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An essential compendium on the work, life and legacy of the transgressive autofiction pioneerThe American author Kathy Acker was one of the most influential writers of the 20th century. Working through a tradition spanning Bataille, Burroughs, Schneemann, French critical theory and pornography, she wrote numerous novels, essays, poems and novellas from the early 1970s to the late 1990s, among them the classics The Childlike Life of the Black Tarantula, Blood and Guts in High School and In Memoriam to Identity. A truly pioneering postmodernist, plagiarist and postpunk feminist, Acker continues to inspire generations of writers, philosophers and artists, from her contemporaries such as Dodie Bellamy, Avital Ronell, McKenzie Wark and Chris Kraus to younger writers such as Bhanu Kapil and Olivia Laing.Get Rid of Meaning is the first comprehensive publication to synthesize art and literary perspectives on Acker's work. It shows Acker's own visual sensibility in her cut-up notebooks and her use of mail-art idioms, and orients her emergence within the 1970s art scenes in New York and California populated by Eleanor Antin, Lynn Hershman Leeson and Constance DeJong, among others--artists who made innovations in performance, of which Acker would make use.Also included is previously unpublished material from Acker's personal archive and other collections, including correspondence, her library and various personal effects.Contributors include: Kathy Acker, Dodie Bellamy, Hanjo Berressem, Ruth Buchanan, Anja Casser, Georgina Colby, Leslie Dick, Claire Finch, Johnny Golding, Anja Kirschner, Chris Kraus, Sylvère Lotringer, Douglas A. Martin, Jason McBride, Karolin Meunier and Kerstin Stakemeier, Avital Ronell, Daniel Schulz, Matias Viegener and McKenzie Wark.… (plus d'informations)
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American author Kathy Acker was one of the most influential writers of the 20th century. Working in an experimental and avant-garde tradition between the early 1970s and the late 1990s, she wrote numerous novels, essays, poems, and novellas. As a postmodernist, plagiarist, and post-punk feminist, she continues to inspire generations of writers, philosophers, and artists.
Get Rid of Meaning is the first comprehensive publication on Acker’s work from an artistic and literary perspective—grew out of a multilayered exhibition and symposium at the Badischer Kunstverein, Karlsruhe, Germany.
Structured and designed by Will Holder, the book reflects a long-term research project and provides new insights into Acker’s kaleidoscopic work: It presents previously unpublished material from Acker’s personal archive and other collections, works by contemporary artists addressing Acker’s oeuvre, and in-depth essays by the outstanding academics, writers, and artists who have worked with us throughout the project. The exhibition views included in the book demonstrate the visual dialogue between Acker’s books and manuscripts, her personal library, archival materials, and the artist’s works.
Centered in a 1:1 format on Acker’s notebooks for Blood and Guts in High School, Get Rid of Meaning allows readers and researchers to immerse themselves in a conversation between Kathy Acker’s work and her readers, commentators, and heirs.
We would like to take this opportunity to thank everyone who accompanied and supported us on this journey.
The book features texts by: Kathy Acker, Dodie Bellamy, Hanjo Berressem, Ruth Buchanan, Georgina Colby, Leslie Dick, Claire Finch, Johnny Golding, Anja Kirschner, Chris Kraus, Sylvère Lotringer, Douglas A. Martin, Jason McBride, Karolin Meunier and Kerstin Stakemeier, Avital Ronell, Daniel Schulz, Matias Viegener, and McKenzie Wark. With an introduction by Anja Casser and Matias Viegener.
The exhibition included works by: Eleanor Antin, Alan Benson, Ruth Buchanan, Pauline Boudry / Renate Lorenz, Kathy Brew, Kaucyila Brooke, William S. Burroughs, Jonathan Dawson, Michel Delsol, Leslie Dick & Audrey Wollen, Diane DiMassa & Freddie Baer, Lynn Hershman Leeson, Anja Kirschner, Robert Kushner, Marcus Leatherdale, Sylvère Lotringer, Jackson Mac Low, Jo Mazelis, The Mekons, Karolin Meunier, Ulrike Müller, Lil Picard, Jill Posener, Steve Pyke, Val Rauzier, Natascha Sadr Haghighian, Carolee Schneemann, Alan Sondheim, Kika Thorne, César Vallejo, and Del LaGrace Volcano.
