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Chargement... Sourde angoisse (2003)par Pat Barker
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Inscrivez-vous à LibraryThing pour découvrir si vous aimerez ce livre Actuellement, il n'y a pas de discussions au sujet de ce livre. El reportero Stephen Sharkey, personaje central de esta última novela de Barker, encarna como nunca esta tensión narrativa que caracteriza a la autora. En un cottage rodeado de bosques de abetos, huyendo tanto de la realidad cotidiana de la guerra como de la desintegración de su matrimonio, Stephen escribe un libro sobre cómo la violencia se refleja en los medios de comunicación. Mientras disfruta de este ansiado periodo de descanso, conoce sucesivamente a Kate, viuda de su amigo Ben, muerto en Afganistán, a Justine, una estudiante veinte años más joven que él, y al misterioso Peter, que causa un inexplicable desasosiego en quienes lo tratan. Entre la perplejidad y la confusión, Stephen irá descubriendo que, pese a haberse alejado de las atrocidades del frente, también en este apacible rincón del universo nadie vive a salvo del sufrimiento ni de las devastadoras consecuencias de la crueldad. [warning: potential spoilers] I am conflicted about this novel. It develops a lot of psychological tension which almost seems to demand some sort of incident . . . which doesn't really come. The story does see some resolution but in a rather arbitrary, quotidian way. And many of the strands don't really resolve at all. But I think there's a contrast being built between a world of trauma--growing up essentially parentless, war reporting, prison--where stories regularly include those symbolic, violent climaxes we've come to expect in literature, and a world of relative normality where it's more like one thing after another, where one happening is not a resolution to past happenings, where stuff happens and people try to cope. Imperfectly done, I think. It could use to have been somewhat longer, but bringing this novel to a successful, satisfying end would have been very difficult in any case. This is different from a lot of the war fiction by Pat Barker in that it deals with the aftermath of war rather than life during war. ‘Double Vision’ is set in Barker’s NE England, with both countryside and city drawn clearly. War reporter Stephen Sharkey returns to the NE to stay in his brother’s isolated holiday cottage, he has resigned his job and plans to write a book. It seems idyllic, peaceful, but his dreams are full of war memories, particularly the body of a girl discovered in a Sarajevo ruin, raped and murdered. Kate Frobisher, widow of Sharkey’s war photographer colleague Ben, is a sculptor. She is struggling too, with being alone, and with injuries sustained in a car accident. Kate’s progress with the sculpture of a man, with the deadline looming, forms the spine of this novel. This is not a love story in that there is no romance but it is a story about the love of family, of community, of responsibility. And it is also about the opposite of love: hate, as done to the girl in that Sarajevo ruin. The horrors that man does to man, in wartime and ordinary time, and whether forgiveness and love can redeem those horrors. Barker populates her story with a tightly-drawn circle of characters, puts them into relationships, then mixes things up. Kate cannot physically cope with the work required to sculpt and so hires a man to do the heavy lifting, a man recommended by the local vicar Alec. Justine, the sister of the local vicar, is a part-time nanny for Sharkey’s nephew, she and Sharkey become lovers. Then there is Stephen’s brother Robert and his wife Beth, on the outside their life in a beautiful country house seems beautiful. But is it? And who is Peter, the gardener/labourer who becomes Kate’s assistant, who seems to lurk quietly in the background. There is a tension underlying this story but it is not a thriller, there is not a murderer lurking in the shadows, but Barker makes you want to read on, to find out what happens to these people. I love Pat Barker’s writing, she has a minimal style which reminds me of Hemingway. She seems incapable of writing an unnecessary word. Here’s one small example: ‘His sleep was threadbare, like cheap curtains letting in too much light.’ I know just what she means. Read more of my book reviews at http://www.sandradanby.com/book-reviews-a-z/ good read — too many unfinished stories at the end Writer — War — Photo killed, his sculptress wife — Peter — thief? A gripping novel about the effects of violence on the journalists and artists who have dedicated themselves to representing it In the aftermath of September 11, reeling from the effects of reporting from New York City, two British journalists, a writer, Stephen Sharkey, and a photographer, Ben Frobisher, part ways. Stephen, facing the almost simultaneous discovery that his wife is having an affair, returns to England shattered; he divorces and quits his job. Ben returns to his vocation. He follows the war on terror to Afghanistan and is killed. aucune critique | ajouter une critique
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Profoundly affected by the events of September 11th and its aftermath, two British journalists return to England to face different fates, in a study of the effects of violence on those who come in contact with it. Aucune description trouvée dans une bibliothèque |
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Google Books — Chargement... GenresClassification décimale de Melvil (CDD)823.914Literature English English fiction Modern Period 1901-1999 1945-1999Classification de la Bibliothèque du CongrèsÉvaluationMoyenne:
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So, whereas I fully expected Stephen and Kate to end up together, that didn't happen. Oh, and Justine is brutally assaulted by two burglars who break into Robert's home, but is rescued just in time by Stephen.
So here's the thing, plot-wise DOUBLE VISION is all over the place, messy, surprising and unpredictable. But then life can be that way, right? And all of the characters here are just so damn good! The ending was, well, there wasn't much of any actual ending. Did everyone - or ANYone - "live happily ever after?" Hard to say. Nevertheless I'm glad I found this book (only fifty cents), and very glad I read it. Pat Barker is simply a wonderful writer. Very highly recommended.
- Tim Bazzett, author of the memoir, BOOKLOVER ( )