to coincide with reading Nathan Hobby's new biography The Red Witch — is Chester Eagle's essay about KSP's Coonardoo. Beginning with what he calls Interlude 2: 'As far apart as ever', he writes:
Two essays then follow:
'The un-loving of Coonardoo' has a two-edged meaning. It refers to the characters: the white man Hugh Watt's un-loving rejection of Coonardoo, and also to the change in literary criticism of the novel.
(I'm not going to summarise the plot or revisit my thoughts about Coonardoo and the criticism of it here because I covered that extensively in my review.)
Eagle, noting that while KSP's characterisation certainly isn't shallow, she doesn't spend much time trying to explicate the inner workings of her characters' minds. (This comment reminded me of what I had read in The Red Witch, i.e. that KSP had given short thrift to Cyril Cook's Freudian interpretation of her oeuvre.) But Eagle goes on to query whether Coonardoo is indeed the central character of the novel. He notes Mollie's rapturous response to discovering the landscape of her long-estranged father's farm, and goes on to write...
To read the rest of my review please visit https://anzlitlovers.com/2022/04/27/the-well-in-the-shadow-a-writers-journey-thr...… (plus d'informations)