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The Works of Anne Bradstreet

par Anne Bradstreet

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Anne Bradstreet, the first true poet in the American colonies, wrote at a time and in a place where any literary creation was rare and difficult and that of a woman more unusual still. Born in England and brought up in the household of the Earl of Lincoln where her father, Thomas Dudley, was steward, Anne Bradstreet sailed to Massachusetts Bay in 1630, shortly after her marriage at sixteen to Simon Bradstreet. For the next forty years she lived in the New England wilderness, raising a family of eight, combating sickness and hardship, and writing the verse that made her, as the poet Adrienne Rich says in her Foreword to this edition, "the first non-didactic American poet, the first to give an embodiment to American nature, the first in whom personal intention appears to precede Puritan dogma as an impulse to verse." All Anne Bradstreet's extant poetry and prose is published here with modernized spelling and punctuation. This volume reproduces the second edition of Several Poems, brought out in Boston in 1678, as well as the contents of a manuscript first printed in 1857. Adrienne Rich's Foreword offers a sensitive and illuminating critique of Anne Bradstreet both as a person and as a writer, and the Introduction, scholarly notes, and appendices by Jeannine Hensley make this an authoritative edition. Adrienne Rich observes, "Intellectual intensity among women gave cause for uneasiness" at this period--a fact borne out by the lines in the Prologue to the early poems: "I am obnoxious to each carping tongue/ Who says my hand a needle better fits." The broad scope of Anne Bradstreet's own learning and reading is most evident in the literary and historical allusions of The Tenth Muse, the first edition of her poems, published in London in 1650. Her later verse and her prose meditations strike a more personal note, however, and reveal both a passionate religious sense and a depth of feeling for her husband, her children, the fears and disappointments she constantly faced, and the consoling power of nature. Imbued with a Puritan striving to turn all events to the glory of God, these writings bear the mark of a woman of strong spirit, charm, delicacy, and wit: in their intimate and meditative quality Anne Bradstreet is established as a poet of sensibility and permanent stature.… (plus d'informations)
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» Voir aussi les 2 mentions

4 sur 4
need to reread the queen
  telamy | Nov 6, 2023 |
Favourite: “To my dear and loving husband”.
  PollyMoore3 | May 14, 2020 |
This collection is worthwhile, especially, because of the historical poems that Bradstreet manages to intertwine poetic grace with a sense of wonder. There is where the heart of her work, at least to me, lies. The other poems vary in quality, generally diminishing in importance and style towards the latter part of the collection. Nevertheless, it was still worth reading.

3 stars. ( )
  DanielSTJ | Jul 31, 2019 |
I love Bradstreet’s religious themes, but also I loved her personal accounts of life. Although her writing was from a comparatively primitive pioneer era, her poems on motherhood and womanhood, on struggling to find balance in life, on developing and sustaining her Christian faith, and on writing still resonate with me in this very different age.

Ironically, the volume of her own poetry that was published in her lifetime (without her permission) was full of poems that I just could not get into for boredom (a poem on the four elements, one on the four humors of man, etc.). The poems that most resonated with me, those that I would call “the Best,” were the personal, womanhood-inspired poems, ones that she never intended for publication but that reflect her struggles and worries: poems of the heart. I loved those ones.

more on my blog
  rebeccareid | Apr 21, 2011 |
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Nom de l'auteurRôleType d'auteurŒuvre ?Statut
Anne Bradstreetauteur principaltoutes les éditionscalculé
Ellis, John HarvardDirecteur de publicationauteur secondairequelques éditionsconfirmé
Hensley, JeannineDirecteur de publicationauteur secondairequelques éditionsconfirmé
Rich, AdrienneAvant-proposauteur secondairequelques éditionsconfirmé

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Anne Bradstreet, the first true poet in the American colonies, wrote at a time and in a place where any literary creation was rare and difficult and that of a woman more unusual still. Born in England and brought up in the household of the Earl of Lincoln where her father, Thomas Dudley, was steward, Anne Bradstreet sailed to Massachusetts Bay in 1630, shortly after her marriage at sixteen to Simon Bradstreet. For the next forty years she lived in the New England wilderness, raising a family of eight, combating sickness and hardship, and writing the verse that made her, as the poet Adrienne Rich says in her Foreword to this edition, "the first non-didactic American poet, the first to give an embodiment to American nature, the first in whom personal intention appears to precede Puritan dogma as an impulse to verse." All Anne Bradstreet's extant poetry and prose is published here with modernized spelling and punctuation. This volume reproduces the second edition of Several Poems, brought out in Boston in 1678, as well as the contents of a manuscript first printed in 1857. Adrienne Rich's Foreword offers a sensitive and illuminating critique of Anne Bradstreet both as a person and as a writer, and the Introduction, scholarly notes, and appendices by Jeannine Hensley make this an authoritative edition. Adrienne Rich observes, "Intellectual intensity among women gave cause for uneasiness" at this period--a fact borne out by the lines in the Prologue to the early poems: "I am obnoxious to each carping tongue/ Who says my hand a needle better fits." The broad scope of Anne Bradstreet's own learning and reading is most evident in the literary and historical allusions of The Tenth Muse, the first edition of her poems, published in London in 1650. Her later verse and her prose meditations strike a more personal note, however, and reveal both a passionate religious sense and a depth of feeling for her husband, her children, the fears and disappointments she constantly faced, and the consoling power of nature. Imbued with a Puritan striving to turn all events to the glory of God, these writings bear the mark of a woman of strong spirit, charm, delicacy, and wit: in their intimate and meditative quality Anne Bradstreet is established as a poet of sensibility and permanent stature.

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