AccueilGroupesDiscussionsPlusTendances
Site de recherche
Ce site utilise des cookies pour fournir nos services, optimiser les performances, pour les analyses, et (si vous n'êtes pas connecté) pour les publicités. En utilisant Librarything, vous reconnaissez avoir lu et compris nos conditions générales d'utilisation et de services. Votre utilisation du site et de ses services vaut acceptation de ces conditions et termes.

Résultats trouvés sur Google Books

Cliquer sur une vignette pour aller sur Google Books.

Chargement...

The Wicked

par Douglas Nicholas

Séries: Something Red (2)

MembresCritiquesPopularitéÉvaluation moyenneMentions
494522,214 (3.77)2
Mystical Irish queen Molly, with her powers of healing, is the only one who can save her people from an evil nobleman and his equally evil wife, while young warrior Hob and his adopted family work together to destroy the dark powers before all is lost.
Aucun
Chargement...

Inscrivez-vous à LibraryThing pour découvrir si vous aimerez ce livre

Actuellement, il n'y a pas de discussions au sujet de ce livre.

» Voir aussi les 2 mentions

4 sur 4
A very fitting sequel to The Red. I especially enjoyed the character development of the young ones, finding their places in the world's and in their family. I do hope there is more to come! ( )
  zizabeph | May 7, 2023 |
I am not normally a big fantasy reader, but I enjoy a little something fanciful now and then. I enjoyed Douglas Nicholas' previous novel, Something Red, and I was not disappointed in The Wicked. Thirteenth-century England is the perfect setting for this sort of adventure, with elements of historical fiction, mystery and magic.

Once again, exiled Irish queen Molly is traveling the countryside with her granddaughter, Nemain, her young apprentice, Hob, and her lover, Jack Brown. They have come to the castle of Sir Jehan, who they saved in Something Red, to discuss a creeping danger that is facing his long-time friend, Sir Odinell. Something is preying on the people in the surrounding lands - draining their life force, leaving wizened corpses. Knights sent out to battle this evil do not return or return in a daze, a shadow of their former selves. With good reason, Sir Odinell suspects Sir Tarquin and his wife; they have a malevolent air about them and their behavior is suspicious. But how does one battle an ancient evil?

Of course, Molly and Nemain recognize the evil and have a plan for fighting it. Their particular variety of Irish magic fits so beautifully into the Olde English setting. However, for me, the star of this series is Hob. He has grown so much - he started out as such an innocent, raised by a parish priest, and he has become a vital part of this traveling band. While he may not understand the magic that they practice, he is bright and observant, often noticing details the others have missed. He struggles with their practices - he was raised by a priest, after all, and he is traveling with pagans - but he clearly loves his new family and it is interesting to see them all through his eyes.

I am really looking forward to the next book in this series. I enjoy the portrayal of life in that time period, the mysticism and the characters. Before writing novels, Nicholas was a poet and that shows in his writing. It's a real pleasure to read. ( )
  LisaLynne | Sep 25, 2014 |
I absolutely loved Douglas Nicholas' initial foray into fantasy/horror/alternative history with 'Something Red'. It was deep and poetic with a linguistic flourish found all too infrequently in consumer fiction. While there's a hint of Nicholas' original magic in 'The Wicked', it's truly only a hint. The characters are bland at best and wooden at worst. The story flows well enough, but with too few interesting plot turns. Nicholas' writing is also flatter than his original.

If you enjoyed 'Something Red', you may enjoy 'The Wicked', but measure your expectations ( )
  JGolomb | Sep 18, 2014 |
A particularly horrific evil has come to reside in a castle near the North Sea. Corpses are being discovered completely drained of their youth and vigour. When knights are sent to discover the cause, they do not return or they return changed in manner and in the service of Sir Tarquin who seems to be the source of the evil. Queen Molly and her extended family are asked to intervene. Molly recognizes the evil but it is stronger than any she has encountered before. It will take all of her strength and that of her granddaughter, Nemain to defeat it and even then it may not be enough.

The Wicked is the sequel to Something Red, Douglas Nicholas’ fantasy/horror tale set in 13th c. Norman England and a worthy one it is. Nicholas has an historian’s eye for the times he is writing about but he has a poet’s grasp of language. As a result, he has created a tale both fascinating in its details and lyrical in its language and dialect. It is also extremely creepy in places and romantic in others. In other words, it is not easy to fit this series into any one genre. What I can say for sure though is that it is a very unique and marvelous telling of an original story by an expert story-teller, the kind of book that is a real pleasure to read. ( )
  lostinalibrary | Dec 5, 2013 |
4 sur 4


Nicholas’ sequel to his historical saga, Something Red (2012), continues the haunting tale of exiled Irish queen Maeve and her cohorts in medieval north England.

