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Words in Air: The Complete Correspondence Between Elizabeth Bishop and Robert Lowell (2008)

par Thomas Travisano (Directeur de publication), Elizabeth Bishop, Saskia Hamilton (Directeur de publication), Robert Lowell

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Robert Lowell once remarked in a letter to Elizabeth Bishop that "you ha[ve] always been my favorite poet and favorite friend." The feeling was mutual. Bishop said that conversation with Lowell left her feeling "picked up again to the proper table-land of poetry," and she once begged him, "Please never stop writing me letters--they always manage to make me feel like my higher self (I've been re-reading Emerson) for several days." Neither ever stopped writing letters, from their first meeting in 1947 when both were young, newly launched poets until Lowell's death in 1977. Presented inWords in Air is the complete correspondence between Bishop and Lowell. The substantial, revealing--and often very funny--interchange that they produced stands as a remarkable collective achievement, notable for its sustained conversational brilliance of style, its wealth of literary history, its incisive snapshots and portraits of people and places, and its delicious literary gossip, as well as for the window it opens into the unfolding human and artistic drama of two of America's most beloved and influential poets.… (plus d'informations)
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» Voir aussi les 9 mentions

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I have never read correspondence before (except in epistolary novels) so I was pleasantly surprised by how readable it was. These letters cover a 30 year span which allows the reader to really get to know Bishop and Lowell. I would recommend either reading their poetry first or having it handy to refer to as (not surprisingly) there are a lot of references to specific poems (even to specific lines or words in the poems). ( )
  leslie.98 | Jun 27, 2023 |
I only made it through 1947-1951. It was visits with Ezra Pound, stays in Key West on the Hemmingway property and stays at Yaddo with the likes of Flannery O'Connor, stays on the rocky coast of Novia Scotia. Coercing Dylan Thomas to make a recording of his work for the poetry collection at the Library of Congress, because that's where you work. Attending a reception for Edith and Osbert Sitwell at New York City's Gotham Book Mart with Marianne Moore, William Carlos Williams, Tennessee Williams, W.H. Auden, Stephen Spender, Randall Jarred and others. Can you imagine? Mental breakdown, asthmatic collapse, failed marriage. The graffiti in Florence, Italy, reads: "Death to the criminal MacArthur," but back in New York your dissecting stanza 5, line 7 of the Kavanaughs. Don't even get me started on Harcourt Brace. 1951-1977 and trips to Brazil with Aldous Huxley for another time. After all, 811 pages of letters isn't exactly summer reading. ( )
  hms_ | Nov 22, 2022 |
Michael Dirda in Wash Post's year end best books 2008 recommends. Anything MD says to consider, I consider.
1 voter | jomajimi | Feb 6, 2009 |
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Nom de l'auteurRôleType d'auteurŒuvre ?Statut
Travisano, ThomasDirecteur de publicationauteur principaltoutes les éditionsconfirmé
Bishop, Elizabethauteur principaltoutes les éditionsconfirmé
Hamilton, SaskiaDirecteur de publicationauteur principaltoutes les éditionsconfirmé
Lowell, Robertauteur principaltoutes les éditionsconfirmé
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Robert Lowell once remarked in a letter to Elizabeth Bishop that "you ha[ve] always been my favorite poet and favorite friend." The feeling was mutual. Bishop said that conversation with Lowell left her feeling "picked up again to the proper table-land of poetry," and she once begged him, "Please never stop writing me letters--they always manage to make me feel like my higher self (I've been re-reading Emerson) for several days." Neither ever stopped writing letters, from their first meeting in 1947 when both were young, newly launched poets until Lowell's death in 1977. Presented inWords in Air is the complete correspondence between Bishop and Lowell. The substantial, revealing--and often very funny--interchange that they produced stands as a remarkable collective achievement, notable for its sustained conversational brilliance of style, its wealth of literary history, its incisive snapshots and portraits of people and places, and its delicious literary gossip, as well as for the window it opens into the unfolding human and artistic drama of two of America's most beloved and influential poets.

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