Sheryl CrowCritiques

1 Steve McQueen
Acoustic Guitar, Maracas – Sheryl Crow
Backing Vocals – Doyle Bramhall II
Congas – Lenny Castro
Drums – Shawn Pelton, Steve Jordan
Electric Guitar – Craig Ross
Electric Guitar, Loops [Drum Loops], Bass, Sampler, Percussion [Percussion Loops] – John Shanks
Mixed By – Jack Joseph Puig
Mixed By [Assistant] – Joe Zook
Producer – John Shanks
Tambora – Steve Jordan
Written-By – John Shanks, Sheryl Crow
3:24
2 Soak Up The Sun
Acoustic Guitar, Keyboards [F/x Keyboard] – Sheryl Crow
Backing Vocals – Tim Smith (5)
Drums, Drum Programming – Jeff Anthony
Electric Guitar, Acoustic Guitar, Lap Steel Guitar, Bass, Drum Programming – Jeff Trott
Guest, Vocals – Liz Phair
Mixed By – Andy Wallace
Mixed By [Assistant] – Steve Sisco
Producer – Jeff Trott
Written-By – Jeff Trott, Sheryl Crow
4:52
3 You're An Original
Acoustic Guitar, Electric Guitar [End Electric Guitar], Electric Piano [Wurlitzer] – Sheryl Crow
Drum Programming – Keith Schreiner
Drums, Maracas, Tambora – Steve Jordan
Electric Guitar – Doyle Bramhall II
Electric Guitar, Bass – Jeff Trott
Electric Guitar, Soloist, Guitar [End Solo Guitar] – Craig Ross
Guest, Vocals – Lenny Kravitz
Mixed By – Jack Joseph Puig
Mixed By [Assistant] – Joe Zook
Shaker, Congas – Lenny Castro
Written-By – Jeff Trott, Sheryl Crow
4:34
4 Safe And Sound
Arranged By [String Arrangement] – Lorenza Ponce
Arranged By [String Arrangement], Synth [Synth Strings], Toy [Toy Piano], Synthesizer [Moog Lead] – Jeremy Stacey
Bass – Brad Jones
Bass, Piano, Organ [Wurlitzer] – Sheryl Crow
Cello – David Garo Yellin*, Jane Scarpantoni, Julia Kent, Michelle Kinney
Concertmistress – Antoine Silverman
Contractor – Jane Scarpantoni
Drums, Loops – Shawn Pelton
Electric Guitar, Acoustic Guitar, Loops [Drum Loop] – Peter Stroud (3)
Mixed By – Jack Joseph Puig
Mixed By [Assistant] – Joe Zook
Viola – David Gold (2), Debra Schufelt*, Rena Andoh, Ron Lawrence
Violin – Antoine Silverman, Hatalie Cummins*, Hiroko Taguchi, Jill Jaffe, Joan Wasser, Joe Deninzon, Joyce Hammann, Lorenza Ponce, Lynn Bechtold, Marti Sweet, Matthew Pierce, Paul Peabody, Soozie Tyrell
Written-By – Sheryl Crow
4:29
5 C'mon C'mon
Bass, Piano, Accordion – Sheryl Crow
Drums – Shawn Pelton
Guest, Vocals – Stevie Nicks
Mixed By – Andy Wallace
Mixed By [Assistant] – Steve Sisco
Percussion – Lenny Castro
Rhythm Guitar [Electric Rhythm Guitar] – Tim Smith (5)
Twelve-String Guitar [12 String Acoustics], Acoustic Guitar, Lead Guitar [Lead Electric Guitar] – Peter Stroud (3)
Written-By – Sheryl Crow
4:44
6 It's So Easy
Acoustic Guitar – Tim Smith (5)
Acoustic Guitar, Electric Guitar [2nd Verse] – Peter Stroud (3)
Arranged By [String Arrangement] – Matt Brubeck*
Bass – Mike Elizondo
Cello – Matt Brubeck*, Rudy Stein
Concertmaster – Joel Derouin
Drum [Drum Fills] – Brian McCleod*
Drums – Jeremy Stacey
Electric Guitar [Rhythm And Lead Electric Guitars] – Craig Ross
Guest, Vocals – Don Henley
Mixed By – Jack Joseph Puig
Mixed By [Assistant] – Joe Zook
Organ – Benmont Tench
Percussion – Lenny Castro
Piano, Electric Piano [Wurlitzer], Electric Guitar – Sheryl Crow
Violin – Berg Garabedian*, Charlie Bisharat, Joel Derouin, Michele Richards
Written-By – Kathryn Crow, Sheryl Crow
3:24
7 Over You
Acoustic Guitar, Bass, Electric Guitar – Tim Smith (5)
Backing Vocals, Electric Guitar, Soloist, Guitar – Doyle Bramhall II
Cello – Dan Smith*
Drums – Jeremy Stacey
Electric Guitar – Peter Stroud (3)
Electric Guitar [Electric Effect Guitars], Keyboards – Doug Grean