Maeve’s troop rests at the castle of the Sieur de Blanchefontaine, Sir Jehan, the place where she defeated an evil presence, one appearing as a fox "the size of a small horse." Maeve is with her granddaughter, Nemain; former crusader Jack Brown; and the orphan Hob, now Squire Robert under Sir Jehan’s patronage. Word of trouble comes from lands of the Sieur de Chantemerle, Sir Odinell. A Northumbria newcomer, Sir Tarquin, is "secretive," "barely civil," and soon after his arrival, "affairs began to go awry." Knights are spellbound. Peasants disappear and are found as corpses, "horribly wizened…skin…brown and harsh as bark…interior collapse along fault lines deep in the flesh." Sir Jehan persuades Maeve to help Sir Odinell. After the journey to castle Chantemerle, Maeve glimpses evil emanating from Sir Tarquin and realizes "there’s a fell being that haunts this coast: something dire, something vast." Nicholas is a marvelously descriptive writer, littering the narrative with images of table fare at inns ("cruppy-dows, cakes made of oatmeal and fish”), medieval dialects ("a few miles tae t’sooth, sithee”) and battledress ("mail hauberks and coifs, armored gloves, greaves, and helms”). Major character development comes as Hob matures into the future-queen Nemain’s worthy betrothed and warrior-protector, and the dark, violent tale moves rapidly as Maeve’s troop journeys through desperate adventures and into Northumbria, meeting charcoal makers, slaying bandits and staying a "sennight" at Abelard Inn awaiting the summons of Sir Odinell to confront Sir Tarquin. And much like a more profound Harry Potter for adults, Nicholas’ fantasy-laced knights-of-old saga ends with opportunity for more to come.

Nicholas weaves the magic of wizards and sorceress—buidseach and cailleach phiseogach—so naturally into the medieval milieu that Maeve’s tale reads as entertaining historical fiction rather than a fey supernatural tale.



ajouté par Scribes | modifierKirkus Reviews (Feb 15, 2014)
 
A dark threat shadows medieval North England in Nicholas’s eerie sequel to Something Red. Known for handling the supernatural, Irish Queen Maeve, called Molly, agrees to aid Norman lord Sir Odinell in investigating the mysterious deaths plaguing his lands. Odinell blames Sir Tarquin, a newcomer to a local stronghold, who boasts an evil manner and the uncanny ability to hypnotize Odinell’s knights. Molly gathers her team—her teen granddaughter, Nemain; her lover, shapeshifter Jack Brown; and Nemain’s betrothed, the squire Hob—but she still ends up doing most of the work herself, and narrator Hob often fails to grasp or convey the nuances of Molly’s actions. There is never a mystery about the villain, only about how Molly and company will triumph in the end. Nicholas’s strength lies in the historical setting and his use of language; the dialects are sometimes challenging to decipher, but they give the dialogue a pleasant solidity, and his prose mimics the flow and structure of speech. Fantasy readers interested in the medieval period will be drawn into Nicholas’s detailed world. (Mar.)
Reviewed on: 11/11/2013
Release date: 03/25/2014
ajouté par DouglasNicholas | modifierPublishers Weekly (Nov 11, 2013)
 

Review from the Historical Novel Society:
The Wicked

By Douglas Nicholas
The Wicked by Douglas Nicholas

In this sequel to the well-received Something Red, travelling entertainers Molly, Jack, Nemain, and Hob are in 13th-century northern England at Castle Blanchefontaine. Molly is actually a mystical Irish battle queen, Nemain is her powerful granddaughter, and Jack, a former Crusader, is helping Hob learn warrior skills. They have defeated a great evil, but are asked to fight a bigger and even more dangerous supernatural enemy. The quartet must deal with many dangers, such as a nefarious noble couple, fearsome, glowing-eyed familiars, weirdly spell-bound knights, and grotesque corpses of murdered unfortunates. The fate of the world is at stake, and they may not be victorious.

This book is harsher and more violent than Something Red. While it has elements of history, mystery, and romance, they are overshadowed by the horror theme. The faint-hearted may want to sleep with the lights on after finishing this book. Still, by the end of the story Nicholas is writing evocative, poetic scenes for Nemain and Hob that are a joyful contrast to all the terror and violence that went before. Recommended with reservations.
 
