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Chargement... Realism, Writing, Disfiguration: On Thomas Eakins and Stephen Cranepar Michael Fried
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Inscrivez-vous à LibraryThing pour découvrir si vous aimerez ce livre Actuellement, il n'y a pas de discussions au sujet de ce livre. Psychoanalytic reading of Thomas Eakins and Stephen Crane, playing with their unconscious thematization of their chosen media (painting, writing) in major works of the post-Civil War US. Fascinating and important book for American art historiography. Fried is one of the most interesting writers in art and literary criticism of the past 40 years. However, I feel some elements of this book haven't aged that well. ( ) aucune critique | ajouter une critique
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"A highly original and gripping account of the works of Eakins and Crane. That remarkable combination of close reading and close viewing which Fried uniquely commands is brought to bear on the problematic nature of the making of images, of texts, and of the self in nineteenth-century America."-Svetlana Alpers, University of California, Berkeley "An extraordinary achievement of scholarship and critical analysis. It is a book distinguished not only for its brilliance but for its courage, its grace and wit, its readiness to test its arguments in tough-minded ways, and its capacity to meet the challenge superbly. . . . This is a landmark in American cultural and intellectual studies."-Sacvan Bercovitch, Harvard University Aucune description trouvée dans une bibliothèque |
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Google Books — Chargement... GenresClassification décimale de Melvil (CDD)759.13The arts Painting History, geographic treatment, biography United States and Canada United StatesClassification de la Bibliothèque du CongrèsÉvaluationMoyenne:
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