Electric Piano [Wurlitzer], Acoustic Guitar, Bass, Tambora, Organ – Sheryl Crow
Mixed By – Andy Wallace
Mixed By [Assistant] – Steve Sisco
Written-By – Sheryl Crow
4:37
8 Lucky Kind
Acoustic Guitar, Organ [B3], Bass [Moog Bass], Backing Vocals – Sheryl Crow
Co-producer [Additional Production In Bridge] – Scott Weiland
Drums, Loops [Drum Loops], Percussion – Jeremy Stacey
Electric Guitar, Backing Vocals – Peter Stroud (3)
Electric Guitar, Bass, Backing Vocals – Tim Smith (5)
Keyboards – Keefus Ciancia
Mixed By – Andy Wallace
Mixed By [Assistant] – Steve Sisco
Written-By – Jeff Trott, Sheryl Crow
4:02
9 Diamond Road
Arranged By [String Arrangement] – Jeremy Stacey, Lorenza Ponce
Bass – Brad Jones, Sheryl Crow
Cello – David Garo Yellin*, Jane Scarpantoni, Julia Kent, Michelle Kinney
Concertmaster – Antoine Silverman
Contractor – Jane Scarpantoni
Drums, Bells – Shawn Pelton
Electric Guitar, Bass – Tim Smith (5)
Electric Guitar, Lead Guitar – Peter Stroud (3)
Mixed By – Andy Wallace
Mixed By [Assistant] – Steve Sisco
Percussion – Lenny Castro
Viola – David Gold (2), Debra Schufelt*, Rena Andoh, Ron Lawrence
Violin – Antoine Silverman, Hatalie Cummins*, Hiroko Taguchi, Jill Jaffe, Joan Wasser, Joe Deninzon, Joyce Hammann, Lorenza Ponce, Lynn Bechtold, Marti Sweet, Matthew Pierce, Paul Peabody, Soozie Tyrell
Written-By – Marti Frederiksen, Sheryl Crow
4:09
10 It's Only Love
Acoustic Guitar, Electric Piano [Wurlitzer], Piano, Bass – Sheryl Crow
Arranged By [String Arrangement] – Lorenza Ponce
Bass – Brad Jones
Cello – David Garo Yellin*, Jane Scarpantoni, Julia Kent, Michelle Kinney
Concertmaster – Antoine Silverman
Contractor – Jane Scarpantoni
Drums – Jeremy Stacey
Electric Guitar – Peter Stroud (3), Tim Smith (5)
Guest, Vocals – Gwyneth Paltrow
Mixed By – Andy Wallace
Mixed By [Assistant] – Steve Sisco
Percussion – Lenny Castro
Viola – David Gold (2), Debra Schufelt*, Rena Andoh, Ron Lawrence
Violin – Antoine Silverman, Hatalie Cummins*, Hiroko Taguchi, Jill Jaffe, Joan Wasser, Joe Deninzon, Joyce Hammann, Lorenza Ponce, Lynn Bechtold, Marti Sweet, Matthew Pierce, Paul Peabody, Soozie Tyrell
Written-By – Sheryl Crow
5:05
11 Abilene
Acoustic Guitar, Organ [Electric Piano [Rhodes Piano] – Sheryl Crow
Bass – Mike Elizondo
Drums – Steve Jordan
Electric Guitar – John Shanks, Wendy Melvoin
Guest, Vocals – Natalie Maines
Mixed By – Andy Wallace
Mixed By [Assistant] – Steve Sisco
Organ [C6], Sampler [String Samples] – Keefus Ciancia
Percussion – Lenny Castro
Piano [Bridge Piano] – Benmont Tench
Slide Guitar – Peter Stroud (3)
Written-By – Jeff Trott, Sheryl Crow
4:05
12 Hole In My Pocket
Bass – Tim Smith (5)
Bass [Chorus Bass] – Sheryl Crow
Drums, Loops [gomez And Vintage Loops] – Shawn Pelton
Handclaps – Karen Crow
Loops [Drum Loop], Electric Guitar, Electric Piano [Wurlitzer], Acoustic Guitar, Written By – Peter Stroud (3)
Mixed By – Andy Wallace
Mixed By [Assistant] – Steve Sisco
Written-By – Sheryl Crow
4:35
13 Weather Channel
Acoustic Guitar – Sheryl Crow
Arranged By [String Arrangement] – Mitchell Froom
Cello – Dan Smith*, Suzie Katayama
Concertmaster – Joel Derouin
Contractor – Suzie Katayama
Electric Upright Bass – Dave Faragher*
Guest, Vocals – Emmylou Harris
Mixed By – Andy Wallace
Mixed By [Assistant] – Steve Sisco
Organ [B3 Treatments] – Benmont Tench
Viola – Evan Wilson, Matt Funes
Violin – Berg Garabedian*, Charlie Bishart*, Joel Derouin, Michele Richards
Written-By – Sheryl Crow
4:40

