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Chargement... Kull Volume 1: The Shadow Kingdompar Arvid Nelson
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Appartient à la sérieKull (1)
More comfortable with a sword than a scepter, the enigmatic Kull has recently crowned himself king and seeks to unite the once proud and powerful land of Valusia. As representatives from all corners of his kingdom seek his counsel, the warrior-king accepts a strange invitation from the Pictish emissary. Kull will need to discard ancient prejudices if he's to save the newly united Valusian empire from a clandestine enemy that once threatened to enslave and exterminate mankind! Aucune description trouvée dans une bibliothèque |
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The distinctive facial scar that characterized the Marvel Kull is abandoned here, but several panels show Kull's massively scarred back -- no doubt a legacy of his widely-rumored time as a galley slave. The Pict warrior Brule really looks fierce in these comics, while he often looked somewhat silly in the old Marvel numbers. Likewise, Conrad captures the joviality of the Pictish ambassador Ka-nu much better than the Severins ever did. The Serpent Men are altogether more inhuman and menacing, and Valusia itself seems more monumental and ancient than it did in the rather medieval Marvel vision. There is plenty of gore, in keeping with the spirit of the REH original, and an appropriately dark tone pervades the stories.
The new version of "The Shadow Kingdom" forms the central bulk of this volume, complemented by a warm-up "The Iron Fortress" and the epilogue "The Eye of Terror." My only complaint about the adaptation was that the very last panel of "The Shadow Kingdom" proper (less than an eighth of the page at the lower right) was a mildly humorous undercutting of the heavy finish of this somber tale. Even so, it did "work" narratively in the larger plot frame that Nelson had constructed in order to expand on Howard's original.
REH scholar Mark Finn provides a foreword here, as he does for the Dark Horse reprint of the early Marvel Kull stories. But where he focuses on the comics in the Marvel case, this essay is really trained on Howard and the genesis of the Kull character. Likewise, a concluding essay by Nelson reflects on the character and his relationship to the better-known and more "successful" Conan, explaining distinctions between them and his preference for the former.