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The Great Man (2007)

par Kate Christensen

MembresCritiquesPopularitéÉvaluation moyenneMentions
4852750,707 (3.49)25
National Bestseller and Winner of the PEN/Faulkner Award for Fiction Oscar Feldman, the renowned figurative painter, has passed away. As his obituary notes, Oscar is survived by his wife, Abigail, their son, Ethan, and his sister, the well-known abstract painter Maxine Feldman. What the obituary does not note, however, is that Oscar is also survived by his longtime mistress, Teddy St. Cloud, and their daughters. As two biographers interview the women in an attempt to set the record straight, the open secret of his affair reaches a boiling point and a devastating skeleton threatens to come to light. From the acclaimed author of The Epicure's Lament, a scintillating novel of secrets, love, and legacy in the New York art world. "Mischievous...funny, astute...As unexpectedly generous as it is entertaining.... Christensen is a witty observer of the art universe." --The New York Times… (plus d'informations)
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» Voir aussi les 25 mentions

Affichage de 1-5 de 27 (suivant | tout afficher)
Here's what I wrote in 2010 about this read: "OK, but an easy read. Those old gals still are kicking it up!' ( )
  MGADMJK | Aug 17, 2023 |
A rare and refreshing novel featuring vivid, well-drawn characters in their 70s & 80s.
An engaging page-turner, sharply rendered. ( )
  dcmr | Jul 4, 2017 |
I loved Kate Christensen's The Great Man, a graceful, smart and character-driven novel set in motion by the death of a renowned artist. The characters are the great man's widow and autistic son, his paramour (and mother of his two daughters), his sister (and fellow stellar artist), and others whose lifelong orbits around the titular character begin to decay rapidly away from the weaker gravity of his memory. In the resulting chaos there are collisions and near-misses and certainly damage is done. But when a dark secret about one of The Great Man's most famous works is revealed, it sparks a realignment of those other bodies into a new configuration that just might work. Spot-on dialogue, wonderful sense of place, lovely insights into what makes human life so interesting. ( )
  jimnicol | Feb 21, 2017 |
Really good fun. ( )
  laurenbufferd | Nov 14, 2016 |
Kate Christensen is a very thorough writer, and fills each character with a plethora of good and bad qualities. This book was fantastic, and I highly recommend this and the Epicure's Lament (I've been unable to find any of her other books at the library, sadly.) ( )
  arpentec | Nov 27, 2015 |
Affichage de 1-5 de 27 (suivant | tout afficher)
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Perhaps being old is having lightened rooms
Inside your head, and people in them, acting
People you know, yet can't quite name; each looms
Like a deep loss restored, from known doors turning,
Setting down a lamp, smiling from a stair, extracting
A known book from the shelves; or sometimes only
The rooms themselves, chairs and a fire burning,
The blown bush at the window, or the sun's
Faint friendliness on the wall some lonely
Rain-ceased midsummer evening. There is where they live:
Not hear and now, but where all happened once.

- Philip Larkin, "The Old Fools"
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"It's amazing how well you can live on very little money," said Teddy St. Cloud to Henry Burke over her shoulder as she strode into the kitchen of her Brooklyn row house.
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National Bestseller and Winner of the PEN/Faulkner Award for Fiction Oscar Feldman, the renowned figurative painter, has passed away. As his obituary notes, Oscar is survived by his wife, Abigail, their son, Ethan, and his sister, the well-known abstract painter Maxine Feldman. What the obituary does not note, however, is that Oscar is also survived by his longtime mistress, Teddy St. Cloud, and their daughters. As two biographers interview the women in an attempt to set the record straight, the open secret of his affair reaches a boiling point and a devastating skeleton threatens to come to light. From the acclaimed author of The Epicure's Lament, a scintillating novel of secrets, love, and legacy in the New York art world. "Mischievous...funny, astute...As unexpectedly generous as it is entertaining.... Christensen is a witty observer of the art universe." --The New York Times

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