069493260-2

31454 0126 2

31454 0587 2 IN02

Disappointing because unmemorable.

I think one sign of a great performer is their ability to get me to enjoy a song even if I hate its politics. This is the best example of this since the golden years of pop/rock.

Product Details

* Audio CD (November 25, 1997)
* Original Release Date: November 25, 1997
* Number of Discs: 1
* Format: Soundtrack
* Label: A&M
* Catalog Number: 540830
* ASIN: B000002GOX
* Also Available in: Audio Cassette
* Average Customer Review: based on 53 reviews. (Write a review.)
* Amazon.com Sales Rank: #75,552 in Music (See Top Sellers in Music)
Yesterday: #70,778 in Music

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1. Tomorrow Never Dies - Sheryl Crow Listen Listen
2. White Knight Listen Listen
3. The Sinking Of The Devonshire Listen Listen
4. Company Car Listen Listen
5. Station Break Listen Listen
6. Paris And Bond Listen Listen
7. The Last Goodbye Listen Listen
8. Hamburg Break In Listen Listen
9. Hamburg Break Out Listen Listen
10. Doctor Kaufman Listen Listen
11. *-3-Send Listen Listen
12. Underwater Discovery Listen Listen
13. Backseat Driver - David Arnold, Alex Gifford Of Propellerheads Listen Listen
14. Surrender - K.D. Lang Listen Listen
15. James Bond Theme - Moby Listen Listen
Editorial Reviews
Amazon.com
Where the previous Bond installment, Goldeneye, profited from the gratifying if belated introduction of actor Pierce Brosnan as an 007 for the '90s and beyond, it suffered from a musical mismatch. Composer Eric Serra had scored several successes with French director Luc Besson (La Femme Nikita, The Professional, The Big Blue) but floundered trying to update a genre whose John Barry-penned scores had long ago become legend. David Arnold's music for Tomorrow Never Dies is arguably less adventuresome than Serra's for Goldeneye, returning largely to Barry's conservative musical pattern for the Bond films. But it's still grandly effective, and probably better than the movie it supports. --Jerry McCulley
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2 of 2 people found the following review helpful:
Arnold Bonds With Bond, October 17, 2002
Reviewer: G M. Stathis (cedar city, utah USA) - See all my reviews
(REAL NAME)
It is interesting to revistit David Arnold's first entry in the James Bond musical saga, "Tomorrow Never Dies," now that he is about to release his third score in the series,"Die Another Day." Arnold was given the rather daunting assignment of taking Bond into a new era but somehow create a musical bridge to the scores written by John Barry. He succeeded with what is now generally considered the best of the non-Barry 007 scores. Indeed, the full score, which sadly is only partially represented on this soundtrack recording, is one of the best of the entire series. The vocals are good, but they are also somewhat confusing. The song "Tommorow Never Dies-Surrender" is clearly the thematic basis of much of the score, but was not used as the title tune (it is presented over the end titles). Too bad, because aside from being an important part of the musical treatment, it is also the better song. The music for the pre-credit sequence, "White Knight," is a perfect example of Arnold's fine effort to both pay homage to Barry and put his stamp on Bond. It is a fantastic piece that integrates the traditional James Bond Theme, Barry's use of brass, and Arnold's new devices including his "Surrender" theme. After hearing this cue, I was sold on Arnold as the successor to Barry. Something closer to a full treatment of the score was later released by Chapter III Records (and is now out of print), but even it left out some cues. In two Bond scores Arnold has demonstrated dynamic skills in developing love themes, action music, dramatic cues, jazz and electronic interpretations. This is a worthy effort and leaves us wanting more from Arnold. The good news is that like James Bond, David Arnold will return.

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5 of 5 people found the following review helpful:
Arnold brings it back to Bond, July 3, 2003
Reviewer: "twekie" (USA) - See all my reviews
David Arnold is the man on this one. After the GoldenEye score came out, many were wondering what happened to the classic Bond styling. Well, it's back, with a twist

Sheryl Crow's theme is definately different for a Bond theme (not necessarily bad), but it actually makes no appearance in the score itself. The song "Surrender" by k.d. Lang acts as the theme for the score in numerous occasions, which is fitting becasue the song itself is much like one of Shirley Bassey's themes. One thing that Arnold did especially well is to bring back the Bond theme. Remember hearing it in GoldenEye? No, you don't. It wasn't there at all, except for the trailor (whcih was by Parodi Fair, but that's another cd)
The twist is the added techno styling to good ol' Bond intruments. Arnold did a great job in keeping stuff up to date, and Moby added to it with the Bond remix at the end of the CD. Great, great stuff.

This CD, however, only has half of the score. If you want the whole score (editor's cut, as it is referrred to), you need the one that just says soundtrack. It's more expensive, and lacks Sheryl Crow, k.d Lang, and Moby's Remix. But it has some key tracks, like the ones at the climax of the movie. If you really are a Bond music fan, buy both.
*Interestingly enough, there is still some music missing, like the music heard at the cocktail party for the Carver Media Group. But it's stil good.