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Un siècle de novembre

par W. D. Wetherell

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381651,427 (4.1)1
Winner of the 2004 Michigan Literary Fiction Award for novel A haunting story of the power of death, the pain of loss, and the possibility of hope. "Gripping, damning, and transfixing." ---Entertainment Weekly " . . . possesses a time-bending gravity. . . . [A] small classic of graceful language and earned emotion." ---San Francisco Chronicle ". . . a beautifully written novel of war and the wrenching grief and unanswerable questions it leaves in its wake. . . . A Century of November is full of precise, startling imagery and elegant, richly poetic description---Wetherell seems genuinely incapable of writing a lazy sentence---and this last section of the novel is as surreal, hypnotic and harrowing as any literature in recent memory. The whole thing, in fact, is a jewel, an unforgettable historical novel that Wetherell has carefully (and artfully) seeded with loads of contemporary resonance." ---Star-Tribune (Minneapolis) "A poignant, probing story. . . . Wetherell's prose and character writing are unflinching . . . [and his] take on a parent's anguish is deeply moving." ---Publishers Weekly "A timely reminder of the devastation of mortal combat. . . ." ---Atlanta Journal-Constitution… (plus d'informations)
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In A Century of November, W. D. Wetherell tells the heartbreaking story of Charles Marden's quest to understand his son's death. Marden travels from British Columbia to the scarred, still smoldering battlefield in Belgium where his son died shortly before the November 11, 1918 Armistice that ended World War I.

This is a beautiful book, poetically written. Wetherell creates images with words – snowy train tracks through the mountains, street celebrations that verge on riots, misty moonscapes of battlefields laced with barbed wire – that linger even after the emotional impact of the story begins to fade.

One small drawback is that the book is very short, so some of the scenes seem truncated. As with most quest literature, the hero encounters several people along his journey who help or teach him in some way and then drop out of the story. In a longer book, these episodes can be drawn in more detail, or there are enough of them that a pattern is more apparent. But in a short book, the quick comings and goings of side characters feels a little choppy.

That is a minor criticism for what is otherwise a forceful book. They are making A Century of November into a movie, which could be very good because Wetherell’s images should translate to the screen easily.

Also posted on Rose City Reader. ( )
  RoseCityReader | Dec 4, 2009 |
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Winner of the 2004 Michigan Literary Fiction Award for novel A haunting story of the power of death, the pain of loss, and the possibility of hope. "Gripping, damning, and transfixing." ---Entertainment Weekly " . . . possesses a time-bending gravity. . . . [A] small classic of graceful language and earned emotion." ---San Francisco Chronicle ". . . a beautifully written novel of war and the wrenching grief and unanswerable questions it leaves in its wake. . . . A Century of November is full of precise, startling imagery and elegant, richly poetic description---Wetherell seems genuinely incapable of writing a lazy sentence---and this last section of the novel is as surreal, hypnotic and harrowing as any literature in recent memory. The whole thing, in fact, is a jewel, an unforgettable historical novel that Wetherell has carefully (and artfully) seeded with loads of contemporary resonance." ---Star-Tribune (Minneapolis) "A poignant, probing story. . . . Wetherell's prose and character writing are unflinching . . . [and his] take on a parent's anguish is deeply moving." ---Publishers Weekly "A timely reminder of the devastation of mortal combat. . . ." ---Atlanta Journal-Constitution

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