Photo de l'auteur

Pour les autres auteurs qui s'appellent Karen Abbott, voyez la page de désambigüisation.

5+ oeuvres 3,573 utilisateurs 161 critiques 2 Favoris

A propos de l'auteur

Karen Abbott was born and raised in Philadelphia, Pennsylvania. She worked as a journalist for several years at Philadelphia magazine and Philadelphia Weekly. She also wrote for Salon.com and other publications. She has written several books including Sin in the Second City and American Rose. afficher plus (Bowker Author Biography) afficher moins
Crédit image: Photo by Gilbert King

Å’uvres de Karen Abbott

Oeuvres associées

Sugar in My Bowl: Real Women Write About Real Sex (2011) — Contributeur — 106 exemplaires

Étiqueté

Partage des connaissances

Nom canonique
Abbott, Karen
Nom légal
Kahler, Abbott
Abbott, Karen (birth)
Date de naissance
1973-01-23
Sexe
female
Nationalité
USA
Lieu de naissance
Philadelphia, Pennsylvania, USA
Lieux de résidence
Atlanta, Georgia, USA
Philadelphia, Pennsylvania, USA
New York, New York, USA
Études
Villanova University (BA|1995)
Professions
journalist
historian
Organisations
Philadelphia Weekly
Philadelphia Magazine
Courte biographie
Changed name to Abbott Kahler in 2014.

Membres

Critiques

This grew on me as I got towards the end, but it's certainly a slow build. The cult is gross, but the one twin lying to the other raises interesting questions. If you could protect the person you most love from the things/memories that most hurt them, would you?
½
 
Signalé
KallieGrace | 3 autres critiques | May 8, 2024 |
An attempt to follow up Eric Larson's Devil in the White City by examining the Chicago demimonde in the South Side Levee--the segregated vice district. The characters and historical vignettes are all there, but it never quite comes together. In Larson's tale from the World's Fair, the jarring juxtaposition of human zenith and nadir accentuates the remarkability of both. Here the crimes and antipodes are more banal and less clearly drawn. The chronology and flow of events, what's fact and what's fiction, are opaque and lost at times, making for a confused and bewildering story that lacks momentum at times. An interesting portrait of a city and a decade as progressivism turned towards social hygiene and did away with the whorehouses--and eventually the saloons, the imbeciles, and 18th century notions of liberty. Sadly, much of that needs to be inferred.… (plus d'informations)
 
Signalé
JohnLocke84 | 52 autres critiques | Apr 22, 2024 |
(2014) NF. Abbott tells the story of 4 women who were either spies or undercover during the Civil War. The most fascinating is the story of Emma Edmonds who enlisted with the Union disguised as a man and served valiantly during the war all the while hiding her sex. Very good.KIRKUS:Four Civil War subversives¥who happened to be womenÂ¥garner a lively treatment.Having previously written on Gypsy Rose Lee (American Rose) and the Everleigh brothel in turn-of-the-century Chicago (Sin in the Second City), Abbott finds some sympathetic, fiery characters in these four women who managed to aid their causes, either North or South, in their own particular ways. Belle Boyd, a 17-year-old farmer's daughter from Martinsburg, Virginia, which had voted three to one against secession, declared her loyalty to the Southern cause by shooting a Yankee soldier who dared to touch her mother, and thereby took advantage of the confusion and movement of troops to slip through the lines and pass secrets; she was in and out of jail during the course of the war. Emma Edmonds, having left the family farm in 1859 to reinvent herself as a man selling Bibles door to door, offered herself to the Union cause two years later, serving mostly in a medical capacity. According to Abbott, Edmonds was one of 400 women, Northern and Southern, who posed as men. Rose Greenhow, a comely widow and grieving mother of some means in Washington, D.C., fashioned herself as a spy for the Southern cause, learning code, passing messages wound in her servants' hair and inviting all kinds of late-night gentlemen callers; Greenhow would eventually go abroad to drum up sympathy for the Confederacy in England and France, turning her charms on Napoleon III and others. A wealthy Richmond spinster, Elizabeth Van Lew had deep Yankee roots in her family and was unique in that she cultivated intricate subterfuge right under her Southern neighbors' nosesÂ¥e.g., passing Confederate troops movements to Gen. Benjamin Butler. Abbott proceeds chronologically, navigating the historical record through quotes and personal detail.Remarkable, brave lives rendered in a fluidly readable, even romantic history lesson.Pub Date: Sept. 2, 2014ISBN: 978-0-06-209289-2Page Count: 544Publisher: Harper/HarperCollinsReview Posted Online: June 1, 2014Kirkus Reviews Issue: June 15, 2014… (plus d'informations)
 
Signalé
derailer | 56 autres critiques | Jan 25, 2024 |
The cover of Abbott Kahler's debut novel, Where You End, is what initially caught my eye. For some reason, those bunnies don't look cuddly at all to me. I read the publisher's description and that sealed the deal.

"When Kat Bird wakes up from a coma, she sees her mirror image: Jude, her twin sister. Jude’s face and name are the only memories Kat has from before her accident. As Kat tries to make sense of things, she believes Jude will provide all the answers to her most pressing questions: Who am I? Where am I? What actually happened?"

Amnesia is always a great way to give a book an unreliable character. And adding a twin to the mix ensures it will take time to find answers. I wanted to know the answers too.

Kahler tells her tale in a now and then timeline, from the time the girls were young, and up to the date of Kat's awakening.

Their relationship is peculiar. They even have their own language. But, there's much more to these sisters. As their younger years are exposed I initially was intrigued. But as it continued, I became uncomfortable. Without providing spoilers, I could see what direction the past might be headed and what that might entail. It came close to actual events that took place in our near past.

The story started to become a bit repetitive and a bit muddy. I started to lose the desire to pick up the book. I did finish it, but it was just an okay read for me. This could be a case of the wrong reader for the right book.
… (plus d'informations)
 
Signalé
Twink | 3 autres critiques | Jan 19, 2024 |

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Statistiques

Å’uvres
5
Aussi par
1
Membres
3,573
Popularité
#7,094
Évaluation
½ 3.7
Critiques
161
ISBN
76
Favoris
2

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