Werner Bräunig (1934–1976)
Auteur de Rummelplatz
A propos de l'auteur
Œuvres de Werner Bräunig
A Pair Of Mittens And Other German Short Stories 1 exemplaire
Oeuvres associées
The New Sufferings of Young W. and Other Stories from the German Democratic Republic (1997) — Contributeur — 10 exemplaires
Étiqueté
Partage des connaissances
- Nom canonique
- Bräunig, Werner
- Date de naissance
- 1934-05-12
- Date de décès
- 1976-08-14
- Sexe
- male
- Nationalité
- Germany
- Lieu de naissance
- Chemnitz, Germany
- Lieu du décès
- Halle an der Saale, Germany
- Professions
- writer
Membres
Critiques
Listes
Prix et récompenses
Vous aimerez peut-être aussi
Auteurs associés
Statistiques
- Œuvres
- 3
- Aussi par
- 2
- Membres
- 115
- Popularité
- #170,830
- Évaluation
- 3.8
- Critiques
- 2
- ISBN
- 12
- Langues
- 2
The novel follows the experiences of a loosely-connected group of young characters, most of them industrial workers, and uses the detailed description of their ordinary working lives to illustrate what is going on in the DDR. Most of the book takes place in and around the Wismut uranium mines. This extremely vivid realism ("merciless realism" as Wolf calls it) is the key thing that makes this book stand out. There aren't many novels that describe work convincingly from the worker's point of view, and Rummelplatz is definitely up there with the best of them. I think this is the only novel I've read about miners that focusses on what they do and why, rather than on the conditions they do it in. That's not to say that the book is all in realist mode: there are also quite a number of passages where characters go off into Tolstoy-style reflections on the big historical picture, and in the later parts also some passages in a more modernist stream-of-consciousness style that feels a bit like Berlin, Alexanderplatz. Although this is intended as a political novel, it's on the human level that it's most powerful and most engaging. The use of voices, technical vocabulary, dialect, and sheer everyday detail is brilliant.
A Rummelplatz is a fairground, but the literal translation would be something like "place of disorder" — Bräunig uses it as an image in both senses. Bräunig's idea seems to be to show us the DDR growing up in the chaotic situation of the immediate post-war period, with all the human, political and economic challenges thrown up by trying to establish socialism in a state damaged by the experience of the Third Reich, defeated in war, and artificially split along borders that left widely-disparate amounts of resources in East and West (the East starts out with a quarter of the engineering industry, but only about 1% of the coal and steel production, for example). The theoretical notions of Marx are hard to apply in this messy situation where socialists who spent much of the last fifteen years in jail or in exile find themselves having to work with former Nazis; there are still close family and business ties between East and West that have to be disentangled, and there is a porous border that becomes increasingly attractive as the economic situation worsens. He cleverly shows us how the system discourages risk-taking and responsibility at low levels, and how this leads both to inefficient use of scarce resources and to the increasingly paranoid security state. It's not an entirely unbiased account: there is a strong element of caricature in the way the West German characters are portrayed, he's silent about things like the Russians' confiscation of everything that wasn't bolted down (and many things that were, right down to railway tracks) as war reparations, and he's careful not to discuss any individual East German leaders. The description of the 17th of June also diverges quite a bit from the accounts you see in West German sources (especially Bräunig's suggestion that Nazi activists played a leading role). All the same, he's very frank about things like the brutal behaviour of the police and Stasi. And he makes it clear where the uranium the miners dig up is going, and what it's intended to be used for. It's not hard to imagine why the book was suppressed. Even in Britain, it wouldn't have been possible for someone working in the nuclear industry to publish a book about uranium mining: he'd have had the Official Secrets Act waved in front of his face before he even got the typewriter out.
Lost masterpiece? Possibly. It's a bit patchy, and obviously Bräunig never had the heart to polish the manuscript into a definitive form, but it's certainly a very impressive book, and a unique document of a period that isn't very well known. It's not hard to imagine that, with a few of the rough edges taken off it, the trilogy would have been a masterpiece if it had ever been completed. And who knows: if the DDR had been the sort of state where people who wrote like that were encouraged, it might still have been with us today.… (plus d'informations)