Photo de l'auteur

Dorothy Arzner (1897–1979)

Auteur de Dance, Girl, Dance

12+ oeuvres 64 utilisateurs 4 critiques

A propos de l'auteur

Comprend les noms: Dorothy Arzner

Crédit image: Dorothy Arzner Credit: Unknown

Œuvres de Dorothy Arzner

Dance, Girl, Dance (1940) — Directeur — 16 exemplaires
Merrily We Go to Hell [1932 film] (1932) — Directeur — 11 exemplaires
Christopher Strong [1933 film] (1933) — Directeur — 8 exemplaires
Blood and Sand [1922 film] (1922) — Uncredited Director — 8 exemplaires
Pre-Code Hollywood Collection (1931) — Directeur — 6 exemplaires
Honor Among Lovers [1931 film] (1931) — Directeur — 5 exemplaires
Craig's Wife [1936 film] (1993) — Directeur — 3 exemplaires
The Bride Wore Red [1937 film] (2014) — Directeur — 2 exemplaires
First Comes Courage [1943 film] — Directeur — 1 exemplaire
The Wild Party [1929 film] — Directeur — 1 exemplaire
Anybody's Woman 1 exemplaire

Oeuvres associées

Étiqueté

Partage des connaissances

Date de naissance
1897-01-03
Date de décès
1979-10-01
Sexe
female
Nationalité
USA
Pays (pour la carte)
United States of America
Lieu de naissance
San Francisco, California, USA
Lieu du décès
La Quinta, California, USA
Lieux de résidence
Hollywood, California, USA
Professions
film director
screenwriter
editor
teacher
film editor
Organisations
University of California, Los Angeles
Pasadena Playhouse
Directors Guild of America (first female member)
Courte biographie
Dorothy Arzner was born in San Francisco, California, and grew up in Hollywood, where her father owned a famous restaurant that was frequented by actors. After high school, she enrolled at the University of Southern California with the dream of becoming a doctor. During World War I, she left school to serve in Europe with an ambulance corps. When the war ended, she decided against returning to her medical studies. The flu pandemic that swept the country left the movie business needing workers, and she got a job as a stenographer at Famous Players-Lasky Corporation, which later became Paramount Pictures. Soon she became a script writer, and was promoted to film editor within six months. She edited more than 50 films, including the 1922 classic silent film Blood and Sand starring Rudolph Valentino. Impressed by her technique, director James Cruze employed her as a writer and editor for several of his films, including Old Ironsides (1926).
Paramount gave her a chance to direct in 1927 with the film Fashions for Women, which became a hit. She directed the studio's first sound film, The Wild Party (1929), for which she had the technicians rig a microphone onto a fishing rod, creating the first boom mike. After making 11 feature films, Arzner left Paramount to become a pioneering independent director for studios such as MGM, RKO, United Artists, and Columbia. The films she directed during this period are her best known, and launched the careers of many actresses, including Katharine Hepburn, Rosalind Russell, and Lucille Ball. In 1936, Arzner became the first woman to join the Directors Guild of America. She left Hollywood in 1943. Afterwards, she made training films for the Women’s Army Corps; produced a radio program called "You Were Meant to Be a Star"; worked in theater; and taught filmmaking at the Pasadena Playhouse and later at UCLA.

Membres

Critiques

Nicole Larsen is detested by her countrymen because they suspect she is collaborating with the occupying Germans. In reality she is working for the Norwegian underground, risking her life passing secrets to the resistance fighters. (fonte: imdb)
 
Signalé
MemorialeSardoShoah | Nov 19, 2020 |
A married bullfighter is seduced.

It's weird how little action there is for a movie about a bullfighter. And they do almost everything they can to make the protagonist unlikable.

Concept: C
Story: D
Characters: D
Dialog: C
Pacing: C
Cinematography: C
Special effects/design: C
Acting: B
Music: C

Enjoyment: C minus

GPA: 1.9/4
 
Signalé
comfypants | Oct 24, 2015 |

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Statistiques

Œuvres
12
Aussi par
3
Membres
64
Popularité
#264,968
Évaluation
3.0
Critiques
4
ISBN
10

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