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An essential compendium on the work, life and legacy of the transgressive autofiction pioneerThe American author Kathy Acker was one of the most influential writers of the 20th century. Working through a tradition spanning Bataille, Burroughs, Schneemann, French critical theory and pornography, she wrote numerous novels, essays, poems and novellas from the early 1970s to the late 1990s, among them the classics The Childlike Life of the Black Tarantula, Blood and Guts in High School and In Memoriam to Identity. A truly pioneering postmodernist, plagiarist and postpunk feminist, Acker continues to inspire generations of writers, philosophers and artists, from her contemporaries such as Dodie Bellamy, Avital Ronell, McKenzie Wark and Chris Kraus to younger writers such as Bhanu Kapil and Olivia Laing.Get Rid of Meaning is the first comprehensive publication to synthesize art and literary perspectives on Acker's work. It shows Acker's own visual sensibility in her cut-up notebooks and her use of mail-art idioms, and orients her emergence within the 1970s art scenes in New York and California populated by Eleanor Antin, Lynn Hershman Leeson and Constance DeJong, among others--artists who made innovations in performance, of which Acker would make use.Also included is previously unpublished material from Acker's personal archive and other collections, including correspondence, her library and various personal effects.Contributors include: Kathy Acker, Dodie Bellamy, Hanjo Berressem, Ruth Buchanan, Anja Casser, Georgina Colby, Leslie Dick, Claire Finch, Johnny Golding, Anja Kirschner, Chris Kraus, Sylvère Lotringer, Douglas A. Martin, Jason McBride, Karolin Meunier and Kerstin Stakemeier, Avital Ronell, Daniel Schulz, Matias Viegener and McKenzie Wark.
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Get Rid of Meaning is the first comprehensive publication on Acker’s work from an artistic and literary perspective—grew out of a multilayered exhibition and symposium at the Badischer Kunstverein, Karlsruhe, Germany.
Structured and designed by Will Holder, the book reflects a long-term research project and provides new insights into Acker’s kaleidoscopic work: It presents previously unpublished material from Acker’s personal archive and other collections, works by contemporary artists addressing Acker’s oeuvre, and in-depth essays by the outstanding academics, writers, and artists who have worked with us throughout the project. The exhibition views included in the book demonstrate the visual dialogue between Acker’s books and manuscripts, her personal library, archival materials, and the artist’s works.
Centered in a 1:1 format on Acker’s notebooks for Blood and Guts in High School, Get Rid of Meaning allows readers and researchers to immerse themselves in a conversation between Kathy Acker’s work and her readers, commentators, and heirs.
We would like to take this opportunity to thank everyone who accompanied and supported us on this journey.
The book features texts by: Kathy Acker, Dodie Bellamy, Hanjo Berressem, Ruth Buchanan, Georgina Colby, Leslie Dick, Claire Finch, Johnny Golding, Anja Kirschner, Chris Kraus, Sylvère Lotringer, Douglas A. Martin, Jason McBride, Karolin Meunier and Kerstin Stakemeier, Avital Ronell, Daniel Schulz, Matias Viegener, and McKenzie Wark.
With an introduction by Anja Casser and Matias Viegener.
The exhibition included works by: Eleanor Antin, Alan Benson, Ruth Buchanan, Pauline Boudry / Renate Lorenz, Kathy Brew, Kaucyila Brooke, William S. Burroughs, Jonathan Dawson, Michel Delsol, Leslie Dick & Audrey Wollen, Diane DiMassa & Freddie Baer, Lynn Hershman Leeson, Anja Kirschner, Robert Kushner, Marcus Leatherdale, Sylvère Lotringer, Jackson Mac Low, Jo Mazelis, The Mekons, Karolin Meunier, Ulrike Müller, Lil Picard, Jill Posener, Steve Pyke, Val Rauzier, Natascha Sadr Haghighian, Carolee Schneemann, Alan Sondheim, Kika Thorne, César Vallejo, and Del LaGrace Volcano.