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Shanghai Dancing

par Brian Castro

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After 40 years in Australia, Ant nio Castro packs a bag and walks out of his old life forever. The victim of a restlessness he calls "Shanghai Dancing," Ant nio seeks to understand the source of his condition in his family's wanderings. Reversing his parents' own migration, Ant nio heads back to their native Shanghai, where his world begins to fragment as his ancestry starts to flood into his present, and emissaries of glittering pre-war China, evangelical Liverpool and seventeenth-century Portugal merge into contemporary backdrops across Asia, Europe and Australia. A "fictional autobiography," Shanghai Dancing is a dazzling meditation on identity, language and disorientation that combines photographs and written images in the style of W.G. Sebald. The Age has described the book as "an extraordinary polyglot mix of sources: Portuguese, Chinese, English, Jewish and Catholic, and a mysterious recessive black gene... told in Castro's characteristically baroque prose, dense with its passion for language and serious wordplay." The winner of some of Australia's top literary prizes, Shanghai Dancing has been praised by its judges as "a work of major significance that] challenges our expectations of storytelling... It is impressive as history, as fiction, as a book which stretches the literary form and which speaks to the universality of the human experience." Shanghai Dancing marks the U.S. debut of a major Australian literary figure.… (plus d'informations)
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I wanted to like this more than I did. Castro's poetic and labyrinthine prose is frequently beautiful but it somehow adds up to less than the sum of its parts. He slips in and out of geography and history at will, one moment in Shanghai, then Macau, then Liverpool, then Australia; from the present day to the 17th century to a WW2 POW camp in Shanghai. Characters drift similarly in and out of the narrative as Castro tells the semi-fictionalised story of his ancestry and interweaves it with photographs, some real and some not, to serve his central idea - the unreliability of memory and the way that all the stories we tell ourselves - even the most personal - are in some senses fictive. All of which is admirable, but Castro often lacks the writing chops of, say, a Faulkner or a McCarthy to pull off this kind of baroque, poetic writing. The writing too often seems to float rather than soar, which, given that the narrative is so subsumed to the style, really diminishes this ambitious novel. 3/5 ( )
  haarpsichord | Nov 5, 2018 |
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After 40 years in Australia, Ant nio Castro packs a bag and walks out of his old life forever. The victim of a restlessness he calls "Shanghai Dancing," Ant nio seeks to understand the source of his condition in his family's wanderings. Reversing his parents' own migration, Ant nio heads back to their native Shanghai, where his world begins to fragment as his ancestry starts to flood into his present, and emissaries of glittering pre-war China, evangelical Liverpool and seventeenth-century Portugal merge into contemporary backdrops across Asia, Europe and Australia. A "fictional autobiography," Shanghai Dancing is a dazzling meditation on identity, language and disorientation that combines photographs and written images in the style of W.G. Sebald. The Age has described the book as "an extraordinary polyglot mix of sources: Portuguese, Chinese, English, Jewish and Catholic, and a mysterious recessive black gene... told in Castro's characteristically baroque prose, dense with its passion for language and serious wordplay." The winner of some of Australia's top literary prizes, Shanghai Dancing has been praised by its judges as "a work of major significance that] challenges our expectations of storytelling... It is impressive as history, as fiction, as a book which stretches the literary form and which speaks to the universality of the human experience." Shanghai Dancing marks the U.S. debut of a major Australian literary figure.

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