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Chargement... Asian Women Artistspar Dinah Dysart
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"The many feminisms of the Asian world are introduced in this series of essays on contemporary women artist written by art critics and historians from the region." "The relevance of the western feminist model is negotiated and new perspectives on gender issues are revealed through the experiences of women from China, Korea, Taiwan, Hong Kong, Japan, India, Philippines, Thailand, Singapore, Vietnam and Indonesia." "Prominent women painters, sculptors, photographers, printmakers, installation and performance artists are profiled with more than one hundred colour reproductions testifying to the quality and vitality of their art." "Subject matter is as diverse as the Asian region itself. The vocabulary of the modern Asian woman can as well include a critique of consumer culture worked in fake fur and fibreglass as it can an environmental statement constructed from traditional materials such as bamboo sticks. She may manipulate sophisticated technological equipment, or work with indigenous found objects, to express spiritual concerns that may be Buddhist, Hindu, Christian or Muslim in origin. She is as likely to be a postmodernist as she is to be a tribal artist. Conventional fine arts hierarchies determined by western scholarship are called to account by women's art from cultures which have their own histories, social problems, religious beliefs, and aesthetic standards."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved Aucune description trouvée dans une bibliothèque |
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The many feminisms of the Asian world are introduced in this series of essays on contemporary women artists written by art critics and historians from the region. The relevance of the western feminist model is called to account and new perspectives on gender issues are revealed through the experiences of women from China, Korea, Taiwan, Japan, India, Philippines, Singapore and Indonesia. Prominent women painters, sculptors, installation artists and printmakers are profiled with more than 100 colour photographs testifying to the quality and vitality of their art.
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From Library Journal
Scholarship in feminist art and women's studies is significantly expanded by the appearance of these volumes. Asian Women Artists is a collection of 15 short essays introducing the work of scores of little-known Asian women artists from different religious backgrounds and countries, including China, Korea, Taiwan, North Vietnam, and India. Some of the well-illustrated essays were first published in ART AsiaPacific, where Dysart and Fink are art editors. In concise prose, the authors, mostly art historians, curators, and critics, either survey a sequence of women artists from a region or country or discuss a single artist. This book successfully demonstrates how many Asian women are now taking a progressive feminist perspective, rather than perpetuating national traditions. Art facilitator and consultant Voigt's tome begins with several pages of generalizations on feminist art theories and then becomes exciting reading. Voigt interviewed a large number of Australian women artists, directly or by questionnaire. Responses from 34 women?including a few Aboriginal?are recorded here, commenting on their own works. Color plates are lavish; the interviews and illustrations are immediate and up-to-date. Most artists are postmodern in outlook but not derivative. Important short biographies conclude the volume. Like Asian Women Artists, Voigt's book is highly recommended.?Mary Hamel-Schwulst, Towson State Univ., Md.
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