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Nikolai Nikolaevich and Camouflage

par Yuz Aleshkovsky

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Among contemporary Russian writers, Yuz Aleshkovsky stands out for his vivid imagination, his mixing of realism and fantasy, and his virtuosic use of the rich tradition of Russian obscene language. These two novels, written in the 1970s, display Aleshkovsky's linguistic gifts and keen observations of Soviet life.Nikolai Nikolaevich begins when its titular hero, a pickpocket by trade, is released from prison after World War II and finds a job in a Moscow biological laboratory. Starting out as a kind of janitor, he is soon recruited to provide sperm for strange experiments intended to create life in the Andromeda galaxy. The hero finds himself at the center of the 1948 purge of biological science in the Soviet Union, in a transgressive tale that joins science fiction (and science fact) with gulag slang and a love story. The protagonist and narrator of Camouflage is an alcoholic who claims that he and his gang of friends are just one part of a vast camouflaging operation organized by the Party to hide the Soviet Union's underground military-industrial complex from the CIA's spy satellites. As they pass their time on the streets and share their alcohol-inspired fantasies, they see the stark reality of the Cold War in Russia in the late seventies. Nikolai Nikolaevich and Camouflage introduces English-speaking readers to a master of the comic first-person narrative.… (plus d'informations)
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Two filthy and fairly funny novellas from samizdat specialist and exponent of skaz and mat Yuz Aleshkovsky. Neither of these are as well-realised as his novel Kangaroo, but they are still pretty sharp. Nikolai Nikolaevich is the tale of a pickpocket/jailbird who is recruited as a sperm donor for a project to seed Soviet life in the Andromeda galaxy. Nikolai's voice is about 33% expletives and gulag slang which is only partially translatable. But a hell of a lot happens; there's even a rather touching love story amidst the masturbatory mayhem. Camouflage is told by the alcoholic Fedka Milashkin who's convinced that the squalor and desperation of everyday life in his generic Soviet city is all just "camouflage" to prevent American spy satellites from picking up on the military-industrial marvels taking place under the surface. This one features a brutal twist on Lysistrata and some punchy Politburo parody. It's kind of tiring to read, and loses a lot in translation despite Duffield White's best efforts, but the introduction and notes make up for that. ( )
  yarb | Dec 14, 2021 |

A reflection of the mind of a writer in the closed Soviet system. Not a propaganda piece by a repressive government but the apathy of the people caught in the system that they are too tired to fight.
( )
  evil_cyclist | Mar 16, 2020 |
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Among contemporary Russian writers, Yuz Aleshkovsky stands out for his vivid imagination, his mixing of realism and fantasy, and his virtuosic use of the rich tradition of Russian obscene language. These two novels, written in the 1970s, display Aleshkovsky's linguistic gifts and keen observations of Soviet life.Nikolai Nikolaevich begins when its titular hero, a pickpocket by trade, is released from prison after World War II and finds a job in a Moscow biological laboratory. Starting out as a kind of janitor, he is soon recruited to provide sperm for strange experiments intended to create life in the Andromeda galaxy. The hero finds himself at the center of the 1948 purge of biological science in the Soviet Union, in a transgressive tale that joins science fiction (and science fact) with gulag slang and a love story. The protagonist and narrator of Camouflage is an alcoholic who claims that he and his gang of friends are just one part of a vast camouflaging operation organized by the Party to hide the Soviet Union's underground military-industrial complex from the CIA's spy satellites. As they pass their time on the streets and share their alcohol-inspired fantasies, they see the stark reality of the Cold War in Russia in the late seventies. Nikolai Nikolaevich and Camouflage introduces English-speaking readers to a master of the comic first-person narrative.

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