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The Stationmaster's Cottage

par Phillipa Nefri Clark

Séries: River's End Romance (1)

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644415,596 (3.36)Aucun
"Christie Ryan believes her extraordinary life has everything she could ever hope for. She travels the globe as a make-up artist, working in exotic locations on movie sets. In between assignments she lives on the glamorous waterfront of Melbourne with her fianc, Derek. Their relationship may not be perfect, but she has finally cultivated the stability that was absent throughout her childhood. Life is good. But time had different plans for Christie. The death of her estranged grandmother draws her into a mystery fifty years in the making and takes her to a small cottage in the seaside town of River's End. She seeks help from enigmatic artist Martin Blake, but their aims clash as she pursues the answers that he is determined to keep hidden. As the secrets of the past begin to unravel, however, so does the safe world Christie has built around her."--Publisher's description.… (plus d'informations)
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4 sur 4
Two love stories generations apart.

I love time slip novels and this book did not disappoint.

If you are fans of Kate Morton and Lucinda Riley then i think you will enjoy this book.
The cover drew me immediately to this book, an old scroll, ribbon interlacing rings, a key and an old photo – were all elements that told a story of its own.

I was a little disheartened with the start of the book and struggled to get into the story but I can promise you, perseverance is vital.

And once you have connected with this book you will not want to put it down. The writing completely immerses you into the story and the rest of the world fades into the background and the book takes over.

Christie Ryan is a successful makeup artist whose love life is on the rocks so her fiance Derek plans a romantic getaway for them in the hopes of reconnecting them both and some well needed time together.
Unfortunately Christie’s grandmother dies unexpectedly and even though she has been estranged from her grandmother she decides to attend the funeral whilst Derek goes ahead to their holiday destination Lizard Island.

When Christie arrives in River’s End she finds that her estranged Grandmother left her a cottage, and the mystery surrounding the cottage.

She discovers an old painting and a bundle of old love letters that draw her into the heart wrenching world of Thomas and Martha in a fifty-year-old mystery. They set Christie off on a journey into the past, revealing much about her grandmother, great-aunt and a mysterious man named Thomas Blake.

She soon enlists the help of a local artist, Martin Blake, a local resident and relative of Thomas Blake. The cottage has many secrets to share but some secrets don’t want to be shared.

Tied to Christie’s story is her great-aunt Martha’s story which takes us back in time and reveals a tragic past, defined by misunderstanding and unfortunately matters left unsaid, leaving a trail of broken hearts that reverberates across the decades..

Heartbreaking and heartwarming in equal measure this book is an emotional rollercoaster that had me in tears.

This book is simply beautiful and i can not recommend this book highly enough and it will be a book i will read again.

If you love romance books with mystery entwined you need to read this book. Breathtaking, heart wrenching, beautiful book spanning over 5 generations.

Read this book, you won’t regret it! Congratulations Phillipa Nefri Clark on this book and I can’t wait to read your next book 🙂
( )
  DebTat2 | Oct 13, 2023 |
A literary letdown of epic proportions: a painfully banal narrative filled with annoying characters, questionable dialogue, unending melodrama and a failed attempt at blending mystery and romance in the most abysmal way imaginable.

This was a thoroughly, abysmally and disgustingly bad book. The worst book I’ve read in a very long time. I picked it up because it was shelved as Romance and Mystery, two genres that I usually enjoy and I was intrigued how this would play out.

Little was I prepared for the almost unbearable banality of the "mystery" that turned out to be a silly family drama and the extreme levels of melodrama.

»“How could you have done it?” Christie cried. “I will never forgive you. Never!”«
(On a graveyard, towards a dead person, during a thunderstorm.)

Basically, in the past Martha and Thomas were engaged but due to meddling by family and friends were never married. In the present, film and TV makeup artist Christie Ryan, Martha’s great-niece, is also engaged. In her case to cliché “evil land developer” Derek who bullies her and becomes violent if he deems it necessary.

The problem is: The past engagement drama is supposed to play out in 1967/1968. Martha and Thomas, each in their early twenties at the time, seem to be stuck in an earlier era:

»"You need someone to curb your wild nature. Someone with a firm hand," he whispered.
Martha opened her eyes. “You can’t tame the wind. Or the ocean, except in your paintings.” Her expression dared him to disagree.«

Taming of the shrew? Yikes. Thomas behaves like that and Martha doesn’t run…

Christie is not much better in her interactions with her fiancé Derek.

»Christie went numb. “Why don’t you understand?”

"I do understand. That's the problem, Chris. From the day we first met, I knew you needed a man who would guide you through life. You're too trusting and generous. I mean, those are admirable qualities, but it doesn't get you anywhere, and you'll end up being badly hurt."

But you’re hurting me now! What did he want her to say? Apparently, nothing, as he was happy to continue.«

That’s pretty much the same Thomas said and Christie hardly ever ceases to find excuses for this kind of behaviour. Excuse me while I vomit.

When Christie’s grandmother, Dorothy the meddler, dies, Christie travels to River’s End to attend the funeral alone because Derek prefers to visit a luxury resort alone instead of supporting Christie.

Once there and somewhat settling in her newly-inherited cottage, the eponymous “Stationmaster’s Cottage”, Christie finds and reads a lot of unopened letters from Thomas to Martha, her grandmother’s diary and finds some revealing items and, like that, discovers what’s behind the “mystery”. Those letters which we get to read in full as well, also read like they’ve fallen out of time. They’re also just plain annoying and page-fillers.

