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Wayward Lives, Beautiful Experiments: Intimate Histories of Riotous Black Girls, Troublesome Women, and Queer Radicals

par Saidiya Hartman

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513347,569 (4.3)5
In Wayward Lives, Beautiful Experiments, Saidiya Hartman examines the revolution of black intimate life that unfolded in Philadelphia and New York at the beginning of the twentieth century. Free love, common-law and transient marriages, queer relations, and single motherhood were among the sweeping changes that altered the character of everyday life and challenged traditional Victorian beliefs about courtship, love, and marriage. Hartman narrates the story of this radical social transformation against the grain of the prevailing century-old argument about the crisis of the black family. In wrestling with the question of what a free life is, many young black women created forms of intimacy and kinship that were indifferent to the dictates of respectability. They cleaved to and cast off lovers, exchanged sex to subsist, and revised the meaning of marriage. Longing and desire fueled their experiments in how to live. They refused to labor like slaves or to accept degrading conditions of work. Beautifully written and deeply researched, Wayward Lives re-creates the experience of young urban black women who desired an existence qualitatively different than the one that had been scripted for them-domestic service, second-class citizenship, and respectable poverty-and whose intimate revolution was apprehended as crime and pathology.… (plus d'informations)
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» Voir aussi les 5 mentions

2 sur 2
4.5. I am so glad to have read this book--among other important points, this is a necessary counterpoint in my reading to The Street and Confessions of the Fox (the latter, obviously, is heavily inspired by Hartman's scholarship). I do feel like there were a few points where a slightly more standard history writing might have been useful--the book moves so frequently backward and forward in time with relatively little attention paid to specific dates that it occasionally becomes a little confusing, or undermines certain sections' emotional impact. At the same time, Hartman's entire project/paradigm is so fascinating and brilliant--it creates so much room while still attending to the specificity of the people it focuses on. ( )
  localgayangel | Mar 5, 2024 |
There is so much to this book, encompassing the too often overlooked yet essential and visceral mesh of sex and race, the search for wholeness in otherness, the overcoming of shame, revulsion at our own lust and denied acceptance of who we are innately as well as the perverse worship of an alien false morality, which runs counter to our humanity. Read it! You wont be disappointed, but will come away with fresh hope and understanding. ( )
  RonSchulz | Jun 24, 2022 |
2 sur 2
Wayward Lives is nothing short of a gift. The architecture of the book is itself a dense archival exploration. The pages are filled with caption-less photos of Black women, girls, queer folk, men, and neighborhoods in ruin. It lacks citational subscripts throughout the body of the text however, it italicizes and employs quotations to mark statements and expressions grafted from other materials. A full engagement with the text requires the reader to exert an extra level of care. An attentive reader must page the notes, revisit the cast of characters, connect the themes across stories, sections, and breaks. The task is not to page the book from cover to cover then set it down, but to pause, move forward, return, reconsider, and explore further its errant possibilities.
 
Hartman’s book is, in part, a critique of the mono-dimensional and flat portrayals of Black women and girls as “social documents and statistical persons, reduced to the human excrescence of social law and slum ecology, pitied as betrayed girl mothers, labeled chance creatures of questionable heredity.”

Her experiments with orality and audial text throughout beg for portions of it to be read aloud. Hartman creates sonorous lists at a legato pace that literally give voice to the centrality of movement as the physical expression to be freed.

She calls upon us to look at the lives of those who are on the bottom of the social hierarchy: How do they move, what gives them pleasure and not just pain, and most importantly, what do they want? How do we read resistance from the mundanity and alienation of life under capitalism as an actual desire to be free?
 
Hartman is most original in her approach to gaps in a story, which she shades in with speculation and sometimes fictional imagining — a technique she has used in all her work but never quite so fully as in this new book.
ajouté par aprille | modifierNew York Times, Parul Sehgal (payer le site) (Feb 19, 2019)
 
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In Wayward Lives, Beautiful Experiments, Saidiya Hartman examines the revolution of black intimate life that unfolded in Philadelphia and New York at the beginning of the twentieth century. Free love, common-law and transient marriages, queer relations, and single motherhood were among the sweeping changes that altered the character of everyday life and challenged traditional Victorian beliefs about courtship, love, and marriage. Hartman narrates the story of this radical social transformation against the grain of the prevailing century-old argument about the crisis of the black family. In wrestling with the question of what a free life is, many young black women created forms of intimacy and kinship that were indifferent to the dictates of respectability. They cleaved to and cast off lovers, exchanged sex to subsist, and revised the meaning of marriage. Longing and desire fueled their experiments in how to live. They refused to labor like slaves or to accept degrading conditions of work. Beautifully written and deeply researched, Wayward Lives re-creates the experience of young urban black women who desired an existence qualitatively different than the one that had been scripted for them-domestic service, second-class citizenship, and respectable poverty-and whose intimate revolution was apprehended as crime and pathology.

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