Photo de l'auteur

H. A. DeRosso (1917–1960)

Auteur de .44

14+ oeuvres 75 utilisateurs 1 Critiques 1 Favoris

A propos de l'auteur

Œuvres de H. A. DeRosso

.44 (1956) 18 exemplaires
The Dark Brand (1998) 12 exemplaires
Under the Burning Sun (1997) 9 exemplaires
The Gun Trail (1999) 8 exemplaires
End of the gun (1999) 7 exemplaires
The Man from Texas (1957) 4 exemplaires
The Rebel (1961) 4 exemplaires
Tracks in the Sand (1951) 3 exemplaires
Rocket Stories, April 1953 (1953) 2 exemplaires
The Old Pro 1 exemplaire
Hide-Away 1 exemplaire
Long Lonesome and Vigilante (2014) 1 exemplaire
The Rebel (1961) 1 exemplaire

Oeuvres associées

Hard-Boiled: An Anthology of American Crime Stories (1995) — Contributeur — 184 exemplaires
Get Me to the Wake on Time (1970) — Contributeur — 59 exemplaires
Death Can Be Beautiful (1972) — Contributeur — 50 exemplaires
The Best of Fiends (1972) — Contributeur — 44 exemplaires
Rolling Gravestones (1971) — Contributeur — 36 exemplaires
Bleeding Hearts (1974) — Contributeur — 28 exemplaires
101 Mystery Stories (1986) — Contributeur — 26 exemplaires
Dødens dagbog (1974) — Auteur, quelques éditions1 exemplaire
En rædselsfuld tid : 14 supergys (1989) — Auteur, quelques éditions1 exemplaire

Étiqueté

Partage des connaissances

Date de naissance
1917
Date de décès
1960
Sexe
male
Nationalité
USA

Membres

Critiques

If you grow up in the West and and do not like westerns, it is the same as if you grew up in Belgium and do not like beer. At the very least, you have proven yourself to be someone who cannot be trusted.

The status that westerns have in American culture is much diminished these days. Great westerns are still being written – see Cormac McCarthy, Larry McMurtry, and Elmer Kelton. But the greatest practioners of the classic western are long gone.

H.A. DeRosso wrote hard-boiled stories for the pulps in the 1940s and 1950s. He wrote a number of great western short-stories and a few novels. His westerns have been described by Bill Pronzini as western noir. Pronzini has edited a number of collections of his short stories. Each collection is great.

Of DeRosso’s novels, .44 is my favorite. It epitomizes DeRosso’s style: austere, hard-boiled, grim, lonely and yet,… poetic at times. The characters have an archetypal quality that transcends the merely conventional. The desert landscape they inhabit is mythological– ethereal and bleak.

There are, admittedly, more realistic western writers and much more historically accurate ones. And yet besides Cormac McCarthy there are no western writers that are as satisfying as DeRosso in the end.

DeRosso is satisfying because his work is so mythic. Westerns, after all, are suppose to be mythic. To quote Maxwell Scott in The Man Who Shot Liberty Valance, “This is the West, sir. When the legend becomes fact, print the legend.”

.44 begins with one of those great first paragraphs that hook you and then lives up to all that first paragraph promises. Everything that is classic DeRosso, that is western noir is here: menace, fate, and myth.

The two riders working up the mountain towards the pass travelled about a mile apart. There was not hurry in their progress. The first rider made no effort to quicken his horse’s pace and thus draw farther ahead. The second rider, too, seemed content with the rate he was travelling. He kept his distance, not trying at all to overtake the other, even though he had been hired to kill this first rider and intended to do so before nightfall.

(This review has also been published at www.montanawriter.com)
… (plus d'informations)
 
Signalé
Broadwater43 | Sep 1, 2010 |

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Statistiques

Œuvres
14
Aussi par
9
Membres
75
Popularité
#235,804
Évaluation
3.9
Critiques
1
ISBN
54
Favoris
1

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