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Love and Folly

par Sheila Simonson

Séries: Conway Family (3)

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533492,075 (4.03)5
Lady Jean Conway is wildly in love with Owen Davies, a Shellesque poet who is cataloguing the Brecon library, whereas her twin, Lady Margaret, has a tendre for Lord Clanross's private secretary, who is in love with Jean. Both Johnny Dyott, the secretary, and Owen are involved in Radical politics. So is the Earl of Clanross, who wants an immediate reform of Parliament, to the horror of Lady Anne, his political sister-in-law. His wife, Lady Elizabeth, wants to study comets, and his best friend can't decide whether to give away the fortune he's inherited or buy his wife the country estate she yearns for. These intertwined stories play against a canvas of public events, including the divorce of Queen Caroline, in 1820, the silliest year in English history.… (plus d'informations)
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» Voir aussi les 5 mentions

3 sur 3
Another Walker regency novel, well-written with an excellent plot and historical details. ( )
  Bookjoy144 | Mar 2, 2022 |
Romance series generally follow a pattern: each book follows a sibling or friend of the previous book, and marries them off in turn. Couples from earlier novels generally have walk-on parts, spending just long enough on-page to let the reader know that they are deliriously happy and have plenty of babies.

This is not that kind of series.

The Clanrosses from [b:Lady Elizabeth's Comet|2908100|Lady Elizabeth's Comet (Clanross, #1)|Sheila Simonson|http://d202m5krfqbpi5.cloudfront.net/books/1257779204s/2908100.jpg|2935256] and the Falks from [b:The Bar Sinister|2616896|The Bar Sinister (Clanross, Prequel)|Sheila Simonson|http://d202m5krfqbpi5.cloudfront.net/books/1261150964s/2616896.jpg|2641551] are back, and they make up the majority of the novel. Elizabeth's younger half-sisters' romances and intrigues provide the driving force of the plot, but the older, already married characters are the ones I (and I think the author) was most interested in. They have so much left to negotiate and figure out, for themselves and as a couple, and watching them work through it was really fascinating. And I really enjoyed the way history is portrayed in these books--there is real danger from the poor people, who have real grievances, and the censorship of the written word actually seems very threatening here. That said, there isn't really a narrative arc in this book--no build up and then a climax, I mean--and so although my affection for the characters kept me interested, the events themselves are rapidly fading from my memory. ( )
  wealhtheowwylfing | Feb 29, 2016 |
Enjoyable, a little thinner than the other two with the same family/characters. ( )
  Lferion | Dec 11, 2008 |
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Lady Jean Conway is wildly in love with Owen Davies, a Shellesque poet who is cataloguing the Brecon library, whereas her twin, Lady Margaret, has a tendre for Lord Clanross's private secretary, who is in love with Jean. Both Johnny Dyott, the secretary, and Owen are involved in Radical politics. So is the Earl of Clanross, who wants an immediate reform of Parliament, to the horror of Lady Anne, his political sister-in-law. His wife, Lady Elizabeth, wants to study comets, and his best friend can't decide whether to give away the fortune he's inherited or buy his wife the country estate she yearns for. These intertwined stories play against a canvas of public events, including the divorce of Queen Caroline, in 1820, the silliest year in English history.

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