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Curtmantle

par Christopher Fry

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Excerpt from Curtmantle: A Play Between these two dates there is a seething cauldron Of events, conflicts, purposes, errors, brilliance, human endurance, and human suffering, which could provide, in those thirty-hye years, all that we need for a lifetime's study and contemplation of man kind. NO single play could contain more than a splash from the brew. What to use and what to lose out of this feverish concentra tion of life? How far should fidelity to historical events be sacrificed to suit the theatre? If a playwright is rash enough to treat real events at all, he has to accept a double responsibility: to drag out Of the sea Of detail a story simple enough to be understood by people who knew nothing about it before; and to do so without distorting the material he has chosen to use. Otherwise let him invent his characters, let him 'go to Ruritania for his history. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.… (plus d'informations)
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This is another play about the conflict between England's Henry Ii and his Archbishop of Canterbury Thomas a Becket. I read it almost 40 years ago, so memory is hazy. I remember it being drier and less engaging than Anouilh's Becket, but much more accessable than Eliot's Murder in the Cathedral. ( )
  aulsmith | Nov 3, 2010 |
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Excerpt from Curtmantle: A Play Between these two dates there is a seething cauldron Of events, conflicts, purposes, errors, brilliance, human endurance, and human suffering, which could provide, in those thirty-hye years, all that we need for a lifetime's study and contemplation of man kind. NO single play could contain more than a splash from the brew. What to use and what to lose out of this feverish concentra tion of life? How far should fidelity to historical events be sacrificed to suit the theatre? If a playwright is rash enough to treat real events at all, he has to accept a double responsibility: to drag out Of the sea Of detail a story simple enough to be understood by people who knew nothing about it before; and to do so without distorting the material he has chosen to use. Otherwise let him invent his characters, let him 'go to Ruritania for his history. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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