Review of THE WICKED in LIBRARY JOURNAL:

The 13th-century traveling troupe of players from Nicholas's debut, Something Red, returns in another meticulously plotted and researched blend of horror and historical fantasy. Irish queen-in-exile Molly and her granddaughter Nemain learn of a supernatural entity preying upon those living along North Sea coast. The two, with help from strongman Jack and 15-year-old Hob, must stop a local nobleman who seems able to drain the life force from people and leave them as either withered corpses or mindless slaves. More suspenseful and gothic than the gorier first novel, this sequel also shows readers more of Molly's pagan powers as she pits them against the vampiric Sir Tarquin. VERDICT An almost Dickensian level of detail transports readers to medieval England in poet Nicholas's gorgeously written novel. The players, especially point-of-view character Hob, are nuanced and interesting, but it is the setting and tense action that make this a gripping read.
ajouté par Scribes | modifierLibrary Journal
 

Appartient à la série

Vous devez vous identifier pour modifier le Partage des connaissances.
Pour plus d'aide, voir la page Aide sur le Partage des connaissances [en anglais].
Titre canonique
Informations provenant du Partage des connaissances anglais. Modifiez pour passer à votre langue.
Titre original
Titres alternatifs
Date de première publication
Personnes ou personnages
Lieux importants
Évènements importants
Films connexes
Épigraphe
Informations provenant du Partage des connaissances anglais. Modifiez pour passer à votre langue.
The wicked plotteth against the just,
and gnasheth upon him with his teeth.

—Psalm 37
this dead butcher and his fiend-like queen
—Macbeth, V. viii.
Dédicace
Informations provenant du Partage des connaissances anglais. Modifiez pour passer à votre langue.
For Theresa
Premiers mots
Informations provenant du Partage des connaissances anglais. Modifiez pour passer à votre langue.
Beneath the hum and chatter of the lower hall, the bang of wooden dishes and the clink of pewter, the crackle of flames in the fireplace, Hob could hear the tick of Sir Jehan’s bronze fingertips against the arm of his chair.
Citations
Informations provenant du Partage des connaissances anglais. Modifiez pour passer à votre langue.
She watched the road where it curved out of sight. The sea grumbled; the moon burned along the ridges of the waves. Around the bend came a double column of Sir Tarquin’s bewitched knights.
The shutters were all open. The sun was near the horizon, and the honey light, pouring low across the fields outside, striking in through the two windows in the western wall, gilded the battered tables and benches. The shadows along the walls and in the corners were the deeper by contrast. The music, the light, combined in some way, and the shabby room put beauty on like a garment; the farmers had grown solemn, and gazed on Molly and Nemain almost as though in prayer.
The music ceased for a moment, and Hob sat, symphonia on his lap, head turned, afire with curiosity. Down the central aisle came Sir Tarquin, and by his side, holding her right hand supported on his left hand’s upturned palm, Lady Rohese. Hob saw a tall, broad-shouldered man, stern-featured, with a certain pallid smoothness to his skin. Against this complexion his burning black eyes stood out. They were set somewhat close together, but not so much that it was unpleasant; his hair was a sleek dark pelt worn in the Norman style.

Sir Tarquin strode up the aisle, exuding a certain—not joie de vivre, perhaps—but power, vigor, a gliding athletic gait. This last reminded Hob of . . . what was it? Yes, yes, he had it: when a small boy, he had once seen, in Father Athelstan’s tiny larder, a snake, perhaps hunting mice, sliding in slow curves among the jars and sacks, silent, muscular, smooth as oil. Plainly Sir Tarquin walked, though he made less sound than might have been expected, yet there was something of that serpent’s glide about his movements.

Beside him: Lady Rohese, a woman of smoldering beauty, a woman neither young nor much past youth, dark-haired, dark-eyed. Hob had just begun to think how beautiful she was when she looked at Molly’s table, and he thought to see an expression of the sourest evil, covered over with an attempt at neutral cordiality—an effect as of powdered sugar on a dish of spoiled meat. The sight was profoundly disorienting, a sensation of being pulled in two directions at once, and he began to understand Sir Odinell’s odd reaction to her, and to understand as well the knight’s difficulty in expressing it.
Derniers mots
Notice de désambigüisation
Directeur de publication
Courtes éloges de critiques
Langue d'origine
DDC/MDS canonique
LCC canonique

Références à cette œuvre sur des ressources externes.

Wikipédia en anglais (1)

Mystical Irish queen Molly, with her powers of healing, is the only one who can save her people from an evil nobleman and his equally evil wife, while young warrior Hob and his adopted family work together to destroy the dark powers before all is lost.

Aucune description trouvée dans une bibliothèque

Description du livre
Résumé sous forme de haïku

Auteur LibraryThing

Douglas Nicholas est un auteur LibraryThing, c'est-à-dire un auteur qui catalogue sa bibliothèque personnelle sur LibraryThing.

page du profil | page de l'auteur

Discussion en cours

Aucun

Couvertures populaires

Vos raccourcis

Évaluation

Moyenne: (3.77)
0.5
1
1.5
2
2.5 1
3 3
3.5 1
4 6
4.5
5 2

 

À propos | Contact | LibraryThing.com | Respect de la vie privée et règles d'utilisation | Aide/FAQ | Blog | Boutique | APIs | TinyCat | Bibliothèques historiques | Critiques en avant-première | Partage des connaissances | 205,011,817 livres! | Barre supérieure: Toujours visible