Photo de l'auteur

Edward J. Dent (1876–1957)

Auteur de Opera

25+ oeuvres 315 utilisateurs 6 critiques

A propos de l'auteur

Séries

Œuvres de Edward J. Dent

Opera (1940) 104 exemplaires
Mozart's Operas: A Critical Study (1946) 78 exemplaires
Dido and Aeneas (1925) — arranger — 40 exemplaires
The Rise of Romantic Opera (1976) 21 exemplaires
Ferruccio Busoni (1933) 16 exemplaires
Handel (2004) 10 exemplaires
A Theatre for Everybody (1945) 9 exemplaires
DON GIOVANNI (1943) 3 exemplaires
The Future of Music (1965) 3 exemplaires
Mozart's Così fan tutte (1945) 3 exemplaires
Ferruccio Busio 1 exemplaire

Oeuvres associées

Rigoletto [sound recording] (1947)quelques éditions159 exemplaires
Il Barbiere di Siviglia [catchall] (1816) — Traducteur, quelques éditions84 exemplaires
English National Opera Guide : Rossini : The barber of Seville + Moses (1985) — Traducteur, quelques éditions19 exemplaires
Handel: A Symposium (1954) — Contributeur — 10 exemplaires
Overture Opera Guides : Mozart : Don Giovanni (2010) — Contributeur — 2 exemplaires

Étiqueté

Partage des connaissances

Date de naissance
1876-07-06
Date de décès
1957-08-22
Sexe
male
Nationalité
UK
Études
Eton College
University of Cambridge (King's College)
Courte biographie
E. J. Dent was a musicologist and translator. His Mozart's Operas:
a Critical Study was first published in 1913. He was particularly
influential in making neglected areas of eighteenth-century opera
more widely known. He died in 1957.

Membres

Critiques

Marvellous. In an age when baroque and classical operas were curiosities (at best), Dent was one of the figures who foresaw their rise. Mozart, naturally, is a cut above any of his revived contemporaries but nevertheless he had to wait for his renaissance. Of course this book has been superseded and outweighed by a century's worth of commentary and research, but it's still a thorough and energising read.
 
Signalé
therebelprince | 3 autres critiques | Apr 21, 2024 |
I'm not a fan of opera but found this at a used bookstore and realized I needed to know more about the basics. This is a short history of opera, written in 1940 by a Cambridge professor of music and opera devotee. I expected it to be dry and didactic, but it is witty and deprecating. The author freely admits to many of the reasons that the average person might be repelled by opera: terrible acting, self-important singers, long recitatives in a foreign language, conductors who think they are the most important person in the theater, pompous critics, etc. But he makes a case for opera as a a medium to be enjoyed by the "common man" and insists, reasonably, that opera always be performed in the language of the audience.… (plus d'informations)
½
 
Signalé
quokka70 | Aug 4, 2020 |
 
Signalé
VPALib | Mar 6, 2019 |
La riqueza del mundo de Mozart alcanza la plenitud en sus óperas. En ellas, las almas de los hombres se traducen en música, y nunca quizá compositor alguno ha logrado que las notas hablaran con tanta lucidez, con tanta penetración, de la psicología humana.
Edward J. Dent, el ilustre historiador de la música, especialista sin igual en la obra del músico que tanto amara, nos brinda en las luminosas páginas de este libro la mejor de las claves para penetrar aquel mundo.
 
Signalé
ampapulcinella | 3 autres critiques | Nov 20, 2015 |

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Statistiques

Œuvres
25
Aussi par
6
Membres
315
Popularité
#74,965
Évaluation
½ 4.3
Critiques
6
ISBN
36
Langues
2

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