After half of the book I strongly considered DNF’ing but just couldn’t bring myself to do it. That’s when Martin, Thomas’ grandson and Christie’s new-found love-interest comes fully into play - and things go further downhill. Martin behaves arrogantly, patronisingly and is extremely and excessively dominant towards Christie whom he’s interested in but collectively tries to punish for her major original sin:

»If only she were not Dorothy's grandchild.«

Christie feels that but nevertheless falls in love pretty much immediately and, just like that, picks up the next abusive guy:

»Martin stopped. He half-smiled at his dog and Christie, still cuddling on the sand. “We need to talk. Walk with me.”
It was a command, not an invitation. It took all of two seconds for Christie to get back to her feet and jog after him, Randall in tow.«

(Randall being the real dog here…)

I guess Christie likes him for his generosity towards her, though…

»You only ever need to tell me what you want to, Christie. Just because I ask a question, doesn't mean you have to answer."«

The moment that broke the proverbial camel’s back, though, came a bit later. Read carefully now and maybe, like me thrice, till you understand what the author of a novel published in 2017 (!) seems to find ok, if not condone:

»“I’m not coming to your rescue anymore today. What are you going to do when I leave?”
- “Lock the door.”
"Lock the door. Didn't I ask you to do that last time I left?"
Wide-eyed, Christie nodded. Martin slipped an arm around her waist and pulled her close against his body, forcing her to look up at him.
- “The day for a discussion about respect, and now, about putting yourself at risk, is getting close. Before you leave this door unlocked again, think about how much you value sitting down to eat dinner.”«

I get the author probably thinks Martin is just being protective and internationally-travelled Christie, successful in her career, is a damsel in distress who needs rescuing. Excuse me, though: Threatening, even as a “joke”, physical violence? That’s just a total deal breaker and completely unacceptable. At that point, Christie should have kicked Martin’s pompous and overbearing arse out and locked him out forever.

(To boot, that happens immediately after Christie had already been threatened and physically hurt by Derek…)

Of course, everything gets resolved as if by magic and, within a few weeks, Christie moves from one abuser, Derek, to a new one, Martin, but at that point, the novel is so far beyond redemption that none of that really matters anymore.

I’m just glad to get rid of this novel. One out of five stars.

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  philantrop | Jul 6, 2023 |
Two love stories generations apart.
I love time slip novels and this book did not disappoint.
If you are fans of Kate Morton and Lucinda Riley then i think you will enjoy this book.
The cover drew me immediately to this book, an old scroll, ribbon interlacing rings, a key and an old photo – were all elements that told a story of its own.
I was a little disheartened with the start of the book and struggled to get into the story but I can promise you, perseverance is vital.
And once you have connected with this book you will not want to put it down. The writing completely immerses you into the story and the rest of the world fades into the background and the book takes over.
Christie Ryan is a successful makeup artist whose love life is on the rocks so her fiance Derek plans a romantic getaway for them in the hopes of reconnecting them both and some well needed time together.
Unfortunately Christie’s grandmother dies unexpectedly and even though she has been estranged from her grandmother she decides to attend the funeral whilst Derek goes ahead to their holiday destination Lizard Island.
When Christie arrives in River’s End she finds that her estranged Grandmother left her a cottage, and the mystery surrounding the cottage.
She discovers an old painting and a bundle of old love letters that draw her into the heart wrenching world of Thomas and Martha in a fifty-year-old mystery. They set Christie off on a journey into the past, revealing much about her grandmother, great-aunt and a mysterious man named Thomas Blake.
She soon enlists the help of a local artist, Martin Blake, a local resident and relative of Thomas Blake. The cottage has many secrets to share but some secrets don’t want to be shared.
Tied to Christie’s story is her great-aunt Martha’s story which takes us back in time and reveals a tragic past, defined by misunderstanding and unfortunately matters left unsaid, leaving a trail of broken hearts that reverberates across the decades..
Heartbreaking and heartwarming in equal measure this book is an emotional rollercoaster that had me in tears.
This book is simply beautiful and i can not recommend this book highly enough and it will be a book i will read again.

If you love romance books with mystery entwined you need to read this book. Breathtaking, heart wrenching, beautiful book spanning over 5 generations.

Read this book, you won’t regret it! Congratulations Phillipa Nefri Clark on this book and I can’t wait to read your next book 🙂 ( )
  DebTat2 | Dec 6, 2018 |
This was an enjoyable cozy mystery and double romance. The characters were personable (death had already dealt with the nasty people). The plot and pace were mildly riveting. ( )
  BridgitDavis | May 3, 2018 |
4 sur 4
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"Christie Ryan believes her extraordinary life has everything she could ever hope for. She travels the globe as a make-up artist, working in exotic locations on movie sets. In between assignments she lives on the glamorous waterfront of Melbourne with her fianc, Derek. Their relationship may not be perfect, but she has finally cultivated the stability that was absent throughout her childhood. Life is good. But time had different plans for Christie. The death of her estranged grandmother draws her into a mystery fifty years in the making and takes her to a small cottage in the seaside town of River's End. She seeks help from enigmatic artist Martin Blake, but their aims clash as she pursues the answers that he is determined to keep hidden. As the secrets of the past begin to unravel, however, so does the safe world Christie has built around her."--Publisher's description.

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