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The Book of Pebbles (2019)

par Christopher Stocks, Angie Lewin (Avant-propos), Angie Lewin (Illustrateur)

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2221,018,047 (4.4)5
Why do we pick up pebbles on the beach? What is it we see in them, and why do we take them home to display on our shelves? Is it their inherent beauty, their infinite variation, or simply their associations with a happy time and place? In this book - part social history and part practical guide - writer and pebble collector Christopher Stocks unearths the sometimes surprising story of our love-affair with pebbles, and considers how the way we see them today has been influenced over the years by artists, authors and even archaeologists. Printmaker Angie Lewin is widely admired for her alluringly stylish images of the natural world. She celebrates the experience of walking and sketching along the British coastline, often incorporating pebbles in her limited edition prints and paintings. Many of these feature in the book alongside a series of new images.… (plus d'informations)
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A beautifully illustrated short book (collection of short essays) about the idea of pebbles as art (and more prosaically ornaments), with reference to Picasso, Hepworth, Moore, Kettles Yard in Cambridge and Derek Jarman’s Dungeness garden.
This is supplemented with a very short chapter on different types of pebbles (no photographs, so not very useful, and Stocks refers to the recently republished The Pebbles on the Beach: A Spotter's Guide) and a brief chapter on a few good beaches in the UK to collect pebbles.
It only provides a couple of hours reading, but I enjoyed this slight book as it is a satisfying combination of illustrations and short essays. ( )
  CarltonC | Dec 28, 2021 |
48/2021. The Book of Pebbles by Christopher Stocks (author) and Angie Lewin (illustrator), which is a non-fiction book on the natural history and art of pebbles. Stocks' text washes around Lewin's art like waves on the shore. I particularly enjoyed the anecdote about Barbara Hepworth comparing her paramour Ben Nicholson's head to "the most lovely pebble ever seen". At under 100 pages, if we discount the filler at the back, this book is small but perfectly formed, like a pebble.

Quotes

"Sometimes at night I lie in bed and listen to pebbles being made. The sound is uncanny, yet oddly comforting, like the slow deep breath of a slumbering giant - or more prosaically, as they used to say on the Isle of Portland, like everyone in Weymouth swishing their curtains open and closed at the same time;"

Lmao: (...) "the nineteenth century was dismissed as a purgatory of smoke and stovepipe hats, blacking factories and bewhiskered patriarchs in funereal suits," (...)

Lol, have y'all seen that "prof or hobo" meme? Well: "Enthusiastically bearded, with his clothes in an apparently chronic state of mild disarray, Tandy embodies the Platonic ideal of a geologist," (...) ( )
1 voter spiralsheep | Mar 9, 2021 |
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Nom de l'auteurRôleType d'auteurŒuvre ?Statut
Christopher Stocksauteur principaltoutes les éditionscalculé
Lewin, AngieAvant-proposauteur principaltoutes les éditionsconfirmé
Lewin, AngieIllustrateurauteur principaltoutes les éditionsconfirmé
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Sometimes at night I lie in bed and listen to pebbles being made. The sound is uncanny, yet oddly comforting, like the slow deep breath of a slumbering giant - or more prosaically, as they used to say on the Isle of Portland, like everyone in Weymouth swishing their curtains open and closed at the same time;
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Why do we pick up pebbles on the beach? What is it we see in them, and why do we take them home to display on our shelves? Is it their inherent beauty, their infinite variation, or simply their associations with a happy time and place? In this book - part social history and part practical guide - writer and pebble collector Christopher Stocks unearths the sometimes surprising story of our love-affair with pebbles, and considers how the way we see them today has been influenced over the years by artists, authors and even archaeologists. Printmaker Angie Lewin is widely admired for her alluringly stylish images of the natural world. She celebrates the experience of walking and sketching along the British coastline, often incorporating pebbles in her limited edition prints and paintings. Many of these feature in the book alongside a series of new images.

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