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Hotel Florida: Truth, Love, and Death in the Spanish Civil War

par Amanda Vaill

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1798152,205 (3.65)22
"A spellbinding story of love amid the devastation of the Spanish Civil War Madrid, 1936. In a city blasted by a civil war that many fear will cross borders and engulf Europe--a conflict one writer will call "the decisive thing of the century"--six people meet and find their lives changed forever. Ernest Hemingway, his career stalled, his marriage sour, hopes that this war will give him fresh material and new romance; Martha Gellhorn, an ambitious novice journalist hungry for love and experience, thinks she will find both with Hemingway in Spain. Robert Capa and Gerda Taro, idealistic young photographers based in Paris, want to capture history in the making and are inventing modern photojournalism in the process. And Arturo Barea, chief of Madrid's loyalist foreign press office, and Ilsa Kulcsar, his Austrian deputy, are struggling to balance truth-telling with loyalty to their sometimes compromised cause--a struggle that places both of them in peril. Hotel Florida traces the tangled wartime destinies of these three couples against the backdrop of a critical moment in history. As Hemingway put it, "You could learn as much at the Hotel Florida in those years as you could anywhere in the world." From the raw material of unpublished letters and diaries, official documents, and recovered reels of film, Amanda Vaill has created a narrative of love and reinvention that is, finally, a story about truth: finding it out, telling it, and living it--whatever the cost"--… (plus d'informations)
  1. 00
    The Hotel on Place Vendome: Life, Death, and Betrayal at the Hotel Ritz in Paris par Tilar J. Mazzeo (sloreck)
    sloreck: Many of the same individuals discussed in both books: Hemingway, Gellhorn, and Capa
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» Voir aussi les 22 mentions

Affichage de 1-5 de 8 (suivant | tout afficher)
My only issue with this well-researched book is the title. Hotel Florida seemed like a minor part of the narrative. ( )
  sblock | May 12, 2021 |
A gripping description of the Spanish Civil War and its implication for the rest of Europe as seen not through the eyes of the combatants, but through the eyes of three couples who wrote about it and photographed it. This felt more "up close and personal" and made sense out of a very confusing time period. Very readable. Pictures were included in the edition I read. ( )
  steller0707 | Aug 25, 2019 |
Het relaas van de Spaanse burgeroorlog waarin Robert Capa, Ernest Hemingway en Arturo Barea, samen met hun vrouwelijke partners (Gerda Taro, Martha Gellhorn en Ilse Pollak-Kulcsar), de hoofdrol spelen. ( )
  joucy | Feb 24, 2015 |
I had a hard time getting through this book as I just did not find it that interesting as I had hoped for. Knowing little to begin with about the Spanish Civil War did not help. Not a great deal was given on it and I had a hard time keeping things straight between the Loyalists and the Nationalists. The book basically covers the lives and interactions of a group of people caught up in the conflict and the covering of it. Hemingway being the most famous and his affair with Martha Gelhorn. "For Whom the Bell Tolls", considered his seminal work came out of the experience of course. The book dragged for me with little of riveting action in my opinion. I am always amazed at the detail such authors go into in descriptions and conversations making one think they were actually there. I wonder often how much they interject themselves. ( )
  knightlight777 | Dec 27, 2014 |
Correspondents, loyalists, insurgents, spies, adventurers, tourists, and even a few genuine patriots; war stories and love stories; true stories and damned lies--it's hard to tell which is which. Excellent! ( )
  seeword | Jul 8, 2014 |
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"A spellbinding story of love amid the devastation of the Spanish Civil War Madrid, 1936. In a city blasted by a civil war that many fear will cross borders and engulf Europe--a conflict one writer will call "the decisive thing of the century"--six people meet and find their lives changed forever. Ernest Hemingway, his career stalled, his marriage sour, hopes that this war will give him fresh material and new romance; Martha Gellhorn, an ambitious novice journalist hungry for love and experience, thinks she will find both with Hemingway in Spain. Robert Capa and Gerda Taro, idealistic young photographers based in Paris, want to capture history in the making and are inventing modern photojournalism in the process. And Arturo Barea, chief of Madrid's loyalist foreign press office, and Ilsa Kulcsar, his Austrian deputy, are struggling to balance truth-telling with loyalty to their sometimes compromised cause--a struggle that places both of them in peril. Hotel Florida traces the tangled wartime destinies of these three couples against the backdrop of a critical moment in history. As Hemingway put it, "You could learn as much at the Hotel Florida in those years as you could anywhere in the world." From the raw material of unpublished letters and diaries, official documents, and recovered reels of film, Amanda Vaill has created a narrative of love and reinvention that is, finally, a story about truth: finding it out, telling it, and living it--whatever the cost"--

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