Carel Blotkamp
Auteur de Mondrian: The Art of Destruction
A propos de l'auteur
Œuvres de Carel Blotkamp
Kunstenaren der idee : symbolistische tendenzen in Nederland, ca. 1880-1930 (1978) — Contributeur — 9 exemplaires
De vervolgjaren van De Stijl: 1922-1932 (1996) — Directeur de publication; Contributeur — 6 exemplaires
Stedelijk Collection Reflections: Reflections on the Collection of the Stedelijk Museum Amsterdam (2013) 6 exemplaires
Als golfslag op het strand... Ad Dekkers in zijn tijd = Waves breaking on the shore... Ad Dekkers in his time (1998) 3 exemplaires
Eylem Aladogan realms, 1999-2005 / 2 exemplaires
Daubigny, van Doesburg, Daniëls-- : en 88 andere hoogtepunten uit de collectie moderne kunst van het Centraal… (1987) 2 exemplaires
Paul Klemann : droomtekeningen / 1 exemplaire
‘After Daan van Golden’ 1 exemplaire
Ger van Elk - David Roëll-prijs 1983 1 exemplaire
Leporello 1874-2004: een reis door de collectie 1 exemplaire
Armando [The Fruit Market Gallery Edinburgh 1989] 1 exemplaire
Copy of "Mondriaan architectuur," Wonen-TABK 4/5 1 exemplaire
Herman Kruyder: in en buiten het Paradijs 1 exemplaire
Kunst van nu : encyclopedisch overzicht vanaf 1960 1 exemplaire
Gerhard von Graevenitz : kinetische objecten / 1 exemplaire
Oeuvres associées
Pyke Koch : schilderijen en tekeningen = paintings and drawings : Museum Boymans-van Beuningen Rotterdam, 26 februari… (1995) — Contributeur, quelques éditions — 17 exemplaires
Étiqueté
Partage des connaissances
- Date de naissance
- 1945
- Sexe
- male
- Nationalité
- Netherlands
- Professions
- art historian
- Relations
- Blotkamp, Hoos (spouse)
Membres
Critiques
Vous aimerez peut-être aussi
Auteurs associés
Statistiques
- Œuvres
- 40
- Aussi par
- 4
- Membres
- 189
- Popularité
- #115,306
- Évaluation
- 4.1
- Critiques
- 4
- ISBN
- 42
- Langues
- 5
The origin of this exhibition lies in an encounter between the artists Robbin Heyker (1976) and Niek Hendrix (1985), who met by chance in 2015. It soon became apparent that Daan van Golden is an important reference point for both of them in their conception of art and their work. The concepts of “thoughtfulness” and “room for slowness”, in particular, played a central role in the discussions between Heyker and Hendrix.
Van Golden’s work is included in many museum collections, but he only produced a few works each year. He was therefore never very visible; his production was simply too low. Brushstroke by brushstroke, he built up an oeuvre that seemed to revolve around meditation, repetition, the personal, but also the mundane, the banal. Seemingly simple paintings unfold a stratification of complexities of the working of the image and its art historical context. In short, the fundamental question of what makes a painting, a painting and what does that mean? And what does that then mean for artistry? Both of them recognise themselves in these questions, but deal with them in a very different way. These are questions that, in the current art discourse, receive little attention in an institutional context.
Over the years, there have been many more artists for whom the work of the enigmatic Van Golden has been a source of inspiration, and each of these artists has approached it in a different way. Some even refer explicitly to Van Golden’s work.
The group exhibition that we are putting together based on the link with Van Golden is therefore not only a tribute to an important Dutch artist, but also a celebration of the far-reaching influence of his oeuvre on many generations of artists, worldwide moreover. An exhibition in recognition of the diversity and ambiguity of art and its makers. For us, the most important thing is to put on the agenda what Van Golden stands for, namely the previously mentioned ‘thoughtfulness’ and ‘slowness’.… (plus d'informations)