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Chargement... In the Eye of the Storm: Modernism in Ukraine, 1900?1930spar Konstantin Akinsha
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In the Eye of the Storm: Modernism in Ukraine, 1900-1930s presents the groundbreaking art produced in Ukraine in the early 20th century. The book accompanies an exhibition that traces Ukrainian artistic developments between 1900 and the 1930s in three key cultural centers-- Kharkiv, Kyiv, and Odesa--against a complicated socio-political backdrop of collapsing empires, World War I, the Revolution of 1917, and the creation of Soviet Ukraine. Showcasing avant-garde art and the Ukrainian artists who made it, while acknowledging the complex geopolitical structures and identities within which it functioned, In the Eye of the Storm features works in various media, from traditional oil paintings and drawings to collages, graphic and theater designs, and cinema. Exploring the distinctive voice of Ukrainian artists in the early 20th century, this is a relevant and important publication that reveals Ukraine's significant contribution to modern art. Aucune description trouvée dans une bibliothèque |
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Google Books — Chargement... GenresClassification décimale de Melvil (CDD)700.9477The arts Modified subdivisions of the arts Standard subdivisions of the arts Historical, geographic, persons treatment of the arts Europe Russia & Eastern EuropeClassification de la Bibliothèque du CongrèsÉvaluationMoyenne: Pas d'évaluation.Est-ce vous ?Devenez un(e) auteur LibraryThing. |
Despite these tragic circumstances, Ukrainian art of the period lived through a true renaissance of creative experimentation. In the Eye of the Storm reclaims this essential – though little-known in the West – chapter of European modernism, displaying around 70 works in a full range of media, from oil paintings and sketches to collages and theatre designs. Following a strict chronological order, the show presents works by masters of Ukrainian modernism, such as Oleksandr Bohomazov, Vasyl Yermilov, Viktor Palmov, and Anatol Petrytskyi. Exploring the polyphony of styles and identities, the exhibition includes neo-Byzantine paintings by the followers of Mykhailo Boichuk and experimental works by members of the Kultur Lige, who sought to promote their vision of contemporary Ukrainian and Yiddish art, respectively. It features pieces by Kazymyr Malevych and El Lissitzky, quintessential artists of the international avant-garde who worked in Ukraine and left a significant imprint on the development of the national art scene. The exhibition also showcases artworks of internationally renowned artists who were born and started their careers in Ukraine but became famous abroad, among them Alexandra Exter, Wladimir Baranoff-Rossiné, and Sonia Delaunay.
In the most comprehensive survey of Ukrainian modern art to date, with many works on loan from the National Art Museum of Ukraine and the State Museum of Theatre, Music and Cinema of Ukraine, the Museo Nacional Thyssen-Bornemisza celebrates the dynamism and diversity of the artistic scene in Ukraine, while safeguarding the country’s heritage during the inadmissible, present-day occupation of its territory by Russia.